Preview

Which Models Can We Prepare for Goodbye Party for Ms Pushpa Ts

Satisfactory Essays
Open Document
Open Document
439 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Which Models Can We Prepare for Goodbye Party for Ms Pushpa Ts
Summary : Poems of Subramania Bharati Reprinted Subramania Bharati (1882-1921), supreme among twentieth century Tamil poets, has also been one of the major creative forces of the modern renaissance in Tamil Nadu, and has been described as Agastya incarnate who re-created Tamil. Although Bharati died young, his collected Poems make a volume of 600 pages, marked by opulence as well as variety, and noted alike for their vitality and musical quality as also their emotional and spiritual appeal.

Dr. Prema Nandakumar has here given a sensitive English rendering of 60 representative pieces, and though these form no more than about one-fifth of the Bharati Canon, they will nevertheless prove a stimulating introduction to Bharati's manifold and magnificent poetic achivement.

Dr. Nandakumar's Bharati in English Verse (1958), the nucleus of the present work, was hailed by Rajaji as "the most beautiful and flawless translation, an exquisite success in a very difficult task." In the present greatly enlarged volume, while the English renderings are at once reliable and readable, the comprehensive biographical and critical Introduction attempts a balanced assessment of the Man and his work, and will help to make them known to an international audience.

About the Author Prema Nandakumar (b. 1939) had her education in Andhra University, Waltair, and took a first class Honours degree in English in 1957, and her Ph. D. in 1961. Following the publication of her standard book A Study of 'Savitri' (1962), she was Senior UGC Research Fellow (1967-70) when she completed her comparative study of Dante and Sri Aurobindo. More than 30 publications to her credit, she has also published a brief Biographies of Sri Aurobindo (1972), and her study of the 'Mother' of Sri Aurobindo Ashram and Sarvepalli Radhakrishnan.

Dr. Nandakumar's reviews, essays and short stories have over a period of 30 years appeared in various Indian and foreign journals. Of her collection, The Glory and

You May Also Find These Documents Helpful

  • Good Essays

    Manil Suri, a mathematics professor at the University of Maryland, also has quite the ability to write. His story, the Death of Vishnu, begins with the explanation of a building in Bombay. This building houses multiple families in multiple floors; however, its tenants seem to have this large concern for the buildings ‘caretaker’. Caretaker mostly means that he does favors for the families in exchange for housing and food. Vishnu, the caretaker, seems to be on the edge of his death; however, the chapter concludes with a sense of reckoning for Vishnu as he has an empowering memory of his mother. Manil Suri’s story of Vishnu does not seem to be just a story. It reflects Indian culture and life during the beginnings of an independent India, and is also a great work of literary fiction.…

    • 622 Words
    • 3 Pages
    Good Essays
  • Powerful Essays

    A review written by Rajarshi looking into the mythical heroes and their relevance through our history mentioned in the book. Submitted to Mr. Anil Persaud.…

    • 1851 Words
    • 8 Pages
    Powerful Essays
  • Better Essays

    The value of Yogananda's Autobiography is greatly enhanced by the fact that it is one of the few books in English about the wise men of India which has been written, not by a journalist or foreigner,…

    • 2861 Words
    • 12 Pages
    Better Essays
  • Powerful Essays

    Vidyakara, & Ingalls, D. (2000). Sanskrit Poetry From Vidyakara 's "Treasury". Belknap Press of Harvard University.…

    • 1787 Words
    • 5 Pages
    Powerful Essays
  • Satisfactory Essays

    Dance History

    • 448 Words
    • 2 Pages

    My work process will consist of initially viewing this piece multiple times to become familiar with any references made to the Indian culture in its entirety. Once I am familiar with these allusions, I will proceed to explore the validity of these references in the production including the music by Ludwig Minkus, Petipa’s choreography and costume and set design to finally identify the gap between the European construction and the Oriental reality.…

    • 448 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    Wise Old Woman

    • 11789 Words
    • 48 Pages

    Four of Auvaiyar’s works – Arthi Chudhi, Konrai Venthan, Muthurai and Nalvazhi are depicted here in English. As her works are in the verses form, even explanations in Tamil differ among various publications. Many Tamil words do not have a meaningful word in English language. For example, the Tamil word “aram” which has no exact meaning in English. We can find…

    • 11789 Words
    • 48 Pages
    Powerful Essays
  • Good Essays

    the courtroom genius

    • 1057 Words
    • 5 Pages

    Soli J. Sorabjee and Arvind P. Datar on the inspiring life of one of the biggest legends in the…

    • 1057 Words
    • 5 Pages
    Good Essays
  • Powerful Essays

    Yashodhra, Dalmia, Indian Contemporary Art Post Independence, Published by Vadehra Art gallery, New Delhi 1997.…

    • 2305 Words
    • 10 Pages
    Powerful Essays
  • Good Essays

    The Dbk-A Book Analysis

    • 1527 Words
    • 7 Pages

    The book entitled “Dasabodhisattuppattikathā Aṭṭhakathā” (Dbk-a) is of one hundred and thirty six (136) pages. The author of the above work, Ven. Medagampitiye Wijithadhamma, professor in pali at the University of Sri Jayewardenepura, himself introduces that it is a pali commentary. The Dbk-a was published by S. Godage and Brothers (PVT) LTD, Colombo 10, Sri Lanka in 2017 in two scripts; Sinhalese and Romanized.…

    • 1527 Words
    • 7 Pages
    Good Essays
  • Satisfactory Essays

    This poem is written by Sujata Bhatt who emigrated from India. This poem is about the British Colonization in India and importance of religions and culture in India. There are 2 seperated parts in the story where there is 2 different themes and different moods. Cultural difference, importance of language, lost identities(souls), Indian traditions are the most important themes. The poet used free verse, repeated words and questions to make the poem stronger.…

