previously analyzed in the Statue of Liberty‚ the method of screen printing has created some sections of unpainted linen. These sections are seen especially in the top row of the prints in which nearly a ninety-degree right triangle forms along the right side of the statue. Another section is seen in the third row as well; an organic or unidentifiable shape is seen (one could interpret it as a rough mountain range). Within each rectangle‚ the light illuminates the ocean and the statue‚ exemplifying the work’s
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Mariela Espinoza-Leon Propaganda and Political Undertones in the Seated Statue of Hatshepsut Karen Greenwalt AH 110 Fall 2013 Final Word Count: 2145 When one thinks of ancient Egypt‚ images of seated pharaohs like king Tutankhamun automatically come to mind‚ it seems strange to think of a female ruler as the male kings were the standard of the era‚ save for a few exceptions. One the exceptions to the standard male pharaohs‚ and the first of her kind‚ was Queen Hatshepsut- the first female
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dawn of age. Whether it be how hunt for food‚ make weapons‚ or even construct the things around us‚ we are living in a very advanced society. While all these things may be true‚ we still borrow numerous ideas from these so called archaic societies. Statues used for decoration now were used for worship then yet still hold very similar structures. Long ago relief was one of not many techniques to create art and yet is still used commonly today. Even the architecture in our homes and public buildings is
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Almost everyone today recognize the Statue of Liberty‚ but not everybody know its history. Plans for the statue was first began in 1865 by Frenchman Edouard de Laboulaye. In honor of the United States’ love of democracy and French-American friendship; according to the National Parks Service. Commissioned to design the work‚ Bedloe’s Island in the New York Harbor was chosen as the location by artist Frederic-Auguste Bartholdi. Because of how it could be seen by boats of immigrants thousands of who
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some type of action must take place for the United States to continue on its present path of stability and prosperity. The quandary is that the U.S. has‚ from its birth‚ been known as one large melting pot. In fact‚ there is a poem written upon the Statue of Liberty indicating that this country stands for freedom and the admission of those seeking refuge. The answers to these very prominent issues do not lie in creating a large wall or creating more restrictions‚ but they lie in strictly adhering to
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Statues and sculptures of early ages provide rich information for modern history about the past because they reflect cultures‚ traditions and lifestyle of those times and also carry writing symbols like cuneiform‚ hieroglyph etc. The comparison of such statues is very useful in the cultural context because it brings understanding of differences and similarities depending on location‚ period‚ and origin of suggested pieces of art. Too compare the Statues of Memi and Sabu and Seated Statue of Gudea
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The piece I have chosen is entitled the Steleophorus Statue. It is from Dynasty 18‚ Reigns of Tuthmosis III and IV from around 1479 to 1390 BCE. The statue depicts a male figure that is kneeling. He is also holding part of a large stela rising to his chin while placed on his knees with hieroglyphic writing on it that has damaged and worn over time. The most prominent destruction is seen on the left side where a large chunk of the tablet has been broken off. In addition to the fragmented stela‚ much
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were carved and erected. There are many different theories about the process of creating these statues‚ and most have components that are not realistic for the real world. There are some theories‚ however‚ that have great possibility to be true. For an argument to be achievable‚ it must be able to work in nature‚ not only on flat land‚ and must be able to be done with the resources provided when the statues were erected. The Moai were carved prior with obsidian tools to honor the deceased‚ then lain
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Katherine Mordan Art Survey Research Paper Prof. Lindt 10/23/11 The Colossal Statue of a Pharaoh The Colossal Statue of a Pharaoh is a piece of Middle Age Egyptian art and it was the piece that caught my eye at the MET. The statue was made around 1919b.c-1885b.c. to represent the reign of the 12th dynasty pharaoh Amenemhat II. It is made out of stone‚ a stone called Granodiorite. It was carved in Aswan
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At one point in time it was believed that there were multiple equestrian statues during the time before the Christianization of Rome. The equestrian statues were created as a representation of their imperial leaders. The Equestrian Statue of Marcus Aurelius created around 173-176 C.E and located in Musei Capitolini‚ Rome‚ Italy is the only surviving equestrian statue from that era. The Equestrian Statue of General “Mad” Anthony Wayne‚ located in Freimann Square in Fort Wayne‚ Indiana and created
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