is hard to explain‚ even though it is something we all feel and go through in our lives. No matter what state we’re in‚ there comes a time in our lives where we get stuck in our tracks‚ look around‚ and realize that we’re lost. The film Lost in Translation‚ directed by Sofia Coppola‚ is a brilliant motion picture that explores through what it means to feel lost and the connections‚ the choices we make and the journey towards finding ourselves. The film stars two Americans‚ Bill Murray as Bob Harris
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Portia Analyzation In our scene Portia presents the classic wife‚ worrying for her husband’s health of body and of mind. This is the first and only time that Portia is seen in Julius Ceasar. This is pretty important‚ because it doesn’t allow our view of her to change‚ therefore‚ everything she says can be taken at face value. We first hear of her saying “Brutus‚ my lord!” Which shows the interesting factor of subservience of women‚ in Ancient Roman times. Portia‚ in her next line
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scene? 2. Does Shakespeare intend the audience to view Bassanio as a spendthrift and a “gold digger”? 3. Why‚ in Scene II‚ is Portia in such a melancholy mood? 4. Why does Shakespeare use the word “choose” so often in the second scene? 5. How is Portia characterized in Scene II? 6. In Scene II‚ why do Portia and Nerissa review the suitors who have come to court Portia? 7. How do Shylock’s first words in Scene III help to characterize him? 8. What is the point of Shylock’s comment about Antonio’s
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In this play of deceptive appearances‚ is Portia suspect of not being altogether what she appears to be? Critics have debated this question over the centuries-some with greater enthusiasm than others. One such critic is Anna Jameson. Jameson’ allegations are valid concerning Portia’s undoubted wealth‚ beauty‚ and intelligence‚ but she fails to recognize that she is not all that she appears to be (141). Jameson’s review gives much praise to Portia. According to Jameson‚ “Many critics are so dazzled
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Aristocrats and noblemen from the four corners of the earth have come to a beautiful island near Venice. Besides the natural charm of the estate‚ they are enthralled by the golden sun that resides there - Portia. Her father‚ famous nobleman Marcus has left behind a huge fortune to his only daughter Portia and many wish to win her heart in order to gain access to it. What lies between her suitors and the fair-haired lady is a game of caskets devised in Marcus’ will. Three caskets of gold‚ silver and lead
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A TEXTBOOK OF TRANSLATION Peter Newmark W *MRtt SHANGHAI FOREIGN LANGUAGE EDUCATION PRESS 9787810801232 A Textbook of Translation Peter Newmark SHANGHAI FOREIGN LANGUAGE EDUCATION PRESS A Textbook of Translation Peter Newmark Prentice Hall NEW YORK LONDON TORONTO SYDNEY TOKYO First published 1988 by Prentice HaH International vUIO Ltd. 66 Wood Lane End‚ Heme! Hempstead. Hertfordshire‚ HP2 4RG A division of Simon &i Schuster International Group (0 1988 Prentke Hall
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On the other hand‚ Portia keenly detects stress from Brutus’s actions‚ and she confronts him and tries to make him tell her what’s wrong‚ he says he won’t and she replies “Then I shall kneel‚ but I should not do if thou were gentle Brutus”‚ pointing out she clearly knows something
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Portia: Is thy name Shylock? Shylock: Yes. Portia: Of a strange nature is the suit you follow. (To Antonio): You stand within his danger‚ do you not? Antonio: Ay‚ so he says. Portia: Do you confess the bond? Antonio: I do. Portia: Then must the Jew be merciful. Shylock: On what compulsion must I? Portia: The quality of mercy is not strained; it droppeth as the gentle rain from heaven upon the place beneath: it is twice blest‚ it blesses him that gives and him that takes. It becomes the throned
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TRANSLATION: The process of turning an original or "source" text into a text in another language. TRANSLATION TECHNIQUES Direct Translation Techniques are used when structural and conceptual elements of the source language can be transposed into the target language. Direct translation techniques include: * Borrowing * Calque * Literal Translation Borrowing Borrowing is the taking of words directly from one language into another without translation. For example software‚ funk. English
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Extra material for chapter 4 Van Leuven-Zwart’s comparative–descriptive model of translation shifts1 The most detailed attempt to produce and apply a model of shift analysis has been carried out by Kitty van Leuven-Zwart of Amsterdam. Van Leuven-Zwart’s model takes as its point of departure some of the categories proposed by Vinay and Darbelnet and Levý and applies them to the descriptive analysis of a translation‚ attempting both to systematize comparison and to build in a discourse framework
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