Reservoir Dogs
Reservoir Dogs
Postmodernism theory when related to films can be described when the audience’s delay of skepticism is shattered, in order to free the audience’s grasp of the director’s work. Small changes are made to create a significant meaning in the audience’s mind. The director has created a piece of art that removes the audience from the conventional and emotional bond to the subject, creating a new perspective. Postmodern films apply the usage of four concepts: simulation, reusing styles, typically drawing irony to the new style; pre-fabrication, drawing a closer attention to already existing scenes and using them in the films narrative or dialogue; intertextuality, using text that has already been used and finally bricolage, creating …show more content…
Typically starting his films, Tarantino opens with “Our Feature Presentation” drawing immediate attention to the audience, transporting them in time to their days of childhood and adolescents. A director is an artist, Tarantino, though he recreated previous works of other artists, is one too. He adds his own twist to his films, in order to create a new, distinctive and pioneering film. Tarantino uses the concept of bricolage to fuse genres together in an original fantasy-like story with exaggerated confrontation scenes and violence. Reservoir Dogs, directed and written by Quentin Tarantino first premiered in October 1992. It is about a group of criminals who where hired for a job to retrieve diamonds from a jewelry store. Things do not go as planned during the heist and the gang thinks that there may be a police mole among the group. But who could it be? Mr. Pink, Mr. Orange, Mr. White, Mr. Brown, Mr. Blue, Mr. Blonde, Nice Guy Eddie, or even head gang leader, Joe Cabot? Strangers to one another, Joe (Lawrence Tierney) assigns each member a color code …show more content…
Orange faced throughout the film is the interpretation that Tarantino had intended to compare to the suffering of Madonna. Mr. Orange (Roth) was the undercover mole that was ordered to bust the head of operation, Joe Cabot (Tierney). Aside for Tarantino’s significance of popular songs, he also used images inter-dispersed throughout the film; Silver Surfer comic and the Get Christie Love! TV show. These are a few examples of how Reservoir Dogs falls into the category of being a postmodern film through the usage of image and text, posing as in intricate part to media and society. Reservoir Dogs, a postmodern film, includes the usage of criminals falling; indicating a crime and gangster movie. It also uses the formula of a western movie. Though, usually in a traditional western there is one individual who upholds law and order, Tarantino put a spin on western genres when including the style throughout his films. Reservoir Dogs use of western is slightly different, instead of one individual; there is a group of men who try to restore order that has spun out of control to arrange a logical explanation and conclusion of who the possible informant might be. Tarantino is specific about his films, he does not intend for them to represent real life, but rather mimic other
Postmodernism theory when related to films can be described when the audience’s delay of skepticism is shattered, in order to free the audience’s grasp of the director’s work. Small changes are made to create a significant meaning in the audience’s mind. The director has created a piece of art that removes the audience from the conventional and emotional bond to the subject, creating a new perspective. Postmodern films apply the usage of four concepts: simulation, reusing styles, typically drawing irony to the new style; pre-fabrication, drawing a closer attention to already existing scenes and using them in the films narrative or dialogue; intertextuality, using text that has already been used and finally bricolage, creating …show more content…
Typically starting his films, Tarantino opens with “Our Feature Presentation” drawing immediate attention to the audience, transporting them in time to their days of childhood and adolescents. A director is an artist, Tarantino, though he recreated previous works of other artists, is one too. He adds his own twist to his films, in order to create a new, distinctive and pioneering film. Tarantino uses the concept of bricolage to fuse genres together in an original fantasy-like story with exaggerated confrontation scenes and violence. Reservoir Dogs, directed and written by Quentin Tarantino first premiered in October 1992. It is about a group of criminals who where hired for a job to retrieve diamonds from a jewelry store. Things do not go as planned during the heist and the gang thinks that there may be a police mole among the group. But who could it be? Mr. Pink, Mr. Orange, Mr. White, Mr. Brown, Mr. Blue, Mr. Blonde, Nice Guy Eddie, or even head gang leader, Joe Cabot? Strangers to one another, Joe (Lawrence Tierney) assigns each member a color code …show more content…
Orange faced throughout the film is the interpretation that Tarantino had intended to compare to the suffering of Madonna. Mr. Orange (Roth) was the undercover mole that was ordered to bust the head of operation, Joe Cabot (Tierney). Aside for Tarantino’s significance of popular songs, he also used images inter-dispersed throughout the film; Silver Surfer comic and the Get Christie Love! TV show. These are a few examples of how Reservoir Dogs falls into the category of being a postmodern film through the usage of image and text, posing as in intricate part to media and society. Reservoir Dogs, a postmodern film, includes the usage of criminals falling; indicating a crime and gangster movie. It also uses the formula of a western movie. Though, usually in a traditional western there is one individual who upholds law and order, Tarantino put a spin on western genres when including the style throughout his films. Reservoir Dogs use of western is slightly different, instead of one individual; there is a group of men who try to restore order that has spun out of control to arrange a logical explanation and conclusion of who the possible informant might be. Tarantino is specific about his films, he does not intend for them to represent real life, but rather mimic other