Gian Lorenzo Bernini Analysis
Gian Lorenzo Bernini, was a prestigious artist who was born in sixteenth-century Europe. Bernini earned a reputation for his artistic style and his personified figurative sculptures. Bernini, became the first artist to portray a sense of physical intensity and passion in his sculptures. The artist was well-known for the creation and development of the Baroque art style. Baroque art is profoundly linked to the religious and political influences of 16th and 17th century Italy.
Bernini, was an artist known for carving his sculptures in ways that had not been previously experienced by the church and other artist of the time. Bernini, carved his religious creations such as the Rape of Proserpine, the Martyrdom of St. Lawrence, and David and Daphne which is considered one of his most dramatic works, in ways that made the figures appear human. For instance, Bernini’s masterpieces seemed as if to “flutter, stream, quiver and sweat.” His figures “wept, shouted, their torso’s twisted and arched themselves in spasms of intense sensation.” By carving his sculptures in non-traditional styles, Bernini instilled passion in his divine works, (Power of Art-Bernini).
At the age of 16 years …show more content…
Lawrence in a manner that portrays the being as if to be looking towards the heavens. Bernini’s depiction of the execution of St. Lawrence, whom is also the Patriot Saint of cooks, demonstrates to the viewer of the piece, the power that the Eastern Catholic Church had during the 16th and 17th century, primarily in the European continent. For instance, during this period of human history known as the Renaissance, which included the Reformation of the Catholic Church, the church was the governing body. The church believed that the Catholic religion was the only one that should be acknowledged and those who opposed the beliefs and ideals of the church were to be charged with treason and sentenced to
Bernini, was an artist known for carving his sculptures in ways that had not been previously experienced by the church and other artist of the time. Bernini, carved his religious creations such as the Rape of Proserpine, the Martyrdom of St. Lawrence, and David and Daphne which is considered one of his most dramatic works, in ways that made the figures appear human. For instance, Bernini’s masterpieces seemed as if to “flutter, stream, quiver and sweat.” His figures “wept, shouted, their torso’s twisted and arched themselves in spasms of intense sensation.” By carving his sculptures in non-traditional styles, Bernini instilled passion in his divine works, (Power of Art-Bernini).
At the age of 16 years …show more content…
Lawrence in a manner that portrays the being as if to be looking towards the heavens. Bernini’s depiction of the execution of St. Lawrence, whom is also the Patriot Saint of cooks, demonstrates to the viewer of the piece, the power that the Eastern Catholic Church had during the 16th and 17th century, primarily in the European continent. For instance, during this period of human history known as the Renaissance, which included the Reformation of the Catholic Church, the church was the governing body. The church believed that the Catholic religion was the only one that should be acknowledged and those who opposed the beliefs and ideals of the church were to be charged with treason and sentenced to