uses the individual locations in which the play The Tragedy of Othello takes place. From this geographical movement‚ the audience is shown how Shakespeare relates specific characters to individual geographic locations throughout the play. As a result‚ the physical geographic movement of the play represents much more than a simple backdrop; it serves to exemplify symbolically the battle between good and evil among the characters Othello‚ Desdemona‚ and Iago. In the beginnings of the play‚ Shakespeare
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Books related to Othello Othello - The protagonist and tragic hero of the play. A Moor commanding the armies of Venice‚ he is a celebrated general and heroic figure whose "free and open nature" will enable Iago to twist his love for his wife Desdemona into a powerful jealousy. Desdemona - The daughter of a Venetian Senator‚ and Othello’s bride. The most sympathetic character in the play‚ she is deeply in love with her husband‚ and her purity contrasts strongly with Iago’s wickedness. Iago - Othello’s
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Free Will or Fate In Greek mythology‚ fate was determined to be when gods would engineer a person’s fate‚ and they would interfere‚ when necessary‚ to make what they planned happen. The Greeks believed that no matter what they did‚ the gods always controlled their fate‚ and they had no free will. In Oedipus Rex‚ Sophocles blends both free will and fate together seamlessly leaving it up to the audience to interpret whether or not Oedipus controled his life or if it was in the hands of the gods.
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Destiny and Fate Destiny is the predetermined course of events. Similarly‚ the definition of fate is something that will unavoidably happen to a person. Some books‚ like Frankenstein‚ show that a person‚ or a character‚ can not change his or her destiny. However‚ destiny is something that people can control. Each person has the power to determine his or her own destiny. Every choice a person makes‚ gives them control over his or her own future. Many choices made‚ on a day to day basis‚ are relatively
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Fate’s Misfortunes Since the beginning‚ fate has been the building blocks for human’s lives. Whenever fate has been set in motion‚ it CANNOT be escaped. In Sophocles’ play Oedipus the King there are several major playing factors in the role of fate. Every action whether intentional or accidental‚ plays right into the hands of fate. It is absolutely unavoidable. No matter what is done to try to change one’s fate‚ once it is set in motion there is simply no changing it. The first of these characters
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the minds of Othello and Macbeth. Both Emilia (or Desdemona) and Lady Macbeth are characters in difficult circumstances. Explore how Shakespeare uses language and dramatic technique to present the stresses they endure. Explore how Shakespeare uses language and dramatic technique to present the weakness in the characters of Othello and Macbeth. Plan 1. Iago and the witches act as catalyst in the plays as they introduce new ideas into the play‚ was well as Macbeth and Othello. Furthermore
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Othello vs. Othello Throughout Hollywood history‚ many screen adaptations of famous books and novels have strayed away from its original. In almost every movie based on a literary work‚ there are always major differences. Whether it is in the story plot‚ character‚ or even its setting‚ spotting the differences is always easy to find. However‚ when it comes to Shakespeare the movies are rarely changed. In most movies‚ they are not only true to the plot‚ but even true to the dialogue. In perhaps
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the play Othello‚ Iago uses certain steps to help him in his plan to manipulate Othello to go against his wife Desdemona and his co-worker‚ Cassio. These steps help him greatly in his plan to deploy Othello against Cassio and Desdemona. Iago plays upon Othello ’s own fears and reinforces those fears with lies and hints to help him with his plan. First‚ Iago lies to Othello and makes him believe that Desdemona is cheating on Othello with Cassio. The next step Iago takes to manipulate Othello is when
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Dynamics 8 of the 12 essential questions ChangeMain Character Resolve Othello changes from a noble and just groom who declares‚ “But that I love the gentle Desdemona‚” (I‚ii‚27) to a foul-minded‚ irrational husband who vows‚ “I’ll tear her to pieces.” (III‚iii‚483) He changes from treating her gently to striking her in public‚ calling her a whore‚ and murdering her in an unfounded jealous rage. StartMain Character Growth Othello must start to realize that he can’t run his marriage using the same
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William Shakespeare’s play‚ “Othello”‚ the protagonist walks himself through a field of emotion-testing physiological mines laid by the antagonist Iago‚ in which causes a major change in Othello’s‚ the protagonist‚ sense of security throughout the story. Being a Moor‚ Othello finds his greatest difficulty in blending in with the Venetian society and way of life. He combats this with his military rank‚ and due respect from the Duke of Venice. With this appreciation‚ Othello feels secure. With the rank
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