A Formal Analysis of Art Darlene Traci Kepner ART/101 February 17‚ 2013 Karen Witt A Formal Analysis of Art The visual literacy of line usage by both artists is extremely different from one another. Van Gogh ’s "The Starry Night" Sayre‚ H. M‚ (2010) (Fig.73) and LeWitt ’s "Wall Drawing No. 681” Sayre‚ H. M‚ (2010) (Fig.77) portray subject matter of different compositions. However‚ both depictions of art‚ also express‚ different qualities‚ styles‚ and eras. Van Gogh is from the eighteenth century
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Bryan Medina 4/30/14 Period 4 Claude Debussy “Music is the expression of the movement of waters…” Nine words is what it takes to vividly put into perspective the life of Claude Debussy and how he composed his own music. Debussy wrote his music as if he were to trying to portray water; making his music flow‚ reflect‚ and permeate through the listener’s ears. Masterful compositions such as “Claire De Lune”‚ “Prelude” from the Suite Bergamasque
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03/16/2012 Formal Analysis: Forest Monarch- Reynold Weidenaar Forest Monarch‚ a watercolor painting by Reynold Weidenaar is one of the pieces of art hanging on the walls of the Art and Music Library in the second floor of Funderburg library. The painting consists of a massive tree as a backdrop and has a man facing the tree‚ turning his back towards the audience. The tree in the painting may be an oak tree. Generally‚ an oak tree is considered to be the king of the forest. The title of the painting is Forest
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Monet: The Break Up of the Ice In 1879‚ Europe had one of its coldest winters and Monet was living in Vetbeuil to experience this winter. When the Seine thawed‚ the ice flooded the countryside and damaged bridges. Monet took advantage of these conditions and began a series of motif paintings in which he would paint the same scene again and again under different light conditions. The ice and water landscape were perfect for this type of painting because they were able to better capture the reflections
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over the past hundred years. Immigrants were treated fairly before but are now seen as poor‚ weak‚ and desperate for work. The poem “America” by Claude McKay and the song “Immigrants” from the Hamilton Mixtape both display the difficult times of living in America and how the immigrants choose to stay despite these difficulties. In the poem “America”‚ Claude McKay describes his love and appreciation for his new country despite the difficulties he faces. For example‚ McKay includes in his poem “I stand
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INTRODUCTION In this paper I will describe Monet ’s painting "Palazzo da Mula‚ Venice." I will do this by first giving my interpretation of the painting while examining it close up and then give my interpretation of the painting while examining it far away. Finally‚ I will explain how the philosophy of impressionism is illustrated in this painting. EXAMINING THE PAINTING - CLOSE UP Upon first glance‚ the painting seems out of focus. The colors are beautiful blues but seem to flow together
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Claude McKay & Dialectical Analysis In Claude McKay’s‚ “Old England” and “Quashie to Buccra” McKay uses dialect as a way to give poems multiple meanings. What may be seen as a simplistic or naïve poem about Jamaican life may actually be full of double meanings that only a select audience would be able to identify. In his poem’s‚ McKay ultimately gives Negros who work under white colonists the underlying message of black resistance by revolution. Perhaps what makes this interpretation so
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artists‚ we could say that Claude Monet and Vincent Van Gogh were born in the same period. They may have been born quite close together but both men discovered art was their vocations almost 20 years apart‚ which may have been why they are such different artists. Monet had a head start on Van Gogh as he was introduced to art at a very young age. Monet also had a mentor who taught him the tricks of the trade and pushed him from caricatures to landscape paintings. We know Monet was an Impressionist painter
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‘Painting is dead’. Mr David Walcott introduced his approach to contemporary art and painting. ‘Use paint only to make texture; and to make the painting into its own independent object.’ Painter is left a little confused. ‘So this isn’t a painting course?’ He politely asks. ‘Well‚ yes it is technically. In this course you will learn to create and develop your own personal approach that does not rely on any outdated techniques. We will de-construct painting in such a way that you will not need to
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used to establish tonal values in fresco painting quickly‚ creating a soft greenish-gray for the shadows of flesh tones. Architectural details in frescoes were often left in the pure Verdaccio coloring‚ hence we are able to still see evidence of it today in works such as Michelangelo’s Sistine Chapel. What does Verdaccio have to do with modern oil painting? As any artist can tell you‚ achieving realistic flesh tones is one of the hardest aspects of painting in color. But even early tempera painters
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