Tchaikovsky Interpretation
“Dance of the Sugar Plum Fairy” by Pyotr Ilyich Tchaikovsky is one of the best known songs in The Nutcracker. Miles Hoffman, the music commentator for Morning Edition and a nationally renowned violinist, once stated, “And many of them [Tchaikovsky’s melodies] in this - just in this one ballet [The Nutcracker]- are immortal” (Hoffman). Tchaikovsky first began work on the music to the now internationally renowned ballet in February 1891 (Schwarm). While in Paris that year, he heard an instrument called the celesta, whose name is derived from the word celestial, being played, and thought its unique, twinkly sound would be perfect for the music of the fairy-tale ballet he was working on. This instrument is used as the melody in the song “Dance of the Sugar Plum Fairy” (“History of Nutcracker”). In March 1892, selections from the orchestral suite were performed for the first time; however, the ballet, based on Alexandre Dumas’ lighter adaption of the fantasy story, The Nutcracker and the Mouse King, by E.T.A. Hoffman, premiered on December 18, 1892 along with Tchaikovsky’s opera, Iolanta, at the Imperial Mariinsky Theatre in St. Petersburg, Russia (Schwarm). Originally, the ballet was not popular; however, it
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The famous main melody, introduced after a few counts of quarter notes from the lower instruments, is played and repeated by the upper instruments three times with slight changes each time. During this melody, it can be difficult to play the notes short and precise while maintaining the delicacy. It then completely shifts to a moving section with chromatic eighth notes from the upper instruments that through crescendo and decrescendo with the lower instruments playing an interesting part in between repetitions. Eventually, it switches back to the main melody until the song ends with a rich long tone from the lower
The famous main melody, introduced after a few counts of quarter notes from the lower instruments, is played and repeated by the upper instruments three times with slight changes each time. During this melody, it can be difficult to play the notes short and precise while maintaining the delicacy. It then completely shifts to a moving section with chromatic eighth notes from the upper instruments that through crescendo and decrescendo with the lower instruments playing an interesting part in between repetitions. Eventually, it switches back to the main melody until the song ends with a rich long tone from the lower