The building that captures the essence of 17th-century western culture is the Baroque sculpture Gianlorenzo Bernini (The Ecstasy of St. Teresa). Because it’s one of the best remarkable pictures to look at for the baroque. Designed to bring holy of the catholic faith. excessive state of amusement. From the far image‚ I see the angel trying to protect ST. Teresa
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irony is that “The Ecstasy of St. Theresa” by Gianlorenzo Bernini‚ can be articulated quite the same to me. And what pulls it together is that this marble statue‚ was created in the Baroque period of art‚ in Rome‚ in a window in the Santa Maria church. Being a Christian girl myself‚ I often find myself bearing off course when it comes to my opinions of this piece. Let’s start with religion‚ then judgement and immorality. Let’s start with the obvious views religiously. St. Theresa was a nun. In this
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Gianlorenzo Bernini Kelsey Hardy Born in 1598 in Naples‚ Gianlorenzo Bernini would go on to dominate the art world with his sculptures and architecture. Bernini was born to sculptor Pietro Bernini and Angelica Galante. He was the sixth of thirteen children. Bernini would not marry until May 1639‚ when he wed twenty-two year old Caterina Tezio. She bore him eleven children. He later died in Rome in 1680 and was buried in the Basilica di Santa Maria Maggiore. Bernini’s career began under his
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"Art is not what you see‚ but what you make others see"-Edgar Degas. In the 17th century art In Europe‚ Gianlorenzo Bernini gave us a beautiful painting "Saint Teresa of Avlia in Ecstasy" 1645-1652. We also look at a another well done painting by Caravaggio "The Conversation is St. Paul" in 1601. Looking at both of these paintings we see they both have a huge influence on Baroque art. Taking a closer look at each painting gives us a better understanding on how important these two paintings really
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The Baroque style in art that flourished in the seventeenth century is characterized by “intense emotions‚ monumental decors‚ and even a kind of artistic sensationalism (Hunt‚ Martin and Rosenwein 473).” It is a movement that was heavily embellished and very complex‚ primarily because it wanted to evoke a strong sense of emotion from the viewer. The artists who subscribed to this particular movement “embraced dynamism‚ theatricality‚ and elaborate ornamentation‚ all used to spectacular effect‚ often
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comes to art‚ everyone knows of the two most infamous sculptors that have ever lain feet on this Earth. I am referring to the great Michelangelo and the brilliant Bernini. These two artists are known for being some of the best artists during their era. Michelangelo is one of the most well-known Renaissance artists to ever live‚ whereas Bernini is famously known as being a Baroque artist. Each era had a new style of art and these artists are the ones that really defined these new styles. These differences
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The ecstasy of St. Theresa by Gian Lorenzo Bernini Basic information: Period of completion: 1647-1652 Medium used: Marble height: c. 11’ 6" (3.5m) Provenance: Santa Maria della Vittoria‚ Rome Interpretation/analysis: The Ecstasy of Saint Teresa (alternatively Saint Teresa in Ecstasy or Transverberation of Saint Teresa; in Italian L’Estasi di Santa Teresa or Santa Teresa in estasi) is the central sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel‚ Santa
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THE COUNTER REFORMATION CHURCH REQUIRED THAT ART SHOULD PROVIDE AN EMOTIONAL STIMULUS TO PIETY AND INVOLVE THE SPECTATOR. WITH THIS IN MIND‚ HOW DID GIANLORENZO BERNINI (1598-1680) FIND NEW WAYS OF REINVENTING STATUES OF CHRISTIAN FEELING? Quod non fecerunt barbari Fecerunt Barberini Anonimous[1] Gianlorenzo Bernini (1598-1680) is considered to be “the artist who most profoundly shaped the public appearance of the Roman Papacy.”[2] He was an artist in every sense:
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Gian Lorenzo Bernini “Ecstasy of Saint Teresa” I chose Ecstasy of Saint Teresa by Bernini because it is an impressive multi-media installation that helps me understand the intense experience of Saint Theresa’s visions. Four black marble columns frame the scene of Saint Theresa floating as if on a cloud as a playful angel is about to plunge an arrow repeatedly into her. Her face portrays a feeling of intense pain and pleasure as she accepts the glory and light of her lord. Heavenly light is shining
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The Ecstasy of St. Teresa‚ by Gion Lorenzo Bernini‚ is located at the Cornaro Chapel‚ Santa Maria Della Vittoria‚ Rome. Your initial reaction to this sculpture is awe; it’s visually breath-taking. Saint Teresa and an angel are the two dominant figures. Directly above the saint and angel‚ Bernini uses natural light to suggest heaven. “St Teresa and the angel are shown as if suspended on a cloud above the altar‚ the whole scene within the niche being illuminated from heaven by a concealed window (Gion
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