"Caravaggio and carracci" Essays and Research Papers

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    the paintings “Judith slaying Holofernes” by Caravaggio and Artemisia. Caravaggio (1571–1610)‚ was the greatest and most influential painter of the Baroque style. He was also a quick-tempered Bohemian who was often jailed for brawling and was forced to flee from the law and his enemies‚ escaping to Naples‚ Malta‚ and Sicily at various times. His "travels" helped to spread his extraordinary style‚ which was soon imitated across Europe. Caravaggio infused his work with more gritty naturalism than

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    Peter Paul Rubens was born in 1577 within a quaint German town called Siegen. Peter Paul Rubens was known as a Flemish artist and lived a very successful life in doing so. Peter led a wealthy life‚ having been raised by a family of spice merchants. His father‚ Jan Rubens was responsible for much of Peter’s success since birth. Peter’s father Jan‚ was a successful lawyer in Antwerp‚ Belgium‚ who decided to leave the city in effort to escape the religious war. Peter’s life had unexpectedly changed

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    The English Patient

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    expose the secrets of the desert. While this was going on a thief named Caravaggio came upon some nurses where he was staying talking about Hana and her burn victim. Apparently Caravaggio had grown up with Hana and it seems like he senses that he knows the patient‚ so he makes a trip to go see them. When he arrives Hana seems skeptical about him staying because of the lack of food‚ but lets him stay anyways. This is when Caravaggio notices how much Hana looks like his wife so he becomes interested in

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    Michelangelo Merisi da Caravaggio was born 28th September 1571 in Milan Italy. He was a dynamic painter whose vibrant artist techniques of tenebrism and dramatic realism caused uproar throughout his career. He is known today as one of the most innovative artists of his time. Caravaggio’s father‚ Fermo Merisi was a known to be an architect/decorator to the local merchants. His mother‚ Lucia Aratori was the daughter of a baker and came from a well established family within the same region. In

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    U37649838 Michelle Slaughter HUM1020.521S15 January 19‚ 2014 Chapter 2 Assessment In Judith Beheading Holofernes‚ created in 1599‚ Michelangelo Mensi da Caravaggio uses high contrast and vivid lines to capture the dramatic essence of the beheading of Holofernes. In this rectangular oil painting done on canvas measuring 57 inches by 77 inches‚ the realistic view of the physical and emotional human state is depicted in a vulgar manner. Caravaggio’s painting illustrates a book in the catholic Bible

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    PRESENTATION ON CHIAROSCURO: The English Patient by M. Ondaatje I will talk about the use of chiaroscuro in The English Patient. First‚ I will speak about the character of Caravaggio in connection with the painter. Then‚ I will make a realistic reading of chiaroscuro‚ giving concrete examples of chiaroscuro effect in the text. Finally‚ I will make a more symbolic reading of Chiaroscuro in the novel as a whole. THE THIEF AND THE PAINTER According to Bachelar‚ fire encompasses contradictions:

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    because of how important they were to their perspective eras‚ using biblical scenes to further the ideology of the perspective eras. With the Supper at Emmaus painting‚ Caravaggio furthered his tenebrism technique‚ the deep contrasts of light in dark‚ which helped develop the great works of the Baroque period. In the painting‚ Caravaggio took the words of the Gospel of Mark (16:12) as it said that Jesus appeared to them “in another form”‚ and depicts Christ without a beard which as very unusual at the

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    Art Appreciation Unit 4 Ip

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    postmodern era. 1). Michelangelo Merisi da Caravaggio; 2) Rembrandt van Rijn; and 3) Peter Paul Rubens‚ these three artists were known for their religious theme in their art work. The naturalism that was visibly demonstrated in each of the artist work with high contrast of lighting that noticeably appeared in these paintings. Each artist was well known and respected for their work. The three artists Works of Art that I have chosen are: Michelangelo Caravaggio: The Calling of St. Matthew c. 1599-1602

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    his pieces and the only real way to do that‚ is to show the truth. Caravaggio wanted to tell the true story of his subjects. He did not want to idealize the truth like the classical works did. Bellori was known to have preferred the classical style. Caravaggio had some form of imagination in order to place the models as well as ingrain that drama that he and the baroque time period is oh so famous for into his paintings. Caravaggio would influence many artists to come with his strong use of depth

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    century that both heads‚ Goliath’s and David’s‚ are self-portraits at different stages of life though David is described as “il suo Caravaggino”‚ or in English “his little Caravaggio.”1 This clearly refers to how Caravaggio painted himself when young because although his real name was Michelangelo Merisi he was known in Rome as "Caravaggio".2 Remarkably‚ despite this‚ few art historians have noted Caravaggio’s self-identification in both figures. One thought it was partly sub-conscious‚ a psychic echo of

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