Critical design thinking for analysing the design principles of a movie. Introduction I have chosen to analyse the animation film Despicable Me (2010‚ Pierre Coffin‚ Chris Renaud‚ Universal Pictures‚ Illumination Entertainment). I really wanted to use an animated movie for this analysis because this is the most plausible direction I see my future headed towards. I intend to utilise design for perception to analyse some of the key design principles used in this movie to obtain a more in-depth
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Abstract: Against the background of an attempt to review a popular animated movie “Kirikou and the sorceres”‚ an international acclaimed film inspires from a west African folktale‚ and created by a Frenchman‚ Michel Ocelot in 1998. This study requested 5 raters to review the film using criteria in line with basic element of film analysis. The result demonstrated overwhelming acceptance and high rating of the film‚ which explains the widely acceptance of the film in Europe‚ Japan‚ America‚ and some
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Ashlee Pitock Cinematography and “True Grit” There are only two things that a film has to accomplish cinematically to orchestrate a solid story. First‚ the film must be flowing. Just as any plot must float along a smooth current of tangible events‚ the cinematography must match that current. Depending on the style of film‚ different forms of this fluidity will take place; ranging from wide-angle landscape shots for westerns and post-apocalyptic films to handheld cam horrors and found-film
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The Man with a Movie Camera is an experimental 1929 silent documentary film that was created in black and white by Russian director Dziga Vertov. This is a film without scenario and actors but Vertov used different music to bring out slow and fast rhythm. He used the camera to capture real happen and he wanted to show everyday life to the audiences. Vertov used many cinematic techniques to make his film more vivid such as double exposure‚ fast and slow motions‚ freeze frames‚ split screens‚ different
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M Masculinity in Disney Films Krista Wilson UI455 May 4‚ 2013 Turkey Theory Dr. John P. Hill‚ a professor at Virginia Commonwealth University pointed out that childhood socialization undoubtedly has a powerful effect on adults’ behavior. An exclusive emphasis on these forces reflects an acceptance of the “turkey theory.” The Turkey Theory is a belief that the adult behavioral process is parallel to the preparation of a traditional Thanksgiving turkey. The socialization emphasis assumes
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SLIDE A slide show is a es of still images on a projection screen or electronic display device‚ typically in a prearranged sequence. Each image is usually displayed for at least a few seconds‚ and sometimes for several minutes‚ before it is replaced by the next image. The changes may be automatic and at regular intervals or they may be manually controlled by a presenter or the viewer. Slide shows originally consisted of a series of individual photographic slides projected onto a screen with a slide
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Disney and Pixar are known for their animated movies that come out annually that steal the hearts of kids and adults everywhere. One of the movies that they’ve created that I personally love is Cars. I grew up in a house‚ where NASCAR is watched just as much‚ if not more than the daily news. Cars not only peeked my interest through that‚ but also through the actors that were a part of the movie and incredible detail in the design work that make them seem almost real. One amazing detail in Cars
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Man with the movie camera and Kinoks by Vertov: Vertov takes the Kino-eye as perfect and superior to that of the human eye. The scene where the woman washes her face while here eyes were opening and closing then the camera lens opens and closes‚ it emphasizes that the camera lens is like the human eye but the better version of human sight. What makes it different from the human eye according to Vertov is that it records and transcends time and space. He believed in the concept of filming factual
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The Truth about Direct Cinema: Direct Cinema Filmmakers Are Still Humans Cinema Verité‚ or direct cinema—as it is also called—is a misnomer of sorts. “Verité” literally means “truth” in French‚ but as with other truths‚ the cinematic truth is molded and configured by those who have access to it. In this case‚ those people would be the filmmakers themselves. A direct cinema film proceeds without any formal script and is pieced together in its entirety in the editing studio. That is‚ the
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Once I went on a trip to a small village in Poland with my parents. Unfortunately‚ I got seriously sick and I was sitting all day alone in a single bedroom. The only contact I had with the outer world was a small window. It was like looking at an animated picture but through a thin piece of glass. It let me notice things that I had never paid attention to before. I wanted to give life to my drawings. It made me realize that such a thing as motion can give an ultimately different impression of my
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