He draws this tree look closer by drawing big scale and proportion. Horizontal lines give a sense of space. The landscape is made up of gently curved lines. Most shapes are simple and flat. There are pronounced verticals in the composition. He draws portraits of real people. Resting and eating harvesters in the painting occupy small proportions, it led us to think that the landscape is the main subject. There are the eight people who get together and eat food under the tree. The hungry people in the ground cram food into mouths, drunk with the great gulp from bowls, and two people who look tired. A woman gleaner leans over sheaf. The attitudes of the people in the field are as real as those of the harvesters at their meal under the tree. In the background, there are small churches, boats, an idyllic village where children are playing and thatched cottages. It seems pretty far away from a
He draws this tree look closer by drawing big scale and proportion. Horizontal lines give a sense of space. The landscape is made up of gently curved lines. Most shapes are simple and flat. There are pronounced verticals in the composition. He draws portraits of real people. Resting and eating harvesters in the painting occupy small proportions, it led us to think that the landscape is the main subject. There are the eight people who get together and eat food under the tree. The hungry people in the ground cram food into mouths, drunk with the great gulp from bowls, and two people who look tired. A woman gleaner leans over sheaf. The attitudes of the people in the field are as real as those of the harvesters at their meal under the tree. In the background, there are small churches, boats, an idyllic village where children are playing and thatched cottages. It seems pretty far away from a