Preview

Australian Impressionists: Glover and Roberts

Powerful Essays
Open Document
Open Document
1363 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Australian Impressionists: Glover and Roberts
John Glover (1767-1849)

Task: Look at two artworks by John Glover and respond to the following questions

1.Describe one artwork By John Glover, focusing on the elements of art (Line, Shape, Tone, Texture and Colour) Patterdale Farm - John Glover (circa 1840)

John Glover’s Patterdale Farm captures the Australian landscape at its greatest incorporating varied tone using the deep greens associated with Australian landscape, accompanied by the rich detail spread throughout the work. The painting depicting a common setting during the 1840’s in Australia.

His use of varied tone casts great spanning shadows across all areas of the painting. These shadows are present in the foreground lying in between the cattle and stretching across the hills located in the middle ground and background. This great use of tone has been applied to show the shadows of the clouds, hills and trees. The change in tone is dominated by both heritage green and leaf green. These greens are widely used in Australian landscape paintings.

The form and shape of the trees created by Glover are strongly organic spreading out past the boarder of the canvas. Glover’s technique of painting trees is one of the key elements his work is recognised by. Glover’s painting shows the trees as both living and not living. The work is dominated by organic forms: the animals scattered in the foreground, the organically flowing lines of the hills, the trees spanning through all layers of the work reaching out of the canvas in the foreground, the man placed in the lower right corner of the work admiring the landscape and tending to the cattle.

Colour used in the work, to create the composition utilises the greens widely used in paintings of the Australian landscape; the most prominent is heritage green. The work contains heritage green, leaf green, pale blue, straight blue, light grey, deep grey, white, yellow ochre, brown and black. The hills show an understanding of the appearance of colour as

You May Also Find These Documents Helpful

  • Good Essays

    Robert Grey is an imagist who paints with words. Using imagery in his poems, Grey is able to visually communicate emotions and ideas. His poetry is concerned with the urbanisation effects on Australian nature and changes it brought within the lifestyle. This is metaphorically expressed in the poem ‘Journey: The North Coast’ as he dwells on the sheer beauty that can be found in the natural world in contrast to the alienated environments manufactured by men. In contrast to the idea of modernisation, Grey also expresses values of love and respect for the environment and nature through the physical and emotional journey. Additionally, the idea of Australian landscapes and strong sense of identity in ‘Journey: The North Coast’ reflects in poet’s visualisation of the country side where he allows the readers to explore the beauty of Australian landscapes and empathize with the poet.…

    • 774 Words
    • 4 Pages
    Good Essays
  • Good Essays

    In this response, I intend to discuss Arthur Streeton’s Fire’s On, a 183.8 x 122.5cm oil on canvas painting, produced in the Blue Mountains of New South Wales, Australia in 1891, after “nationalistic sentiment” had taken its toll with the centennial of the European settlement. Fire’s On depicts the steep “walls of rock” “crowned” with “bronze green” “gums” and the “crest mouth” that he encountered on his journey through the Blue Mountains. Streeton created this painting to justly portray the rough, “glor[ious]”, unsung landscape of Australia, namely its “great, gold plains” and “hot, trying winds”. Thus, Streeton defied the inaccurate depictions of Australian landscape produced in the early nineteenth century by early immigrants, showing “green…

    • 1073 Words
    • 5 Pages
    Good Essays
  • Good Essays

    AIA History of Bangledesh

    • 678 Words
    • 3 Pages

    2. ‘19th century Australian landscape painting does not represent the physical environment; rather it reflects European painting conventions and Imperial agendas'. Critically discuss.…

    • 678 Words
    • 3 Pages
    Good Essays
  • Good Essays

    In this response, I intend to discuss Arthur Streeton’s Fire’s On, a 183.8 x 122.5cm oil on canvas painting, produced in 1891 in the Blue Mountains of New South Wales, Australia. Fire’s On depicts the steep “walls of rock” “crowned” with “bronze green” “gums” and the “crest mouth” that he encountered on his journey through the Blue Mountains. Streeton created this painting to justly portray the rough, “glor[ious]”, unsung landscape of Australia, namely its “great, gold plains” and “hot, trying winds”. The most interesting features of this work under the formal framework are the use of the rule of thirds in the composition of the horizon, showing the “walls of rock” to “run high up”, and the use of contrast to render the “great dragon’s mouth” the focal point of the painting.…

    • 875 Words
    • 4 Pages
    Good Essays
  • Good Essays

    ‘Palm Valley’ was painted in the 1940’s when indigenous people were still fighting to win their land back and gain equality. Albert painted many sacrosanct Aboriginal locations, portraying…

    • 316 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The artwork by Claire Oakley is a mixed media painting of tree textures. Unique ways are applied to creating this work with tissue paper, watercolour, poster paint, and acrylic. The artist represents the natural texture and ochre colour of tree bark to the artwork, however, tints of vivid colour are also used to create a livelier atmosphere. The essence of this artwork is its texture and naturalness resembling real trees.…

    • 379 Words
    • 2 Pages
    Good Essays
  • Good Essays

    Ridge and gully in afternoon light is a distorted and strangely set out view of the traditions of a ‘regular’ landscape. The viewing area we are given is dominated by blended sections of different viewing perspectives filled with strangely shaped trees of varying different shapes, colour’s and sizes. All objects in the painting,…

