strengths TGV cinema can take the advantage of strong financial position to make improvement as old fashion‚ traditional or manually operation will result in business being backward in the competitive edge. They should hire more workers to ensure that the system or program work more efficiently. Besides‚ it can do more promotions like offer various special packages. All these can bring their customers` satisfaction level to a higher level by utilize the good financial condition. TGV cinema has TGV
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Topic: Hong Kong cinema has been characterized by a strong transnational and global nature. Chinese identity and its relationship with Hollywood. Introduction: In the 1990s of Hong Kong‚ its movies‚ styles‚ stars and filmmakers were exportable to Western market. In the essay I will focus on how Hong Kong cinema become “transnational” and “borderless” in recent years‚ and relying on Hong Kong actors analyse it’s the relationship with Hollywood. Thus Hong Kong cinema in general is a crucial
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century was an exiting time for this business that we call show. The film industry had not restricted itself to Hollywood. The film industry had spread its wings round the world at a fantastic rate. This term paper focuses on the early years of Russian cinema‚ the films that were made‚ and the directors that pushed the boundaries of Russian entertainment. We will trace a path through history; from the beginning of the silent era‚ the introduction of sound‚ and the sound of drums which heralded the beginning
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narrative of Krishna’s childhood is then unfolded revealing his divine self. At the end the great underwater sequence shows Krishna subjugating the demon snake Kaliya followed by the ritual of aarti and celebration. PIFF 2013 100 Years Of Indian Cinema Sant Tukaram Sant Tukaram 1936-35 mm-130-Marathi-Black And White-India Director: Vishnupant Govind Damle‚ Sheikh Fattelal Cast: Vishnupant Pagnis‚ Gouri‚ Pandit Damle‚ Kusum Bhagwat‚ Bhagwat‚ Master Chhotu‚ B. Nandrekar‚ Shankar Kulkarni‚ Shanta
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Portrayal of Muslims in Indian Cinema By Taqdees Babar To Abbass Rashid Butt (Assignment for M.phil) “Cinema is the great interpreter of the past and constantly programs the memory of its audience‚” Abstract: Ever since the partition of the sub-continent in 1947‚ when Britain took apart its Indian domain‚ India and Pakistan have been arch rivals. Bollywood is one of the famous and the strongest industry among the film industries around the world‚ even before the incident of 9/11 happened
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Humanizing Terrorism in Indian Cinema A closer look at Mani Ratnam’s Roja and Dil Se Nationalism‚ as professor Sumita Chakravarty describes it‚ is the “integrity of the nation-state and the imagined belongingness of its citizens (Chakravarty‚ 2000).” This notion of nationalism and nationwide unity has been a recurrent theme in the films explored in the course South Asian Cinema. Many of the films have been interpreted as national
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the largest motion picture theatre exhibitor in Canada. The Toronto-based partnership serves approximately 60 million customers under the following five brands: Cineplex Odeon‚ Galaxy‚ Famous Players (including Coliseum‚ Colossus‚ and SilverCity)‚ Cinema City‚ and Scotiabank Theatres. This portfolio utilizes multi-branding to target a wide scope of quality seeking segments without damaging its premium end brands. Critical Success Factors in the Movie Theatre Industry The core service of exhibition
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The liberation of women in Japanese cinema The purpose of this work is to investigate the social position of women in Japanese cinema from its beginnings to the present. The main aspect is the link between the masculine dominance and the objectification of women‚ combined with Freudian theories of castration anxiety‚ as well as Lacanian ‘mirror stage’. These theories play a crucial role in this work as the representation of power‚ demonstrated through objectification‚ may affect the gender equilibrium
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themselves. She has been the subject of countless works of art and literature‚ from the ancient epics and cave paintings and voluptuous statuary of the Ajanta and Ellora caves and the temple art of Khajuraho to the modern day novels‚ calendars and cinema. Whether bejeweled and ornamented or concealed behind a veil‚ revered as mother and goddess or despised as a widow‚ she has most often been portrayed as a graceful‚ sensuous and mysterious creature‚ loving and gentle‚ in need of protection and guidance
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MODERNITY AND NATIONHOOD IN INDIAN CINEMA MODERNITY‚ NATIONHOOD AND NEHRUVIAN IDEOLOGY AFTER INDEPENDENCE B.A FILM PRODUCTION TERM PAPER SUBMITTED TO ASC-UCLAN SEMESTER- 1 COURSE: REVIEW: READING FILMS COURSE CODE: SUBMIT BY: BHAVNEET SIROHI DATE: 28 JANUARY 2013 INTRODUCTION In this paper I address some of the ways in which ideas of modernity and nationhood is tackled in Hindi films after independence .My primary interest is to understand how modernity and Nationhood was
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