Parallel Cinema While Indian Cinema known as Bollywood was thriving in the 1950s‚ the film industry also saw the emergence of a new Parallel Cinema movement. A group of film-makers broke with the past traditions and made exciting‚ experimental and innovating films (Gupta 11). Indian Parallel Cinema is a specific genre of Indian cinema which is known for its serious content‚ realism and naturalism‚ which reflected social and politics during those times (Gupta 14). Indian parallel cinema represents
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Cinema has always been a world of fantasy and grandeur. What a common man cannot do in the real world is done by the star in the reel world. The artistic eyes of the filmmaker always wants the frame to be outstanding or beyond normal. How do you get it? The film is shot in exotic locations. Indian cinema has always fantasized about shooting in foreign locales. It was in the late 1970’s Indian cinema industry went abroad to film. They mostly frequented U.S.A‚ Singapore or the United Kingdom. In
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Cinema in Nepal = The first cinema show in Nepal took place in Bhadra 17‚ 1990 BS at Singhadurbar‚ during the time of Juddha Shumsher. = For public cinema show opened up from 2004 BS. = The making of Nepali films is said to have begun with D. B. Pariyar’s Satya Harishchandra‚ which was the first Nepali Language film to be shot. It was produced from Kolkata‚ India‚ and was released on September 14‚ 1951 (2007BS). This movie was first screened in Nepal at Narayanhiti Palace for King Tribhuvan.
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Special Economic Zones Policy of Government of Tamil Nadu 2003 Preamble The Government of India have announced the concept of Special Economic Zones (SEZs) in the year 2000 through a revision in the EXIM Policy 1997-2002 with a view to provide an internationally competitive and hassle free environment for export production. These SEZs are virtually deemed to be a foreign territory within the country free from all the rules and regulations governing the import and export. The SEZs are specifically
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AN ESSAY ON – YOUTH AND CINEMA Cinema nowadays leaves a great impact (effect) on the minds of people. Its effect can be seen not only on the elders of rural and urban areas but on the children as well. Going to the pictures has now become a craze with young people‚ both boys and girls‚ and it has been noticed that they often economize (save) on other items of expenditure but they must see films every week. This fast growing habit is not only expensive (costly)‚ but also results in considerable (great)
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edu/DMC/African%20Journals/pdfs/.../caj002004006.pdf http://www.cinemaofmalayalam.net/newwave.html indian parallel cinema Through his first film Pather Panchali (1955) Satyajit Ray became the pioneer of a genre of films latter known as the ’Indian Parallel Cinema ’. Even though Ritwik Ghatak made his first film Nagarik in 1952‚ he became well known by his film Ajantrik (1958) and became a strong presence in parallel cinema. Mrinal Sen made his first filmRaatbhor in 1955. The first film society was founded in Bombay in
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Cinema is in today’s world the most popular means of entertainment. Millions of people watch cinema everyday all over the world-not only as a means of entertainment but also as an escape from the monotony‚ boredom‚ anxiety and troubles of life. It is a restful‚ pleasurable and entertaining means of rewinding and relaxing after a long day’s work. All the senses are captivated while viewing cinema and the next two and a half or three hours are spent in a wink. Moreover‚ it is that means of entertainment
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after Hindi and Bengali.[4] It was conferred the status of a Classical language by the Government of India.[5][6] It is one of the twenty-two official languages of the Republic of India.[7] It is widely spoken in Andhra Pradesh and also spoken in Tamil Nadu‚ Karnataka‚ Orissa‚ and Puducherry‚ with major populations in Bengaluru and Chennai; the dialects spoken in these places vary greatly from the standard version of the language. It is also spoken among a diaspora population in the USA‚ Malaysia
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MGR – Tamizhin Thangamagan (The Golden Son of Tamil) Introduction This essay is an attempt to sketch a brief biographic study on Dr. Marudhur Gopalan Ramachandran (MGR)‚ one of the most influential political veterans in south India and often referred by many as the “Golden Son” of the ‘Dravida Iyakam’. MG Ramachandran was born on Jan 17th 1917 in Sri Lanka. He started his career as an actor in 1936. Acting was his first love and he continued to act for a short time even after he became a politician
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The Danish “Golden Age” of cinema is owed almost wholly to Nordisk Films Compagni and the strategic decisions it made in the early 1910s to differentiate its films in order to ensure a strong exportation of its product. Likewise‚ the demise of Denmark’s film industry is owed in part to Nordisk and its inability to deviate from its profitable formula for successful film among an ever-evolving industry. This paper will examine Denmark’s quick rise to cinematic influence during its Golden Age‚ detail
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