Q.2 Wherein lies the comedy in part one of Don Quixote? The story Don Quixote is a burlesque‚ mock epic of the romances of chivalry‚ in which Cervantes teaches the reader the truth by creating laughter that ridicules. Through the protagonist‚ he succeeds in satirizing Spain’s obsession with the noble knights as being absurdly old fashioned. The dynamics of the comedy in this story are simple‚ Don Quixote believes the romances he has read and strives to live them out‚ and it is his actions and
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often said that in the end tragedies leave the audience more satisfied than comedies. This is particularly wrong in most movies because comedies show life in a different perspective than tragedies do. Comedies often have a different impact on the audience simply because of the way tragedy is portrayed in comedies. Comedies are very popular for making the audience laugh‚ which is the most powerful expression of feelings. Comedies also show the audience true life‚ in a way that the audience feels attracted
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OF SHAKESPEAREAN COMEDY M.H. Abrams defined ‘comedy’ as ‘ a work in which materials are selected and managed primarily in order to interest‚ involve‚ and amuse us: the characters and their discomfitures engage our delighted attention rather than our profound concern. We feel confident that no great disaster will occur‚ and usually the action turns out happily for the chief characters. Abrams specifies several different types of comedy ‘within the broad spectrum of dramatic comedy’‚ including romantic
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Aristotle said that comedy is ‘’an imitation of inferior people’’. How far do you think that this applies to the character of Rita in the play ‘Educating Rita’? Educating Rita is a play that uses the colloquialism of the main protagonist‚ Rita‚ to create the comedy element for the audience when she is being tutored by Frank‚ an untypical university lecturer who works in the setting of 1980’s northern England. In interpreting the characteristics of Rita‚ it can be identified that comedy is indeed an imitation
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to have again what he once cast off” (102-103). The seventh layer of hell: where the suicides’ go to forever take on the body of a tree‚ and to have life begin to grow only to be eaten by Harpies. Dante Alighieri‚ author of the poem‚ “The Divine Comedy” derives the meaning behind the “forest of suicides” and the “bush-souls” from the influence the Catholic Church played in Florence around the 1300’s. The “forest of suicides can be explained through the Last Judgment‚ and how the sinners punishment
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LYSISTRATA‚ a comedy of stereotypes The playwright Aristophanes wrote about an ancient Greece‚ Athens in particular‚ during a time of constant warfare. His play "Lysistrata" is an attempt to amuse while putting across an anti-war message. In fact even the naming of the play is an anti-war message of sorts. The word "lysistrata" means‚ "disband the army" (Jacobus 162). Aristophanes was a crafty writer; he creates a work of art that causes his audience to think about the current state of affairs
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dedicated to the Year 11 Preliminary Course students biting their nails and pulling their hair out struggling to grasp the concept of journeys. On our show today we have a special guest who is here to talk about his world-renowned poem ‘Dante’s Divine Comedy’ which is basically the epitome of ‘imaginative’ journeys. Yes folks you heard correct‚ please welcome the one and only Mr. Dante Alighieri. For any students who are on the edge of their seats wanting to embellish Mr. Dante’s insightful frame of
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Dante Alighieri’s “The Divine Comedy” is a poem written in first person that tells of Dante’s altered-ego pilgrimage through the three realms of death‚ Hell‚ Purgatory‚ and Paradise while trying to reach spiritual maturity and an understanding of God’s love while attaining salvation. Dante creates an imaginative correspondence between a soul’s sin on Earth and the punishment one receives in Hell. "In the middle of the journey of our life I came to myself in a dark wood where the straightway
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living room. While all of his guests‚ intended and accidental‚ attempt to illuminate their condition both figuratively and literally‚ Brindsley desperately endeavors to thwart them to increasingly comedic effect. In Peter Shaffer’s one-act farce‚ Black Comedy‚ first performed in 1965‚ he amusingly juxtaposes light and dark in order to underscore the play’s central treatment of lies and deceit. Simultaneously its most distinctive and challenging feature‚ the play is performed under a reversed lighting
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Racial Stereotypes in Comedy Hollywood films‚ for centuries‚ have been using American comedies to humorously naturalize the beliefs of racial differences that construct the ideological basis of racial hierarchy. In American history racial hierarchy refers to the ranking of different races or ethnic groups. Professionals have found a ways for these films to provide the public with a positive source of pleasure in the negative portrayals of their own race and no reactions to produce oppositional discourse
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