William Shakespeare’s play ‘King Richard III’ and Al Pacino’s 1996 doco-drama film ‘Looking for Richard’ reveals the explicit relationships between each text and their respective audience. The Elizabethan and twentieth century contexts in each of these texts are important as it demonstrates the value of each text and enables the understanding of how the film enriches the ideas presented in the play. Shakespeare’s ‘King Richard III’ portrays a malicious and corrupted Richard to explore the themes of divine
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developed and explored. By a comparative study of texts parallels in context can be established and evaluated‚ with the alternate visual mediums key in enhancing the audience experience. Al Pacino’s “Looking for Richard‚” (1996) provides a more coherent view of William Shakespeare’s “Richard III‚” (1592)‚ using similarities between texts to accommodate a modern audience. Both texts represent common themes of war‚ demonstrating the inherent evil of mankind through characterisation‚ with respective societal
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Richard III Essay The story of Richard III tells the tale of one of history’s most tyrannous kings who stopped at nothing to claim the throne. Set in colonial England‚ it’s a powerful story that is still relevant today of betrayal‚ honor‚ and the nature of man. It is also masterfully written‚ as Shakespeare uses language to depict imagery and provoke thoughts. Shakespeare uses literary devices to illustrate Richard’s tyrannous character in act 4 when Elizabeth and Margaret are grieving over their
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scenes of both. (50/50) Due: Thursday 16th Shakespeare’s play King Richard III and Al Pacino’s documentary Looking for Richard are two text composed more than 400 years apart that can be linked through their themes and techniques. The influence of these themes or values however‚ is subject to the context of the audience. Both texts explore the characterisation of the main character Richard and how he is presented. They explore the craft of performance‚ presenting two different
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understanding of context and values Examinations of Shakespeare’s play ’King Richard III’ and Pacino’s docu-drama ’Looking for Richard’ reveals relationships between the texts and their respective audience. The fifteenth century and twentieth century contexts demonstrates the values of each text and enables understanding of how the film enriches the ideas presented in the play. ’King Richard III’ portrays a hateful‚ corrupted Richard exploring divine justice and the notion of appearance versus reality in
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Loncraine’s 1995 film of Shakespeare’s Richard III play‚ while considerably altered to fit in with the context of the industrial 1930’s timeframe‚ still retains the values and themes of Shakespeare’s Richard III play such as Richard’s rampant thirst for power‚ the familiar good versus evil theme and influence of persuasive language‚ otherwise known as propaganda. Richard is portrayed as a Hitler figure in the film using similar colours and uniform to the Nazis. The key distinction between the
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It is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? Myself? There’s none else by.” (5.5.133-136). Richard III is a remarkable‚ if not irregular‚ rendition of the renowned historical figure‚ Richard III. In it‚ Shakespeare poses Richard as a villain with no remorse towards others—without any fear. This is evident when Richard awakes and holds an internal dialogue in which he berates his conscience for giving him bad dreams. "What do I fear? Myself? There’s none
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(014532302) Maria Salenius The Tudors: Fact and Fiction (ENG243) 24 April 2015 The Function of the Dream Scenes in Richard III Richard III is claimed to be one of Shakespeare’s earliest plays (Lull). The drama can be seen either as a stand-alone or as part of a tetralogy‚ sharing interlinking elements with the Henry VI series (Grene). Due to its status as an early play‚ Richard III provides an exemplary window into Shakespeare’s design as a playwright‚ especially in relation to the presentation of
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regicide of Edward V The infamous Richard III‚ born on the 2nd of October 1452‚ was a man recognised‚ not for the Battle of Bosworth Field‚ nor for being the King of England from the years of 1483 to 1485‚ but for the alleged slaughter of his two nephews‚ Edward V and Richard‚ Duke of York‚ in London Tower‚ 1483. However‚ should this event be the origin of Richard’s fame? To assess the likelihood of the murders‚ I will be asking the question‚ ‘why?’ Why‚ if Richard were so loyal to his brother‚ would
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Richard III‚ Cynical & Satanic In the play‚ King Richard III by Sir William Shakespeare‚ the protagonist Richard‚ Duke of Gloucester is a man of many skills. However‚ good looks are not one of them. His high position of power in the royal family as a duke‚ as well as the brother of King Edward supplements for his lack of grace. Richard’s acting skills‚ combined with his finely tuned persuasive abilities are his greatest gifts. Richard III has many characteristics that would make a strong hero
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