The films Romero‚ El Norte‚ and Sin Nombre show the audience in justice within a gang and countries such as‚ El Salvador‚ Mexico and Guatemala. The films also shows how the lower class or the indigenous organize and fight for fairness and dual rights. In the film ’Sin Nombre’ gangs are seen as the power and guiding source in people lives and try to control members. We also see in the films how the ruling class seek to take control of the lower class and violence is often times the end solution to
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Sin Nombre Sin Nombre‚ loosely translated as “without name”‚ is an independent film released in 2009 under the skillful direction of Cary Fukunaga. Fukunaga‚ a film graduate from New York University‚ also attended a French university and carries a bachelor’s degree in history from the University of California at Santa Cruz. During his studies and New York University‚ he made a short film titled Victoria Para Chino‚ a film about a group of immigrants who died in a refrigerated trailer when immigrating
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The movie sin nombre was one of those few movies we americans watch that makes us go what the?. I mean what when’s the last time you’ve watch a movie where the newly formed quote unquote “good guy” died..You can’t remember right case closed. One thing I like about this movie is how it snaps you back in reality‚ it does the very opposite of what hollywood does. Where hollywood would take a once bad guy‚ turn him into a fan favorite baby face and have him save the day at the end with the hot girl beside
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INTRODUCTION The movie I chose to do my movie analysis on was Sin Nombre. I chose this movie because it stood out to me the most‚ mainly because of the title in Spanish. I used four concepts while analyzing this epic movie. First I applied the power elite theory to see who had the power in this power city and how they used their power. Then I used the social conflict theory to see what caused the people to get into the gangs and how the gangs acted to the people. The socialization theory is shown
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Film 1070 1 September 2013 Film Analysis/Personal Reflection: Sin Nombre The movie‚ “Sin Nombre” directed by‚ Cary Fukunaga‚ is about the story of a young man‚ by the name of Willy‚ living in Mexico‚ whom is a member of the gang known as “MS”. This film makes its audience familiar with the struggles of the journey for immigrants trying to make it to America. Willy’s commitment for the gang turns redundant when one of the other gang members murders his girlfriend. A series of events occur in
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many Central American countries‚ and in southern Mexico. Given the focus of the film‚ it is perhaps far too much to expect Sin Nombre to address such matters. But it begs the question of what the filmmaker is trying to accomplish by focusing on gang violence and its intersection with the Central American migrant passage through Mexico. It is in this area where Sin Nombre proves
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sober‚ Kevin McKidd as Tommy‚ clean-cut athlete that returns to drugs more than once‚ and Robert Carlyle as sociopath Begbie boast about not using drugs but picks extremely violent fights with people who stand in his way by throwing beer mugs. Cinematography helps us understand the struggles and consequences of the dark corners of addiction through camera angles‚ lighting and point of view. The film lets us know that life is what you make it and that anything is possible if you try hard enough.
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Acting and cinematography work together to create powerful meaning and impact in films. These are two aspects of filming that will almost never change regardless of the age. Acting and cinematography are what separate a good film from a great film. The Godfather is a relatively old film but is also a great example of how memorable a film can be if acting and cinematography are done extremely well. I will try to explain in detail what makes The Godfather one of the greatest movies of all time by talking
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Digital Cinematography For over a century motion picture have entertained the masses‚ allowing people to view life taking place on a large screen. For the majority of this time these movies were shot using the same film found in photographic cameras. Technology always seems to take over and the film industry seems poised to be the next target. With digital picture acquisition getting better everyday‚ movies are beginning to be shot completely digital. There are a number of plusses and minuses
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While it is easy to make comparisons between the pupil of the eye and the f-stop of a camera or between the retina of the eye and photographic film‚ once we get past the basic similarities of the optics of the two systems‚ comparisons begin to rapidly break down. The eye is not only much more complex than a camera and its film‚ but the two imaging devices function by different chemical mechanisms. The photographer (or the automatic exposure system of the camera) regulates the f-stop opening and time
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