“We are wrong to think of democracy as a gift of freedom it is really a kind of discipline that avails freedom.” (Steele 458) Shelby Steele is an author‚ professor‚ and well known commentator on race relations. He has a Ph.D. in English‚ an M.A. in sociology‚ and has written several books on racial issues. He focuses mostly on race relations and the issues that ensue from racial biased programs. His mother and father were both active in the civil rights movement and the things they did during it
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"On Being Black and Middle Class"‚ discusses the concept of victimization. Steele believes that the use of victimization is the greatest encumbrance for African Americans. In Steele’s perception‚ white Americans see blacks as victims to ease their guilty conscience‚ while African Americans attempt to turn their status as victims into a kind of currency that will purchase nothing of authentic or continual value. Hence‚ Steele firms that blacks must seize "buying into this zero sum game" by adopting
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HSC Advanced English‚ Module A: Richard III and Looking For Richard‚ Essay Connections of commonality and dissimilarity may be drawn between a multiplicity of texts through an appreciation of the values and attitudes with which they were composed. Accordingly‚ the values and attitudes of the individual being may be defined as an acute blend of externally induced‚ or contextual and internally triggered‚ or inherent factors. Cultural‚ historical‚ political‚ religious and social influences‚ dictated
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1- Richard III‚ The Protagonist “Yet neither can his blood redeem him [Richard III] from injurious tongues‚ nor the reproach offered his body be thought cruel enough‚ but that we must still make him more cruelly infamous in Pamphlets and Plays.” (1617—William Cornwallis. From Essays of Certaine Paradoxes) Richard III is written in 1591-1592. Richard III is the dominant character of the play as that he is both the protagonist of the story and its major villain
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compositions of texts. King Richard III and Looking For Richard directly relate to historical and social contexts respectively‚ social drawing on historical’s challenge to the context in which it was written. Shakespeare’s play was crafted in a difficult time of political and religious adherence. Shakespeare’s portrayal of Richard focuses on his devilish and Machiavellian nature. Machiavelli’s The Prince teaches that an adept ruler should aim to achieve power at any cost. Richard is a Machiavel; he calls
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A deeper understanding of ambition and identity emerges from pursuing the connections between King Richard III and Looking for Richard. Compare how these texts explore ambition and identity. Ambition; an earnest desire for some type of achievement or distinction‚ as power‚ honour‚ fame‚ or wealth‚ and the willingness to strive for its attainment * Al Pacino’s production as an art-house vanity project * Promotes himself – manipulating the audience through cutaways‚ specific and timed
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Andu Nguyen Photojournalism Richard Avedon Images are known to replace words. They are what we use to define beauty. We use photographs to document the changing eras of fashion. Fashion has a short life. Once it is expired there isn’t an afterlife for fashion. It doesn’t just mature or evolve into something else. Richard Avedon was a titan in the photo art world. Richard Avedon challenged himself as he went from a commercial photographer to an art photographer. Avedon dominated
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The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it‚ as a central plot driver and an assumed part of the human condition. However‚ each presents a different perspective as to the nature of power; its origins and morality. Discuss this statement with close‚ detailed reference to both texts set for study. Power is defined as the possession of control or command over people and events. In Shakespeare’s play ‘King Richard III’‚ the centrality
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How does Shakespeare present the character of Richard in Act 1 of Richard III ? Richard III is a tale of the rise and fall of tyrannical power. Shakespeare uses many classical references and adopts the five act pattern from Roman comedy. What makes Richard a fascinating character is his skill as an actor. Like Falstaff and Hamlet‚ he is constantly playing a part and enjoying it. In Richard III‚ Richard’s soliloquies show his true vindictive nature-whereas when he is interacting with other characters
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Th ink sw ap Do cu me nt Question: In what ways does a comparative study accentuate the distinctive contexts of King Richard III and Looking For Richard? Question 2: To what extent have the connections you have made between the two texts shown how particular concerns‚ although timeless‚ impact differently on individuals in different contexts.
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