The story shows how it can't be escaped, and how Prospero's attempt to escape it is doomed.Now why did Poe choose red as a color to be associated with death, rather than just the more obvious black? If he'd chosen black, he could have just gone with the "black death," (i.e., the bubonic plague that ravaged Europe in the 14th and 17th centuries – see more below) instead of having to invent his own plague. Our suspicion is that it's because red's a brighter and more dramatic color than black, and tends to increase black's own "freak out" effect when the two are put together (as in the red and black room). The story is bright and dramatic – with its colored rooms and its wild, whirling, costumed revelers. The effect of the imagery is almost dizzying. The red-black combo is really loud – it screams at you – so it fits well into that crazy aesthetic, which Poe might be using for a couple of different purposes (see below).You might also wonder whether Poe based the Red Death on any real
The story shows how it can't be escaped, and how Prospero's attempt to escape it is doomed.Now why did Poe choose red as a color to be associated with death, rather than just the more obvious black? If he'd chosen black, he could have just gone with the "black death," (i.e., the bubonic plague that ravaged Europe in the 14th and 17th centuries – see more below) instead of having to invent his own plague. Our suspicion is that it's because red's a brighter and more dramatic color than black, and tends to increase black's own "freak out" effect when the two are put together (as in the red and black room). The story is bright and dramatic – with its colored rooms and its wild, whirling, costumed revelers. The effect of the imagery is almost dizzying. The red-black combo is really loud – it screams at you – so it fits well into that crazy aesthetic, which Poe might be using for a couple of different purposes (see below).You might also wonder whether Poe based the Red Death on any real