Journal of Applied Corporate Finance W I N T E R 1 9 9 6 V O L U M E 8. 4 On Financial Architecture: Leverage‚ Maturity‚ and Priority by Michael J. Barclay and Clifford W. Smith‚ Jr.‚ University of Rochester ON FINANCIAL ARCHITECTURE: LEVERAGE‚ MATURITY‚ AND PRIORITY by Michael J. Barclay and Clifford W. Smith‚ Jr.‚ University of Rochester n an article published in this journal a year ago‚ we reported the findings of our study of corporate financing and payout policies covering some
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HISTORY OF ARCHITECTURE 3 Module 3 (Part One) FEATURES CHINESE ARCHITECTURE Chinese architecture refers to a style of architecture that has taken shape in East Asia over many centuries. The structural principles of Chinese architecture have remained largely unchanged‚ the main changes being only the decorative details. Since the Tang Dynasty‚ Chinese architecture has had a major influence on the architectural styles of Korea‚ Vietnam‚ and Japan. The architecture of China is as old as Chinese civilization
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almost instantaneous‚ and we have the means to our money from almost anywhere in the world. With this increase ease of availability‚ crime coordination and implementation has also become easier. Logistics for criminal enterprises has streamlined. Our modern conveniences have made the ability to enact crimes remotely greater than it has ever been before. Every day there is an increase in [globalization]‚ meaning that interactions and integrations amongst people‚ corporations and political systems from
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Authors | Constructions | Classical | Classical architecture is a mode of architecture employing vocabulary derived in part from the Greek and Roman architecture of classical antiquity‚ enriched by classicizing architectural practice in Europe since the Renaissance | Kallikrates‚ Iktinos‚ Publius‚ Vespasian | Parthenon‚ Colosseum‚ Pantheon | Early Christian and Medieval | Medieval architecture is a term used to represent various forms of architecture popular in Medieval Europe. | Pietro Baseggio
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When comparing Greek and Roman architecture and design we see many similarities as well as differences. Greek culture and society came into fruition roughly 1250 years before the rise of the Roman Empire and Roman artisans were strongly influenced by their Greek predecessors. However‚ the Greeks were not without their own influences. Egyptian building styles and art were refined by the Greeks as seen in their use of column and lintel construction. It is notable that influence from Persia and the Ancient
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designs was of course an eclectic practice. Importance In the early design process‚ designers draw diagrams and sketches (partis) to explore ideas and solutions. As an instrument of thought‚ sketches‚ diagrams and drawings have an eminent influence not only on the early phases of the architect’s working process‚ but
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Although the human race evolves with time‚ there are still many architectural replications of Greco-Roman forms in modern day society of today. The times of the great Ancient Greek and Roman Empires have longed passed‚ but the people of today are still able to admire and honor their inconceivable architectural innovations. The Greco-Romans were very creative societies that worked collectively to build larger and more majestic things than had ever been built before. These stylistic ideas and works
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century around the time when pop culture became popular which was in the 60’s (Witcombe‚ 2000). The postmodern term can be used in more then one context and in a variety of ways. Witcombe (2000) characterized that “…some would say it means anti-modern; and for others it was just a
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Introduction: In modern society‚ architecture is one of the key elements of contemporary cities. People are fascinated by impressive buildings and the relationship between these objects and their surrounding. Zaha Hadid has been a key contributor to this development and is directly responsible for many inspiring sights. When I experienced her work‚ I was fascinated by her ability to design a building and how she connected it to the surrounding elements. She used simple figures and fused these forms
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Cambodian architecture is well known for the temples and monuments of Angkor; but the country is also home to an extraordinary‚ and imminently threatened‚ collection of modern buildings from the 1950 ’s and 60 ’s. Following its independence from France in 1953 to the outbreak of civil war in 1970‚ Cambodia experienced a renaissance in architecture and the arts. The buildings of this era have come to be known as “The New Khmer Architecture”. The foremost architect of the time‚ and author of some
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