"Yayoi Kusama" Essays and Research Papers

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    war with the totalitarian regime. The regime is trying to govern what appears to be a perfect society. However‚ the perfect life is hiding a perfect lie. Aeon is on the front lines of a rebellion that reveals a world of secrets. The director Karyn Kusama was able to create an astounding vision of a possible future. Aeon Flux is written by Phil Hay and Matt Manfredi‚ based on characters created by Peter Chung from the pioneering MTV animated series. Every time I see a science-fiction movie I find

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    Compare and contrast the key aspects of the Jomon and Yayoi eras Early Japanese history is divided into three main periods; Jomon‚ Yayoi and Kofun. This essay will compare and contrast the two earliest‚ the Jomon and the Yayoi‚ with a view to describing the key differences between the periods as well as the traits and similarities that connect them. The Jomon period started in 11‚000 BC and lasted over 10‚000 years until 300 BC. It is such a long period of

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    worldwide issue for many years. More specifically‚ stereotypical assertions‚ based on both gender and race‚ have been a common theme throughout many 20th and 21st century films. Both Crash‚ directed by Paul Haggis in 2004‚ and Girlfight directed by Karyn Kusama in 2000‚ address the issue of stereotyping in their own unique way. Girlfight does this by placing a female in the spotlight of a sport that is predominantly dominated by males‚ whereas‚ Crash confronts our problem with racial stereotypes and racism

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    To demonstrate Diana’s isolation in society‚ Karyne Kusama uses a variety of camera angles and framing shots. In the introduction scene‚ Karyne Kusama uses full shot‚ mid shot‚ and extreme close up of Diana’s face. When she is leaning against the row of red lockers‚ the director slowly moves the camera for a mid to an extreme up. The facial expression shows the audience how she feels. It is as if her frustration is the only thing she lives on. On top of that‚ the shown through the director’s use

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    The Passing Winter Yayoi Kusama 2005 Mirror and glass Tate Modern‚ London I chose The Passing Winter by Yayoi Kusama . Born in Japan in 1929‚ Kusama came to the United States in 1957 and quickly found herself at the epicenter of the New York avant-garde. After achieving fame through groundbreaking exhibitions and art “happenings‚” she returned to her native country in 1973 and is now one of Japan’s most prominent contemporary artists. Yayoi is also known for film-making‚ painting‚ drawing

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    Consider the impact of modern Japanese fashion on Western fashion. In the fashion field‚ there has been much discussion revolving of the issue of modern Japanese style influence on Western fashion. Indeed‚ the Japanese style is becoming more and more popular in Western Counties. Specifically‚ Rajia (2011) has states that Japanese fashion may be not as popular as some high-end brands in the Western country like Gucci and Louis Vuitton. But Japanese rely on their unique design and marketing strategy

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    Yayoi Kusama is one of my favorite artists because her work makes you stop and think about life and be in the moment. Her work really makes you feel one with the environment and I really love that about her work. I feel like in this fast pace world we need

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    Encyclopedia. visual-arts-cork.com‚ n.d. Web. 2 Nov. 2014. “Investigating Identity: The Body in Art.” MoMALearning. Moma‚ n.d. Web. 2 Nov. 2014. “The Art of Sculpture.” Visual Arts Encyclopedia. visual-arts-cork.com‚ n.d. Web. 2 Nov. 2014. “TateShots: Kusama ’s Obliteration Room.” Tate. Tate‚ 2012. Web. 2 Nov. 2014.

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    1.History important for the brand history *1875年打開就可以變服飾箱 專為探險家PIERRE打造的 *1885紐約開店 *1888為了防止盜版推出damier期盤格紋 *1896字母組合花紋monogram *1914搬到香榭大到 *1932輕的字母帆布包 noe *1966papillon bag 是為崔姬設計的包包 *1980年帶lvmh 收購開始走向高級(貝爾那 阿爾諾) *1990年marc Jacobs 2.Evolution 3.Milestone BST Art&Color - Makeup and art On the sidelines of Kenzo Spring Summer show 2014 Milestones 16 Year of Marc Jacobs at Louis Vuitton When it comes to Louis Vuitton‚ we all think of Marc Jacobs. This talented

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    It represents the modification of Yayoi culture. The Kofun period is named after the large number of Kofun megalithic tombs created during this period. Kofun are defined as the burial mounds that were built for the ruling class people in Japan during 3rd to 7th century. The Kofun has a shape

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