In Warhol's Statue Of Liberty
Other than the shapes that I have previously analyzed in the Statue of Liberty, the method of screen printing has created some sections of unpainted linen. These sections are seen especially in the top row of the prints in which nearly a ninety-degree right triangle forms along the right side of the statue. Another section is seen in the third row as well; an organic or unidentifiable shape is seen (one could interpret it as a rough mountain range). Within each rectangle, the light illuminates the ocean and the statue, exemplifying the work’s three dimensions. The values of colors within the repeated print varies among each rectangle, being very foggy in some shapes and incredibly distinct in others. The face of Andy’s Statue of Liberty fluctuates among being distinctly identifiable, partially identifiable, and completely masked from rectangle to rectangle. This piece as a
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I think that the multiple rectangles in his piece stands for the fluctuating experiences that immigrants have when coming to America, and the motion seen in the organic shape above the statue signifies the contrasts among these immigrants’ experiences. The empty area on the left portion of the piece that denotes that the supreme America—the same America that migrants wish to come to—is really not all that spectacular. In shorter words, this painting symbolizes the significant vision that falls short from truth or reality. Andy has coiled the size of the Statue of Liberty, copied it twelve times, and gave each repetition its own hard and gritty looking texture. The organic blobs masking the statue in some sections of the painting was a result of his silk-screening technique. These blobs give the painting a quality of ambiguity. This ambiguity leads to the notion that the widespread impression of immigration to America is
I think that the multiple rectangles in his piece stands for the fluctuating experiences that immigrants have when coming to America, and the motion seen in the organic shape above the statue signifies the contrasts among these immigrants’ experiences. The empty area on the left portion of the piece that denotes that the supreme America—the same America that migrants wish to come to—is really not all that spectacular. In shorter words, this painting symbolizes the significant vision that falls short from truth or reality. Andy has coiled the size of the Statue of Liberty, copied it twelve times, and gave each repetition its own hard and gritty looking texture. The organic blobs masking the statue in some sections of the painting was a result of his silk-screening technique. These blobs give the painting a quality of ambiguity. This ambiguity leads to the notion that the widespread impression of immigration to America is