    • 1142 Words
    • 5 Pages
    Good Essays
  • Good Essays

    Based on traditional landscape painting methods, Cropsey made clear observation of different landscapes of nature and drew sketches of them. He then combined them to create a larger, composite landscape painting. Here, we can see that he presents a Romantic panoramic landscape view in his canvas and organized spatial recession in this landscape with the use of light and color. The painting can almost be divided into three main parts: a dark foreground, a bright middle ground and a translucent background. In the foreground, he depicts the wilderness in a dark tone. In the center, Cropsey uses a warm golden yellow to brighten the cultivated hay fields of the family farm. Not only it creates a contrast with the dark surrounding wilderness, but it also was a recognizable style of the artist’s time. With that said, we can tell that this painting has a relative clarity, and that Cropsey might intend to make a focus upon the things in the middle. To recede the viewer’s eyes to the background, Cropsey uses a lighter and cooler color to portray the objects, for example, the grayish-blue mountains and translucent clouds. It creates an illusion of three-dimensional space and furthers the distance away from the viewer. The brushwork of the painting is evidently loose, which gives a painterly effect. Therefore, we can say that Cropsey depicts the scenery by…

    • 985 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The work is unified by the use of an earth tone color palate; in shades of red, black, beige, and ochre. Due to this color palate, there is an antique feel to the work. This theme is further suggested by the collection of some things that seem like artifacts, such as the candlestick, a globe, crowns and scepter, as well as the painting of The Last Judgment partially hidden behind the curtain.…

    • 949 Words
    • 4 Pages
    Good Essays
  • Good Essays

    To being with the prominent part of the portrait is the white settler’s perception which is observed unmistakably in first glimpse, the picture of the striking sunset, buildings and houses serenely assembles next to one another. It is the aboriginal’s viewpoint being the truth is shown in the exterior of the painting that the Europeans are capturing owned land, Aboriginal land.…

    • 596 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Imaginative Landscape

    • 1126 Words
    • 5 Pages

    Landscape may be seen in literal or metaphoric terms. Physical locale influences the way people live their lives and express their emotion, and becomes intertwined with their imaginative landscape. In Australia, landscape often represents both hardship and good times in person’s lives, as well as providing metaphors for their personal characteristics. For example, rural people are depicted as “solid as Ayers Rock” during difficult times. By contrast, coast dwellers are often represented as carefree people who are ‘riding the wave’ of prosperity and relaxed living. The environment that the rural residents have to endure can be very tough. The harsh terrain and the extreme climate changes during summer require physically demanding work in order for the inhabitants to survive…

    • 1126 Words
    • 5 Pages
    Good Essays
  • Good Essays

    A landscape painting symbolizes both spiritual and physiological aspect of human vs nature in which man can feel hopeless, disparity and lost against nature. This two oil painting uses contrast between the light and dark to bring meaning to scene. Both implies not just strengths that one can posses but the nature around an individual brings us to change who we are as a whole. Joseph Wright of Derby was born and raise in England taught himself to draw by comping prints, it was not until later that he picked up on oil painting. He was born and raise in England yet most of his career was located away from the busy city of London, his art was able to avoid the city mainstream art circling around.…

    • 1400 Words
    • 6 Pages
    Good Essays
  • Good Essays

    He draws this tree look closer by drawing big scale and proportion. Horizontal lines give a sense of space. The landscape is made up of gently curved lines. Most shapes are simple and flat. There are pronounced verticals in the composition. He draws portraits of real people. Resting and eating harvesters in the painting occupy small proportions, it led us to think that the landscape is the main subject. There are the eight people who get together and eat food under the tree. The hungry people in the ground cram food into mouths, drunk with the great gulp from bowls, and two people who look tired. A woman gleaner leans over sheaf. The attitudes of the people in the field are as real as those of the harvesters at their meal under the tree. In the background, there are small churches, boats, an idyllic village where children are playing and thatched cottages. It seems pretty far away from a…

    • 622 Words
    • 3 Pages
    Good Essays
  • Good Essays

    ben quilty

    • 1069 Words
    • 5 Pages

    He works in a wide range of genres, including portraits and still lifes, but also landscapes that reflect his fascination with Australianness, a passion which has its origins in Arthur Streeton’s edict that Australian artists should look to their own backyards for inspiration.…

    • 1069 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The most obvious and dominant change revealed in Tan and Marsden’s ‘The Rabbits’ ,is the environmental change to the Australian landscape. Visual and Language techniques are employed to clarify for readers, the destruction the rabbits inflicted to the environment. The visual technique colour is effectively used to depict the change the environment undergoes by changing the colour tones. The illustrations at the start of the book are warm reds and yellows conveying a strong, bold, earthy environment and as the book progresses the colours reflect a ‘sunny glow’ of progress and development and towards the end colours become more and more dark toned conveying a dead, desolate, empty environment. For example, pages 17, 18, 27, 28 and 29 are the darkest pages, they are bleak and all black or dark toned depicting the suffering and despair of the Possums and emphasising their loss of their environment and the family lost in the battles. It is through these changes of colour that an atmosphere is created and if we look at the first pages atmosphere and the last the difference between them makes the environmental change clearer and easier to comprehend. Another technique successfully used was the language technique; Rhetorical…

    • 875 Words
    • 4 Pages
    Good Essays