Creon claims that his rule as king must be obeyed, even if it is wrong, in order to avoid anarchy and chaos, but the play does not side with him. Creon's first rule as king is that no one "shall entomb [Polyneices] or mourn, but leave unwept, unsepulchred, a welcome store for the birds, as they espy him, to feast on at will." He also states that if anyone is to bury him they shall be put to death. When he is told that Antigone has buried her brother Creon is faced with questions of loyalty. He can not go against his law or he will look weak and it will look as though his laws do not apply to his family. He can not kill his niece or he will look evil. Antigone feels what she did and is prepaired to do is just with the Gods, but what Creon did was not his choice to make, that he played the Gods role. As the play unravels Creon's struggle with divine morality versus religious morality is highlighted by how fate plays out. While Antigone is taken away the town of Thebes urges Creon to free her. Creon loses support of his family and his people. Chaos quite literally breaks out in his own backyard. Creon's steady decline suggest not only that his rulings were wrong, but also that they should not have been obeyed. Towards the end of the play Teiresias warns Creon by saying "Then know thou...that thou shalt not live through many more courses of the sun's swift chariot, ere one begotten of thine own loins shall have been given by thee, a corpse for corpses; because thou hast thrust children of the sunlight to the shades, and ruthlessly lodged a living soul in the grave; but keepest in this world one who belongs to the gods infernal". Creon hurries to correct his…
