For example, when the protagonist, Chris, and his girlfriend, Rose, get into a car wreck, there is a sudden transformation in pitch and volume to manifest the suspense of the scene. It enables the audience to become more attentive because the abrupt and clear difference of sound is recognized by the viewers. Most individuals tend to zone out when listening to the same things, therefore the manipulation of the distance of pitch and volume can trigger the attention of the audience. Also, sound can be contradictory to the viewers so that they can remember and tie the message that the movie is trying to proclaim. For instance, towards the beginning of the movie, a man was walking alone on the streets by himself and was taken by a stranger. The music of the abduction didn’t seem too intense because the film wanted to hide the crime of the scene. The cheerful tune that played seemed quiet at the beginning and gradually became louder as the man was struggling; similarly, when the car drove away the instruments in the background seemed more serious. This demonstrates the conflicting nature that the directors are highlighting because it allows the audience to remember the symbolism of a particular scene throughout the whole movie and later on they are able to create a link to the
For example, when the protagonist, Chris, and his girlfriend, Rose, get into a car wreck, there is a sudden transformation in pitch and volume to manifest the suspense of the scene. It enables the audience to become more attentive because the abrupt and clear difference of sound is recognized by the viewers. Most individuals tend to zone out when listening to the same things, therefore the manipulation of the distance of pitch and volume can trigger the attention of the audience. Also, sound can be contradictory to the viewers so that they can remember and tie the message that the movie is trying to proclaim. For instance, towards the beginning of the movie, a man was walking alone on the streets by himself and was taken by a stranger. The music of the abduction didn’t seem too intense because the film wanted to hide the crime of the scene. The cheerful tune that played seemed quiet at the beginning and gradually became louder as the man was struggling; similarly, when the car drove away the instruments in the background seemed more serious. This demonstrates the conflicting nature that the directors are highlighting because it allows the audience to remember the symbolism of a particular scene throughout the whole movie and later on they are able to create a link to the