predominantly involves the collision between the two cultures American and Bengali. It not only determines the clash between the different generations but also vivid ideologies affecting the lives of middle class family and especially the life of Gogol. Jhumpa Lahiri tries her best to portray the lifestyle of a very simple Bengali Family residing in abroad away from their homeland India in a simple yet elegant way. The main purpose of writing this research paper is to reveal the interstitial intricacies
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Place for the Wicked The real world chooses to hide the wickedness of mankind‚ while the world of fiction chooses to highlight it. In the stories “The Overcoat” by Nikolai Gogol‚ “A Very Old Man with Enormous Wings” by Gabriel Garcia Marquez‚ and “Where Are You Going‚ Where Have You Been?” by Joyce Carol Oates‚ especially highlight the time the horrible aspects of man. Each one highlighting the corruption of man in their own unique way. The social hierarchy is a key part to the wickedness of
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Tommy Tran English 4 1/6/14 The Namesake Jump Lahiri used woman as a literary device‚ “foil”‚ in her novel The Namesake to help contrast with the protagonist‚ Nikhil “Gogol” Ganguli in order to shape his identity. There were quite a few women that came and went through Gogol’s life span in the novel but three essential women were his mother‚ a woman by the name Maxine‚ and his first wife‚ Moushumi. The literary device that is being used allows the women to either be completely different‚ or
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of the Ganguli family. The novel ultimately shows us that one can simultaneously belong to two cultures‚ in this case Indian and American culture. Many scholars are hung up on the fact that protagonist Gogol must belong to one culture or the other. Heinze’s “Diasporic Overcoat?” suggests that Gogol puts on an “overcoat” through the switching of his name to represent the switching of his identity across various relationships and social situations. In doing so‚ he says “by implication one is never totally
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________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ Why does Gogol go to Cleveland? What does he do there? ______________________________________________________________________________________________________________________________________________________________________________________________________________
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Meanings and Indeterminacy in Gogol’s "The Overcoat" Author(s): Victor Brombert Reviewed work(s): Source: Proceedings of the American Philosophical Society‚ Vol. 135‚ No. 4 (Dec.‚ 1991)‚ pp. 569-575 Published by: American Philosophical Society Stable URL: http://www.jstor.org/stable/986817 . Accessed: 25/01/2012 04:09 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit
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Literary Criticism We never know what might happen tomorrow or the future but have you ever thought of losing your nose mysteriously and imagined it coming to reality? Unfortunately‚ in the surrealist story “The Nose” by Nikolai Gogol‚ a collegiate assessor named Major Kovalev with an unbounded astonishment discovered that his nose was missing from its natural spot. Major Kovalev was shocked‚ frightened and sober just like any other person would naturally behave or react about a missing nose. Kovalev
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and the Russian authors his grandfather told him to read. In 1961‚ as he was taking the train from Calcutta to Jamshedpur to get the books his grandfather was giving him‚ the train crashed and he almost died. He was reading a Russian author name Nikolai Gogol when the train derailed; he was found by workers and survived only because he had the page in his hand. He decided to go to engineering school in the U.S. against his family’s wishes. The next morning the baby is born and Ashima and Ashok want
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Overcoat For many centuries‚ social injustice has occurred in society such as inequality between social classes and corrupt government which has affected many people. [Preface] In the text “The Overcoat” by Nikolai Gogol deals with the theme of social realism in 19th century East-European literature. [Main idea] The author wants to portray the realistic social‚ political and personal issues that relate to the struggles of class and the outcomes of the society’s social structure. [Thesis] The
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spatial/domestic construction of immigrant subjectivity (in Lahiri and/or Chehade); the role of trauma in the immigrant narratives (in Lahiri and/or Chehade); the place of literature in the immigrant narrative (in Lahiri; Ashoke’s obsession with Nikolai Gogol); intersections between Gogol’s The Overcoat and Lahiri’s The Namesake (common themes‚ the question of “finding oneself‚” finding one’s subjectivity); the construction of the immigrant‚ racial “Other” in the immigrant narratives (in Lahiri
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