    • 302 Words
    • 2 Pages
    Satisfactory Essays
  • Powerful Essays

    “Do you know who is the Indian Shakespeare?” Late in 1994, I was on my way from Rishikesh to Mussoorie. In India studying Sanskrit, I thought I would visit the nearby hill station over a weekend, and when the man across the aisle saw my Sanskrit textbook , he began a conversation which moved very quickly from Sanskrit to English literature. He was himself a student, completing a B.A. in English, and he was curious to have my thoughts on such things as the best living novelist in English. He was much my superior on this subject, and at a lull in the conversation, perhaps perceiving that I was at a loss to name the author of “The Windhover,” he asked if I knew the Indian Shakespeare. Considering the extent to which Shakespeare settled in India from colonial performances in the very early days of the Raj to dominating the Parsi stage early in the nineteenth century to becoming the ensign for mandatory English education after 1835, I thought the Indian Shakespeare might as well be Shakespeare. “Kalidasa,” he said. Since I had demonstrated a profound incompetency in English literature, I think it unlikely that my bus-mate was merely trying to supply a common frame of reference on the way to a new topic of conversation. “Who is the Indian Shakespeare?” is an expression of the lingering identity crisis of the literature of postcolonial India, an insecurity which both defers to authority by privileging Shakespeare as the alluring plenitude of the West and challenges authority through its vain answer: a figure who, it is implied, not only corresponds to Shakespeare in the South Asian context, but, perhaps, bests…

    • 8943 Words
    • 36 Pages
    Powerful Essays
  • Satisfactory Essays

    Ffffff

    • 9158 Words
    • 37 Pages

    THE BEGINNING The renaissance in modern Indian Literature begins with Raja Ram Mohan Roy. The infiltration of western culture, the study of English literature, the adoption of western scientific techniques, gave a jolt to India's traditional life. It shocked us into a new awareness, a sense of urgency, and the long dormant intellectual and critical impulse was quickened into sudden life and the reawakening Indian spirit went forth to meet the violent challenge of the values of modern science and the civilization of the west. Ram Mohan Roy's interests and inquiries ranged from the rights of women and the freedom of the press to English education, the revenue and judicial systems in India, religious toleration and the plight of the Indian peasantry. He could be named as the first of the Indian masters of English prose. He wrote a brief autobiographical sketch on request. Derozio Kashiprasad Ghose, M.M.Dutt are the other eminent writers of the time. They are called the first Indo-Anglian writers of verse and prose. Derozio's most ambitious work was The Fakir of Jungheera. Kashiprasad Ghose was one of the first Indians to publish a regular volume of English verse. The shair and other poems (1830) is a great contribution to the level of 'Gorboduc' in English literature. Michael Madhusudan Dutt was equally a talented writer. His Meghanad Badha is a great Bengali epic and he wrote in English The captive Ladie. There followed a lot of writers. 'Derozio's men' who aspired to become eminent in the field. Besides writers, political leaders, religious men also wrote in their own way for the enlightenment of the public. Dadabhai Naoroji was a teacher turned political leader and a good orator. Ramakrishna Paramahamsa, his disciple Swami Vivekananda were great orators and their speeches carried the essence of truth. Vivekananda essayed English verse too eg : Kali, the mother, The song of the Sanyasin, My play is Done etc. The Dutts - Toru, Aru,…

    • 9158 Words
    • 37 Pages
    Satisfactory Essays
  • Good Essays

    Mirabai Biography

    • 2586 Words
    • 11 Pages

    On one occasion when Mira was still young she saw a wedding procession going down the street. Turning to her mother she asked in innocence, “Who will be my husband?” Her mother replied, half in jest, half in seriousness. “You already have your husband, Sri Krishna.” Mira’s mother was supportive of her daughter’s blossoming religious tendencies, but she passed away when she was only young.…

    • 2586 Words
    • 11 Pages
    Good Essays
  • Good Essays

    Bayen Analysis

    • 641 Words
    • 3 Pages

    In this poem, the poet refersto the river Vaikai which flows through the city of Madurai. The word Maduraimeans a “sweet city”. It is a Tamil word. As a matter of fact, this city is the center ofTamil culture and learning. It is also a holy city full of temples including the famous Minakshee temple. The poetshave written many poems onthe temples and theriver. In the present poem, A.K. Ramanujan deals with theriver.…

    • 641 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Notes: Poetry and New Delhi

    • 11459 Words
    • 46 Pages

    The identity crisis in the poetry of A.K.Ramanujan escapes easy categorization. The writer who is born and brought up in the Hindu way of life and who has educated himself as a world citizen, the conflict between the inner and the outer forms the core of his poetry. The poet’s self is the theatre in which are staged a host of incidents from the past, and across which move a number of personae like his grandparents, mother, father, cousins, wife etc. Bhagat Nayak remarks that, “It will be more appropriate to say that while the Hindu or the Indian milieu constitutes the ‘inner’ substance of Ramanujan’s poetry, the Western milieu shapes the ‘outer’ substance, and the two co-exist.”(Nayak, Bhagat. ‘The Axis of Hindu Consciousness in A.K.Ramanujan’s Poetry’, Indian English Literature Volume IV. ed. Basavaraj Naikar. New Delhi: Atlantic Publishers and Distributors, 2003. p. 5) The poem ‘Self-Portrait’ identifies this problem precisely when it suggests that the self is ‘more an absence than a presence’ (Dharwadker, Vinay. ‘Introduction’, Complete Works, Delhi: OUP, 1995, p. xxxiii) In the poem ‘A Copper Vat’ the memory plays the role of confusing the essential self:…

    • 11459 Words
    • 46 Pages
    Good Essays