"The Lord of the Rings" Essays and Research Papers

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    Emma Conway 2 December 2011 Period 1 Similar yet Different The Lord of the Rings is a memorable story and is often the base idea for scenes in many different movies. One of the movies that play on different scenes from The Lord of the Rings is Harry Potter. Similar scenes from The Lord of the Rings can be seen in many scenes from the Harry Potter book and move series. The similarities can be seen in different objects‚ characters‚ creatures‚ and situations throughout the series. I noticed

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    “All we have to decide is what to do with the time that is given to us‚” (LotR 51). Death is a necessary evil‚ an end to life. It’s what we do with our life that is most important. In Tolkien’s “Lord of the Rings‚” mortals who acquire immortality end up facing many harsh realities. In the creation of Middle Earth‚ Iluvatar creates the Ainur (Holy Ones) and the Children of Iluvatar. The Ainur are the first‚ and the most powerful beings created by Iluvatar; they are immortal. The Children of Iluvatar

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    The lost king from Tolkien’s Lord of The Rings series‚ having passed the first threshold‚ takes on his labyrinth and rescue‚ ultimately accomplishing his heroic deeds. Although Aragorn follows his own path to kleos he travels not alone but‚ like all heroes‚ with friends otherwise known as his hero partners. For Aragorn a company consisting of an Elf‚ a Dwarf‚ a Man‚ four Hobbits‚ and one Wizard to give mystical insight‚ accompany him on this voyage while also passing as a hero partner for his companions’

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    commended genealogy‚ Éowyn was only a typical lady. Extremely excellent; she was tall‚ thin‚ pale‚ and agile. In demeanor she was hopeful‚ energetic‚ which didn’t hold her from bringing down the Witch-King with the assistance of Merry. In The Lord of the Rings‚ Merry is frequently viewed as and was depicted by Tolkien as‚ the most discerning and clever of the hobbits. He rode to Gondor with Éowyn‚ who was masked as a typical trooper. In the Battle of the Pelennor Fields‚ while the Witch-ruler of

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    Tolkien has experienced a resurgence of interest in the last two decades-in a large part thanks to Peter Jackson’s film adaptations of both The Lord of the Rings and The Hobbit. However I do not wish to look at the movies‚ or indeed at any of Tolkien’s more prevalent work. I wish to focus on his poetry‚ the poems woven into the narrative of his popular novels (including revised versions published in The History of Middle-earth series) as well as his stand-alone pieces that may have little to do with

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    Furthermore‚ the physical voyage that the characters undertake is symbolic of the emotional turmoil or adversely‚ contentment within them. This is evident through the use of literary and visual techniques in the play Othello by William Shakespeare and Lord of the Rings:

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    theologians have sought to determine whether evil is a polarized and present force or whether evil is the absence or falling away from good. The Lord of the Rings is not just a story about the conflict between good and evil‚ but rather is a story that demonstrates the multifaceted nature of both. In the beginning of The Lord of the Rings: The Fellowship of the Ring it is easy to relegate evil to a dualistic force in the world‚ that characters are either inherently good or inherently evil. However‚ as the

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    In the Merriam-Webster dictionary‚ adversity is defined as “a state or instance of serious or continued difficulty or misfortune”. Throughout his film‚ The Lord of The Rings: The Fellowship of the Ring‚ Peter Jackson displayed the effects of adversity on identity through his deuteragonist‚ Aragorn. Adversity shaped Aragorn’s identity in three instances; when Gandalf died‚ when the Uruk-hai initiated an attack against the fellowship‚ and finally‚ when Frodo and Sam departed in a different direction

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    shows the Dark Lord Sauron forging the One Ring in order to conquer the lands of Middle-earth. A Last Alliance of Elves and Men is formed to counter Sauron’s forces at the foot of Mount Doom‚ but Sauron kills Elendil‚ the High King of Men. His son‚ Prince Isildur grabs Elendil’s broken sword Narsil‚ and slashes at Sauron’s hand‚ separating him from the Ring and vanquishing his army. However‚ because Sauron’s "life force" is bound to the Ring‚ he is not completely defeated until the Ring itself is destroyed

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    Sometimes they’re obvious and other times they’re masked though they are without a doubt the most familiar battles occurring on earth. In J.R.R. Tolkien’s Fellowship of the Ring‚ the struggle for power over Middle-Earth and the formation and battle of opposing forces of good and evil is the primary focus in The Lord of the Rings trilogy. The main conflicts seen and foreshadowed in FoTR are man versus man‚ and man versus nature. What is considered good and evil is often subjective in today’s society

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