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Science Fiction: The Machine Stops By E. M. Forster

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Science Fiction: The Machine Stops By E. M. Forster
Evolution of Sscience Ffiction

Science fiction has taken different forms and evolved throughout history along with its appropriate time period. Today’s science fiction was said to be born out of a subgenre of ‘gothic science fiction’ and continues to parallel with it; an example to this form of science fiction is “The Machine Stops” by E.M. Forster, in the way it mimics the gothic mode of science fiction and the distortion of man's power. The story correlates to Damien Broderick definition of science fiction in the way that the story incorporates advanced technology adding to the story to create a dystopia where the machine has higher power over humans. Later science fiction took a style called the new wave science fiction which is
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Science fiction has evolved and although some pieces may not follow some interpretations of the defintion I would say that these two stories are defined in respect to the time the pieces were written, as science fiction.
Modern day science fiction emerged from the subgenre gothic science fiction in which came from the literary and cultural movement of romanticism. Writers took on imaginative frameworks to create stories with the unknown, different from the everyday lives for their readers, their main purpose was to cause chilling fear. An example for gothic mode of science fiction is “The Machine Stops” in Roberts SF book he quotes Aldiss defining gothic by saying, “...the disintegration of society which follows man’s arrogation of power. We see perversion of the natural order leading to another” (Roberts, 44). In “The Machine Stops” we see man no longer having power, playing into question the distortion of the natural order of the society. The machine becomes depicted within this dystopian society as a higher power, which comes with an instruction
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It most definitely fits better under Darko Suvin’s definition, “ a literary genre or verbal construct whose necessary and sufficient conditions are the presence and interaction of estrangement and cognition, and whose main imaginative framework alternate to the author’s empirical environment” (Roberts,8). Being that “Heat Death of the Universe” is an imaginative framework different but also similar is exactly what the new wave writers wanted to do, so that they could relate social problems of their times throughout their stories just as Roberts describes other writers to have done the same thing like Invasion of the Body Snatchers where Don Siegel depicts the political satire that took place in the time they filmed, 1956. Others could argue that the new wave was the most problematic as Roberts quotes, “In typically grumpy form, author and SF fan Kingsley Amis declared the effects of the New Wave to have been uniformly deleterious”(Roberts, 63). My point is not that it didn’t cause problems to defining science fiction because it changed the style of science fiction, because it did, but that science fiction had to evolve form the standard science fiction as time

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