"The big sleep film noir" Essays and Research Papers

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    The Big Sleep: Point of View “I was neat‚ clean‚ shaved and sober‚ and I didn ’t care who knew it” (Chandler 3). In The Big Sleep‚ a hardboiled crime novel published in 1939 by Raymond Chandler‚ the protagonist‚ Philip Marlowe‚ effectively relates to his audience through first person point of view. Although there are several benefits of third person point of view‚ in first person readers are able to engage in the story and feel apart of the investigation. Chandler does this by providing Marlowe’s

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    LA Confidential and Film Noir One of the most influential film movements in the 1940’s was a genre that is known today as film noir. Film noir was a recognizable style of filmmaking‚ which was created in response to the rising cost of typical Hollywood movies (Buss 67). Film noir movies were often low budget films; they used on location shoots‚ small casts‚ and black and white film. The use of black and white film stock not only lowered production costs‚ but also displayed a out of place

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    The Hays Code in Film Noir The Motion Picture Production Code‚ commonly known as the Hays Code‚ was adopted in March 1930‚ though it was not truly enforced until four years later in 1934. This set of rules had tremendously influenced the way Hollywood movies were made for a number of years. This code was based on the ethics and norms if that time. There were three main principals of the Hays Code. The first was no picture shall be produced that will lower the moral standard of those who see it

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    LCC-3254 | The Third Man: | Historical Realities of Film Noir | | Mykhail Chambers | 12/11/2010 | | Throughout history‚ time has shown the world that its various art forms are influenced by the current events of the era. The world of cinema is no exception to this statement‚ for some of history’s greatest films have been inspired by the happenings of man. Whether it is political struggle‚ social strife‚ a cultural movement‚ or cultural unrest‚ cinema has found ways to manipulate

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    The Big Sleep In the book The Big Sleep‚ and the film The Big Sleep‚ I saw many similarities and many differences. Both book and film intrigue the mind of the reader and viewer by introducing different plots and characters through out the book and film. First I shall start off by talking about the plots and characters of the book and film. The plot and the setting at the beginning of the film pretty much started out the same as it did in the book. The only difference

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    Genre Film Knight 3 May 1995 Taxi Driver as Radicalized Film Noir In his film Taxi Driver‚ Martin Scorcese presents a world where characters are subsumed in the  urban landscape‚ vertical planes obscure the horizon‚ and hazy lights reflect off streets perpet­ ually slick with rain. Scorcese combines realistic settings with expressionist cinematography to  construct a stylized vision of meaninglessness‚ in which a psychopathic protagonist moves from  street to street without direction‚ f

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    Media Analysis Readings and films provided throughout the course have featured an array of ideas‚ topics‚ and subtopics. Each film and reading served to guide towards overall themes. Readings and films from modules also worked in an interconnected way. Although each module uncovered a different topic‚ modules could still be connected to each other in many ways. Dreams Deported: Immigrant Youth and Families Resist Deportation by UCLA Student Publication and The Sleep Dealer directed by Alex Rivera

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    Code Noir

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    Le Code Noir (The Black Code) The Code Noir was a decree passed by King Louis XIV of France in 1685 and ended in 1848. It had a great impact on the sugar industry and trade involving French colonies and territories. The Code Noir contains 60 articles each with its own right and specification. The Code contained rights on slavery‚ restriction of the freedom of black people‚ banishment of Judaism‚ rejecting African cultures and that Catholicism should be the only religion of the colonies. Background

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    OL2: Genres in Film Denah Johnston 01 Aug 2014 Genre Cycle via Film Noir Film Noir was an American movement that defined its own style of characters‚ settings and plots. This could have only been brought on by the tumultuous post World War II society. Directors were able to establish a counterpart to the leading man with a seductive and cynical femme fatale. Dark‚ smoky atmospheres that barely showed the characters as they were committing or organizing a violent crime. Film Noir could be a retrospective

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    press can be worth paying attention at. Thus‚ it would be more secure to refer to more proper crime fiction book. The Big Sleep by Raymond Chandler is a hardboiled crime novel‚ which is included in "TIME ’s List of the 100 Best Novels."[1] Moreover‚ it has an honorable place in several other lists of top 100 books. Such figures speak for themselves. Therefore‚ The Big Sleep by Raymond Chandler will be used in this work as an example of crime fiction novels. In the main body of the work attention

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