can see muscles in his legs and arms flexing. One difference in this version versus Michelangelo’s version is size. Bernini used a realistic size instead of a superhuman size. Another difference in this version is that it is a bit more modest‚ you can see that David is nude but his genitalia is covered by cloth. Donatello’s David is very different from the Michelangelo and Bernini versions. In this version‚ the war is already over. David is standing completely relaxed with one leg propped up
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Qureia Peggins Assignment 2 November 28‚ 2012 Western Kentucky University What is the American Dream‚ how do I see it. The dream gave hope and aspirations life. The dream began in the early times as plain but revolutionary notions. Back in time they seen the American dream different as we see it today Prior to watching the film I seen the American Dream as something I wanted to live by. In my eyes the dreams was having a car‚ a house finishing college sending my kids to college and retiring
Free Sociology Émile Durkheim
Renaissance‚ Donatello created a sculpture of David by recreating a scene from the Bible. As time passed Michelangelo created a newer version of David that wasn’t so youthful and had more detail than Donatello’s David. Sculpting had evolved over time when Bernini finally created an elaborate David in mid-fight. All of these sculptures were acceptable in the time in which they were created but as time went by people’s preferences had changed and so had the purpose of the sculptures.
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to ignite the fervor of the people for the Church and its beliefs. Some artists during this period‚ however‚ retain a more classical style. Works to identify and know in depth: Artist Title Date Bernini David 1600s (19-7) [pic] Bernini Ecstasy of Saint Theresa 1600s (19-1‚ 19-8) [pic] Bernini Saint Peter’s‚ Vatican City‚ Rome 1600s (19-4‚ 19-5) Caravaggio Conversion of Saint Paul 1600s (19-17) [pic] Artemisia Gentileschi Judith Slaying Holofernes 1600s (19-20) [pic] Velázquez Surrender
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Quotes: 1. What a piece of work is a man! How noble in reason! How infinite in faculties... – hamlet 2. Man is born free‚ yet everywhere he is in chains. Rousseau 3. Modern society is rotten even at its roots. Rouseeau 4. Get back to Nature … Noble Savage .. SOCIAL CONTRACT - rouseeau 5. Reason is supreme . Human reason can solve every problem facing humankind. - descartes 6. A work of art is a public dream – frued – Oedipus complex 7. We live in an ordered‚ rational‚ understandable
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St. Peters Basillica St. Peters Basilica in Rome is one of the most influential Christian sites found within contemporary society. This building‚ complete with an obelisk‚ an enclosed piazza‚ a central façade and a dome‚ is the work of several architects and programs throughout the Early Christian‚ Renaissance and Baroque periods. The importance of St. Peters Church is its foundation on a necropolis with the tomb of St. Peter‚ a Christian martyr and the first pope of Rome. When considering the plan
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Garrett Eugair AP European History Chapter 14: New Directions in Thought and Culture in the Sixteenth and Seventeenth Centuries Notes Nicolaus Copernicus Rejects an Earth-Centered Universe Biographical information Polish priest and scientist educated at the University of Krakow wrote On the Revolutions of the Heavenly Spheres in 1543 Commissioned to find astronomical justification so that the papacy could change the calendar so that it could correctly calculate the date of Easter‚ Copernicus’s
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VENICE IN 14TH CENTURY Venice’s maritime empire: 13th - 15th century In the scramble to grab Byzantine land after the 4TH crusade‚ in 1204‚ the Venetians concentrate on territories suiting their maritime interests. They take the islands of Corfu and Crete. They yield Corfu ten years later to the Greek ruler of Epirus (the nearest part of the mainland)‚ but Crete remains a Venetian possession for more than four centuries. It is the first in a chain of valuable staging posts to the eastern
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The Baroque Era The Seventeenth Century Nikita Reid “A General Overview of the Chapter” During the end of the sixteenth century to the mid eighteenth century‚ the Baroque Era prospered in Europe and its provinces. This section studies the Baroque expressions and the political setting against which they created. The writing of this period incorporated various subjects and structures‚ some recognizable yet numerous new and inventive. As the government developed progressively absolutist the
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Andrea Mantegna (1431 – September 13‚ 1506) was a North Italian Renaissance painter‚ a student ofRoman archeology‚ and son in law of Jacopo Bellini. Like other artists of the time‚ Mantegna experimented with perspective‚ e.g.‚ by lowering the horizon in order to create a sense of greater monumentality. His flinty‚ metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer ofprints in Venice before
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