Page noted of the spiritual aboriginal dance of ochres‚ the following‚ “As substance ochre has intrigued us. Its significance and the myriad of purposes‚ both spiritual and physical has been the driving force behind this collaboration. The portrayal of each colour is by no means a literal interpretation‚ but the awareness of its spiritual significance has challenged our contemporary expressions.” This quote tells us that the traditional use of ochre within aboriginal culture is important and significant
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Ochres essay Choreographed by Stephen Page and Bernadette Walong for Bangarra Dance Theatre‚ Ochres is a work in four parts. It premiered in Sydney in 1995 and then toured extensively. It explores the mystical significance of ochre‚ and is inspired by its spiritual and medicinal power. After a prologue the work’s four parts are: Yellow‚ Black‚ Red and White. Yellow: I believe the landscape to be Mother. Its flowing rivers she cleanses in‚ the yellow ochre she dresses in‚ the sun and seasons
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Bangarra Dance Theatre – Ochres 1995 Co-Choreographers: Stephen Page and Bernadette Walong Composer: David Page Cultural Consultant: Djakapurra Munyarryun Lighting Design: Joseph Mercurio Set Designer: Peter England A Passion for Dance “For me‚ I think the importance of going back to the traditional style of dance was that I was able to observe and watch our traditional teachers‚ not just for the dance steps but to be aware of what environment they came from‚ what their landscape
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Ochres is a magnificent dance work‚ which skilfully combines the traditional Indigenous Aboriginal Australian movements and the modern contemporary movements from today’s society. Collaboratively choreographed by Stephen Page‚ Bernadette Walong and Djakapurra a member of the Yirrkala tribe‚ Ochres premiered in Sydney‚ 1995 by the Bangarra Dance Theatre. The performance represents the cultural and spiritual significance linked to ochre within the Aboriginal people. The unique interpretation of the
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Bangarra Dance Company Ochres: Red vs. Black Culture and its‚ at times‚ inconceivable differences is an expression of concern for our society today. Silencing and elapsing of cultures and traditions seems to have escalated immensely. However‚ for the sake of our future‚ there is strong importance in the need of these traditions endurance. Therefore‚ contemporary dance has the aptitude in defying these unjust cultural judgments. We see countless contemporary choreographers‚ today‚ merging momentous
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including his two major pieces Ochres and Fish. Ochres was first performed in Sydney in 1995 playing an essential part in traditional life and it explored the significance of ochres. Fish is also about the earth and the power of the elements‚ Fish focused on the waters of the earth and the wealth of life. Bangarra gets its inspiration from Aboriginal and Torres Strait Islander traditions and deals with the contemporary issues the Indigenous population face. Ochres is a work with four parts to it
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analyze the adaptations that an ochre sea star has to adapt to. The first adaptation of a ochre sea star is they have to tolerate a long time to the exposure of air if they were living in tide pools. Another adaptions that the ochre sea star has to face is the constant pounding of waves. Ochre sea stars have to adapt to this adaptation for the reason they would end up being pulled away from their habitat to a different location in the water. The last adaptations the ochre sea star has to adapt to is
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Indigenous Australians drew cave paintings as a religious symbol‚ and to feel the spirits in their sacred places. The practice of making artworks allowed tribes to pass on knowledge about their country and culture. The earliest forms of Indigenous art were paintings or engravings on boulders and on the walls of rock shelters and caves. There is evidence that Aborigines were painting on rock over 30 000 years ago. Aboriginal Australians drew about daily life‚ hunting and spirits. Images that are usually
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Religion of the Beothuk The Beothuk were a small group of aboriginals who lived in Newfoundland during the time of the European contact during the fifteenth and sixteenth centuries. The Beothuk culture formed around 1500 ACE. The ancestors of the Beothuk had three earlier cultural phases that migrated from Labrador‚ each lasting around 500 years‚ therefore beginning in 1ACE. Current DNA suggests that the Beothuk linked to the same ansestors as the Mi’kmaq‚ either through mixing of the people or
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For this painting Johannes Vermeer used charcoal‚ chalk‚ tempera‚ white lead‚ red and yellow ochre‚ vermillion and oil paints in various tones most of which he grinded up himself daily. No one knows how Johannes Vermeer made the initial drawing for this painting but it is thought that preliminary drawing on the canvas was to act as a guide during the painting and also intended to fix the significant contours of the composition. Once the initial outline drawing was finished he began the underpainting
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