to prove your point. The Philippine film industry‚ considered by many critics‚ producers‚ directors‚ movie workers‚ is either slowly but surely dying or is already dead. Notice the use of the term "Philippine film industry" instead of "Philippine cinema." This is such for the main reason that the people who deem filmmaking in the Philippines dead‚ qualify their assumption based on box-office returns and the profit their movies make. Hence it is more apt to use the term film industry since what they
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How important was Weimar Cinema to the Development of the German Film Industry? The cinema of the early 20th century saw a vast rise in popularity of the film industry across the world and especially so in Germany after the early development of moving pictures had surfaced at the very end of the 19th century. One of the most significant influences in the film industry was of course the advancement of technology. The reason for this is that Thomas Edison invented his “Kinetoscope” in 1891 and
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Litsa Mouka 1 I know very well‚ but all the same… A study of fetishism I know very well‚ but all the same... A study of fetishism in relation to cinema This dissertation is an exploration into the different ways cinema utilises processes of fetishisation to evoke desire and disavow lack. In all cases it will show how the basic notion of fetishism functions as a symbolic substitution for the lack and as such‚ how it imposes itself onto the structure of film and the experience of watching/looking
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The Philippine cinema is the youngest of the Philippine arts‚ and still is considered as one of the popular forms of entertainment among the Filipinos. It directly employs some 260‚000 Filipinos and generates around PHP 1.5 billion revenues annually.[1] Contents [hide] 1 Overview 2 History 2.1 Origins 2.2 American period 2.3 World War II and Japanese occupation 2.4 1950s 2.5 1960s 2.6 1970s to early 1980s 2.7 Contemporary period 2.7.1 Late 1980s to 1990s 2.7.2 2000 and beyond 3 See also
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Is the label “national cinema” still a useful one? Critically evaluate the usefulness of the term in relation to at least two films from this course. 1. floating life 2. chunking express 3. my blueberry night Like different countries have different culture‚ customs and give people different feeling‚ as an important part of one’s culture industry‚ movies from different places gives people different sense of feeling. That’s the magic of National cinema. But under the big trend of globalisation
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INT. MARLON’S BEDROOM - DAY An alarm clock starts ringing. MARLON’S hand hand reaches out to turn off the alarm. He is shown in bed struggling to get up. MARLON (V.O.) Ako si Marlon. He gets up and goes to the bathroom and takes a bath. MARLON (V.O.) Marlon Garcia. 16 years old. Nakatira sa Luntaho Village‚ Cagayan de Oro City. He exits the bathroom and looks at the mirror.
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There are lots of temples in Tamil Nadu where Siva is worshipped as Nataraja. Lord Siva‚ as the god of dance is known as Nataraja. There are lots of temples in India and especially in Tamil Nadu where Siva is worshipped as Nataraja. But‚ there are mainly five places in Tamil Nadu where the cult of Nataraja is worshipped with gaiety and pomp. The dancing deity Nataraja can be seen in these Pancha sabbas or five halls of Tamil Nadu. The five temples - Chidhambaram‚ Maduarai‚ Thiruvilankadu‚ Tirunelveli
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54:2005 o (n.d.) o (September 2012). New York Magazine. In September 11 by Numbers. Retrieved June 1‚ 2013‚ from http://nymag.com/news/articles/wtc/1year/numbers.htm o (n.d.) o (n.d.). Start. InTerrorist Organization Profile: Liberation Tigers of Tamil Eelam (LTTE). Retrieved June 1‚ 2013‚ from http://www.start.umd.edu/start/data_collections/tops/terrorist_organization_profile.asp?id=3623 o Kate Pickret
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100 YEARS OF INDIAN CINEMA Indian Cinema has now completed 100 years on April 21‚ 2012‚ a country where over 1‚000 films are made every year‚ in several languages. During these long years Indian cinema has broken many new grounds and established several milestones. The Times of India‚ India’s major newspaper then‚ hailed it as "the marvel of the century". As writer and essayist Mukul Kesavan wrote‚ "The art of the cinema was fashioned in India at the same time as it was developed in the West". The
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DECLINE OF STARDOM AND EMERGENCE OF REAL LIFE CHARACTERS IN MALAYALAM CINEMA: A STUDY BASED ON SALT AND PEPPER‚ TRAFFIC AND ADAMINTE MAKAN ABU INRODUCTION The Malayalam film had a glorious past of 80 years. It has gone through various phases of time and of success‚ failures in various aspects of film‚ of technical changes‚ treatment of the plot‚ editing styles etc. The black and white moving
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