In Robert Browning’s poem‚ “Porphyria Lover‚” both the speaker and Porphyria desire to be the most dominate partner in their relationship. Porphyria‚ however‚ brings tension into their relationship when she constantly attempts to be the most dominate partner. As the tensions keep increasing‚ the speaker finds it hard to fulfill his role as a man. However‚ when Porphyria’s weakness is brought to the speaker’s attention‚ he attempts to take full advantage. In the beginning of the poem
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THE DRAMATIC MONOLOGUE IN TENNYSON’S ULYSSES The greatest Victorian contribution to poetry is certainly the form of the dramatic monologue. A dramatic monologue is defined by various critics as a type of poem in which a single speaker‚ a persona‚ “utters the speech that makes up the whole of the poem‚ in a specific situation at a critical moment.” This speaker addresses and interacts with one or more other people. They are silent but usually identifiable listeners in whose presence the speaker reveals
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The dramatic importance of the boxing scene between Eddie and Roldolpho The story‚ A View from the Bridge is set in America and it talks about a longshoreman‚ Eddie. He has kindly let two of his relatives who are illegal immigrants from Italy stay in his house. The boxing scene in Act 1‚ episode 5 of the play is of dramatic importance as it reveals the tension between Eddie and Rodolpho‚ one of the illegal immigrants. The scene highlights the different views and relationship of the two women towards
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The Nurse Dramatic Monologue Scenario: After the deaths of Romeo and Juliet‚ the nurse is reminiscing at what happened. This monologue is set inside Juliet’s room with other staff of the Capulet house. [Look at picture of Juliet] Oh Juliet‚ my gorgeous‚ fair‚ young maiden [Touch the face of Juliet in the photo frame]. Lifeless because she loved too well and could not go through without the man of thy dreams. None‚ but that of Romeo‚ son of Montague. Although he was a Montague‚ he was the finest
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Dramatic techniques used with a SCND – Scene 3 – Poker Night Scene Three underscores the primal nature of Stella and Stanley’s union‚ and it cements Stanley’s identity as a villain. After Stanley’s drunken radio-hurling episode‚ Stella yells at him and calls him an “animal thing‚” inciting Stanley’s attack. Later that night‚ Stanley bellows “STELL-LAHHHHH!” into the night like a wounded beast calling for the return of his mate‚ this effect of specific expression‚ creates a dramatic effect in the
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Michael Rosario Professor Stone COMM 1010-60 Experiencing Theatre April 24‚ 2013 The Truth About the Vagina Monologues First things first. VAGINA is NOT a bad word. It is a biological term. A medical reality. A reproductive necessity. It is not perverted to say the word or acknowledge its presence. In fact will all those who don’t have a problem with the word in the audience‚ please raise their hands. Ok‚ good. Now can we please whisper the word. .vagina.. a little louder please..Vagina.. Now
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Vagina Monologues: Extra Credit The main topics in the Vagina Monologues revolved around how lots of women are not appreciated and personally don’t embrace their womanhood as much as they should. Each actor recited their own story that conveyed a strong message to the audience because just listening to their words made me visualize every detail in their monologue. As women we were given vaginas for a reason and its time that we acknowledge and take pride in our bodies. I learned by attending the
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shelf full of flowers and vases also there were vases on the floor and the brick walls. The wooden walls eventually opened up to show the venus fly trap. There was one soliloquy that Seymour spoke while there was 2 monologues‚ one from Oren and one from Audrey II. The monologue from Oren was during what I thought was the Climax. It was when Oren was killed from asphyxiation on the laughing gas. If that wasn’t the Climax‚ then it was when Seymour and Audrey were
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Dramatic Monologues: According to M.H. Abrahms‚ dramatic monologue is a poetic form‚ "a lengthy speech by a single person"‚ addressing a silent listener‚ intended to convey his or her inner thoughts and emotions. It can be rewritten in jargonised terms as ’a cross or hybrid of the genres of drama and lyric’. A lyric poem is ‘any fairly short poem‚ consisting of the utterance by a single speaker‚ who expresses a state of mind or a process of perception‚ thought‚ and feeling’. Though
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Throughout the given extract‚ Orwell uses a wide variety of techniques to create a dramatic scene such as his choice of vocabulary and syntax for example. To start the chapter offer‚ Orwell uses the repetition of the dramatic expression ‘We are the dead’ – first stated by Winston‚ then echoed by Julia. The statement in itself is very dramatic but the repetition of it emphasises the concept of them being ‘the dead’. From the reader’s perspective‚ this is read in an emotionless‚ monotone attitude‚
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