Between the year of 1900 and 1920 many of the filmmakers are still trying to find new genres of scary movies. In the 1900 one popular movie was ““The Cabinet Of Dr. Caligari”, it is about a traveling showman and his fortunetelling somnambulist is a haunting example of the absurd …show more content…
Between the decades of the 1920s and 30s the theme was was The Golden Age Of Horror, it was considered the finest era of genre. “Once the silent era had given to technological process we had a glut of incredible movies that paved the way for generations to come particularly in the field of monster movies” (Dr. Jekyll and Mr. Hyde). In the 1920s and 30s the first theme was one of the best themes they have made. The theme for the 2000s was The Present Day, “The state of the horror industry s hotly contested. With the genre seemingly relying on churning out remakes, reboots and endless sequels many argue that its languishing in the doldrums once again with little originality to offer a modern audience” (New York Film Academy). When the years past they got better and started to make sequels because the people like the movies so …show more content…
The first significant cycle of horror films appeared in German expressionist cinema, unlike some genres like musicals and the gangster film the horror movies were more important and most try to include history. A movie with history in it is Lon Chaney in London After Midnight “In the 1950s horror overlapped significantly with science fiction. Cold War and atomic age anxieties produced numerous monster movies with creatures that had mutated or reawakened from eons of slumber because of nuclear radiation and testing” (Browning). This movie is about a girl that was attacked by a title creature and all they see is the girl's blood oozing from under the door that was locked. The movie George Romero at the time of Dawn of the Dead was about “For the film scholar Siegfried Kracauer, German expressionist cinema was both a harbinger and a cause of the rise of fascism in Germany. The films' avoidance of the real world, both visually in the use of stylized studio sets, and narratively in the frequent appearance of monstrous figures like Caligari and Nosferatu who command the will of others, was symptomatic of the German people's turning away from political responsibility and an explanation of their embrace of Hitler” (Gale). This movie was about Predating slasher films, the giallo takes its name from the color of the covers of pulp detective novels published in Italy in the 1940s and 1950s. The genre includes both police films and