"Stage lighting" Essays and Research Papers

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    The School of Rock

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    this film Dewey Finn is a selfish so called “rock star”. He pushes his luck with the band and uses people to get what he wants or where he wants. A lot of the way through this film you come to terms with what makes the film what it is today‚ like lighting techniques‚ the uses of sound‚ the use of camera and so forth‚ this all sets up the viewers for the rest of the film. The film starts with what looks like a spotlight onto a man’s t-shirt‚ this then joins in with the title graphics as on the back

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    piece of theatre generally facilitated through blocking‚ lighting‚ costume choices among others. Stage Manager: The individual responsible for providing practical and organizational support to the director‚ actors‚ designers‚ stage crew and technicians throughout the production process. This includes‚ but is not limited to‚ coordinating the work of the stage crew and overseeing the

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    she kills monsters

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    regarding six aspects of the theater: scenery‚ costumes‚ sound‚ lighting‚ actors‚ and summary. Scenic design in theater The scenery of this production used a very dark color scheme. The type of the stage is very similar to a proscenium stage‚ which has many advantages including realistic settings‚ central focus‚ and also distancing (Wilson and Goldfarb 140). However‚ there are also some disadvantages that the distance between the stage and the audience is too far‚ and the audience cannot see the pyrotechnics

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    festival Lughnasa. The play is presented at Hemsley Theatre ‚ known as the black box‚ which forms an intimate actor-audience relationship. Since there is no masking between audiences and stage‚ audiences get the change to carefully observe every detail of the set. However‚ on the other hand‚ the edge of the stage is not very clear to the audience. For instance in Dancing at Lughnasa‚ there is a kite that is the gift from Kate for little Michael. The kite was lying at downstage left. As the kite

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    be slow-moving‚ however the lack stage furniture actually focused the audience even more on the storyline‚ as there were few distractions. This also allowed the actors to effectively include Drama Mediums such as multiple prop. The actors were so convincing in their use of the props‚ that one truly believed a wooden box was a horse and cart. The colours of the set were dull and gloomy; blacks‚ greys and browns – this delivered the effect of shadowing the stage and intensifying the atmosphere.

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    Mark Rice-Oxley Mrs Lyons- Abigail Jaye Linda- Louise Clayton Sammy- Michael Southern Donna Marie- Kevin Pallister We visited the Phoenix Theatre on the fourth of October and when we the play started I was drawn to the actual setting of the stage; firstly contrast in the set and how it represented the two side’s class divide. Mrs Johnstone’s huge family all cramped up in the small‚ crumbling‚ graffiti covered terraced council housing with the rest of the workers and Mrs Lyon’s large elegant

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    Theatre Report

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    their actions. There are various elements to the play that added to it being great such as the music‚ the language‚ the lighting‚ the characters performance‚ the simplicity of the set and the costuming. However like any other play this play had it faults‚ some of the faults in this play were the sound effects which were poorly done‚ certain characters did not give off a good stage performance‚ and also the title being Sleeping Beauty and the Trini Prince it didn’t stick to the title the play focused

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    Mary Poppins

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    they have been acting for years. I thought that their performance was even better than the adults. Having such big roles‚ really showed their characteristics and talent. As for Mary Poppins‚ she was by far my favorite. She took control of the stage and made it clear that she was the main attraction. The set was designed to suit the exact settings of the movie transformed into the show. The one setting that they had that really drew

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    with them since he developed the theatrical movement of body‚ effort‚ shape and space. Exploring different ways the actor can move around on stage and the way the actor spoke could also be altered by following Laban’s movement. Stanislavski however‚ connected to the real word characters‚ as he developed the method of inhabiting authentic emotion while on stage and drawing upon feelings actors have experienced in their own lives. To develop the characters further‚ the actors tried various techniques

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    Mollie Ralston Character

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    CHARACTERS Mollie Ralston The wife of Giles. The owner of Monkswell Manor. Giles Ralston Husband of Mollie. Also‚ runs Monkswell Manor with his wife Mollie. Christopher Wren A super crazy and he acts in very strange way. He admits‚ in the beginning‚ to be running from something‚ but will not say what. Mrs. Boyle An older woman. Very critical. Not pleased with anyone or anything. Major Metcalf A retired army man. Miss Casewell A masculine woman. Strange. She is very chill‚ kind of distant

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