"The per film value of the portfolio of sequel rights" Essays and Research Papers

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    Option and Sequel

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    your presentation. “ARUNDEL PARTNERS: THE SEQUEL PROJECT” State clearly all assumptions that you make and defend their choices whenever possible. 1. Why do the principals of Arundel Partners think they can make money buying movie sequel rights? Do you expect any major film studios to be interested in the sort of arrangement described in the case? Why do the partners want to buy a portfolio of sequel rights all at once rather than negotiating film-by-film to buy each? 2. How should one translate the

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    _____________________________________________________________________ Course Study Guide 2011–12 Course Code: BUS1331 Course title: Value Chain Management Course Leader: Dr. Michael Babula‚ MBA‚ PhD ____________________________________________________________________________ Contents 1. 2. WELCOME ........................................................................................................................................ 3 INTRODUCTION TO THE COURSE ......................

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    Arundel Partners: The Sequel project 1. Why do the principals of Arundel Partners think they can make money buying movie sequel rights? Why do the partners want to buy a portfolio of rights in advance rather than negotiating movie-by-movie to buy them? • The principals of Arundel Partners think they can make money buying movie sequel rights because they can use unpredictability of a movie’s success to their advantage. This can be done by exercising the right if the movie is a success

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    Pers

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    WOMEN’S EMPOWERMENT IN INDIA An Analytical Overview Prepared by Reecha Upadhyay General Overview Women’s empowerment in India is heavily dependent on many different variables that include geographical location (urban/rural)‚ educational status‚ social status (caste and class)‚ and age. Policies on women’s empowerment exist at the national‚ state‚ and local (Panchayat) levels in many sectors‚ including health‚ education‚ economic opportunities‚ gender-based violence‚ and political participation

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    – Using the Projected Financial Performances 5 Comparison 6 Question 3 7 Advantages 7 1. Time Value 7 2. Capture Value of Options 7 Disadvantages 7 1. Assumptions Made 7 2. Tax Effect 7 3. Historical Data 8 4. Selection Bias 8 Further Assistance/Data Required 8 Question 4 9 Problems/Disagreement 9 Contractual Terms and Provisions 9 Appendix A – Per Film Value Using Financial Projections 11 Introduction In 1992‚ Paul Kagan Associates‚ Inc. came out with a new

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    The Sequel Project 1. Executive Summary “Nobody knows anything”. This famous line coined by William Goldman‚ a well known Hollywood screenwriter‚ simply but honestly sums up the movie industry. Numerous academic studies have tried to gauge the determinants of movie success but have yet failed to deliver a satisfying answer. Ravid A. (1999) for example finds that neither stars nor big budgets contribute to profitability of a movie. This case study investigates the case of buying sequel rights

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    [Type the company name] | Arundel Partners: The Sequel Project | Advanced Corporate Finance Case Analysis I | ZUBOV‚Vasily 1072582 LI‚Xinyuan 05403613 WU‚Yun 08426959 LU‚Yuan 08426975 9/21/2009 | Executive summary In 1992‚ an unusual business idea came into the eye of David A. Davis‚ a movie industry analyst in Los Angeles. The idea

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    Allegory: Sequel

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    Allegory Melat Kiros Pd.7 1/15/2011 The American Revolution Allegory…Sequel! Yes‚ I’m sure you remember the 13 children from the original story but we’re now in the future and these kids are all grown up! They knew it would be extremely hectic if they had more than one child with their spouse so they all had just one. 13 only child’s with 12 other cousins. Pretty smart if you think about it. Anyway‚ these cousins all grew up with each other. No doubt about it they knew everything about

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    Side Bet Sequel

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    Side Bet Sequel: The Rat The rat sat‚ his poorly-postured belly slouching lower and closer to the ground‚ as he crammed kilogram after kilogram of biscuits into his whiskered yawning mouth. It had barely been three days since the man had been taken from the island. Three days since the rat had begun his feast of the uncountable kilograms of sea biscuits the man had left him on the island. On the island‚ where above the expanse of sky shone as greedily blue and maliciously amused as the man’s eyes

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    The Sequel Project Case Talking points Submitted by: Marc Brands‚ Hajime Tamachi‚ Rani Vainateya‚ Nobuyasu Sugimoto‚ Kunihiro Takahashi‚ Yasuhisa Tsurumi Our group performed a Monte Carlo simulation (attached spreadsheet). We have taken into consideration the data of all studios provided in Exhibit 7. We have assumed that the sequel production and success of the sequel is spread evenly across all the studios. We assume that the past data reflects the future probabilities of sequel production

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