Carl Aldrin E. Sulam 2012-24719 Art Studies 1 Formal Analysis on UP Wall Mural along Katipunan Avenue and “The Dance” UP Wall Mural along Katipunan Avenue The wall mural along Katipunan Avenue is a very long piece of artwork. The mural gives a festive and lively Philippine-like feeling as you come across it. A reason for this is its use of very representational and bright colors. The mural is a very polychromatic one that uses the lighter values of color used thus one could attribute these characteristics
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Representationalism‚ Abstraction‚ and Non- Representationalism Here I am again‚ flipping back and forth thru our book. I am still amazed to find pictures I have never noticed before. On page 422 there is a remarkable mural by Jose Clemente Orozco called “Gods of the Modern World”. At first glance‚ I noticed these skeletons and in my mind assumed this picture possibly has to do with Dia de los Muertos. It only took a second to realize how completely wrong that thought was. My thought process
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David Alfaro Siqueiros is best remembered as one of Los Tres Grandes‚ along with Diego Rivera and Jose Clemente Orozco. They pioneered the use of murals to tell epic stories of poverty‚ rebellion‚ politics and the tortured history of their native Mexico. Influenced by Marxism in his treatment of the class struggle‚ Siqueiros believed public murals were a powerful way for the masses to have access to his art work and political messages. The Tres Grandes‚ among many other artists‚ were part of the
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ANALYTICAL STUDY OF PAINT LAYER IN MURAL PAINTING OF KRABIA SCHOOL (19th c.)‚ CAIRO‚ EGYPT Nabil A. Bader1 & Waeel‚ B. Rashedy2 1 Conservation Department‚ Faculty of Archaeology‚ South Valley University‚ Qena‚ Egypt. 2 Islamic Department‚ Faculty of Archaeology‚ South Valley University‚ Qena‚ Egypt. Received: 21/07/2014 Accepted: 12/08/2014 Corresponding author: Nabil Bader (drnabil_bader@yahoo.com) ABSTRACT Krabia School was decorated with wall paintings which were applied at ceiling and walls of
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Reflection Paper On the assigned reading of week 2: “Modern Buddhist murals in Northern Thailand: a study of religious symbols and meaning”‚ written by John P. Ferguson and Christina B. Johannsen. The title pretty much says it all. In brief‚ the reading aims to explore some symbolic realms of Buddhist murals located in Northern Thailand (Chiengmai) as an attempt to achieve a better understanding of Theravada Buddhism world view. Founded on the belief that religious graphic art does deliver as
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The impact of murals: the process and the paintings Jeanine Guidry‚ 10 July 2011‚ Richmond‚ VA Introduction Ron Chew‚ in his excellent essay “ Community-based arts organizations: a new center of gravity” mentions the interesting‚ and widespread‚ acknowledgement that traditional European art forms like ballet‚ opera‚ and the symphony can no longer be considered the sole windows into a community’s artistic soul and the sole measure of this country’s creativity (Chew‚ 2009‚ p.1-2). A segment
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two pieces of art; the Toreador Fresco and the Egyptian Fowling Scene. The Toreador Fresco is a fresco depicting a bull-leaping ceremony. It is from the palace at Knossos(Crete)‚ Greece and from around 1450-1400 BCE. The Egyptian Fowling Scene is a mural painting from the tomb of Nebamun. It is from Thebes‚ Egypt and from the 18th Dynasty‚ ca. 1400-1350 BCE. The styles between these two periods are very different‚ but there are still a few similarities found between the two pieces of art. The
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term. She experienced this situation in a foreign city that she did not like‚ the city of Detroit‚ Michigan. They were in the city of Detroit because her husband Diego was creating his famous Detroit Industry frescoes (frescoes‚ is a technique of mural painting executed upon freshly laid lime plaster) at the Detroit Institute of Arts. In the background of the painting Frida included the Ford family’s factories because they dominated the skyline from the hospitals view. In Henry Ford Hospital Frida
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De Young Museum Visit and Teotihuacan Mural Gallery In this response paper I seek to analyze the ethical‚ legal‚ and museological issues that surround the Teotihuacan Mural Gallery from the de Young Museum. The gallery is inside the Art of Americas section of the museum on the ground floor. A simple room‚ the Teotihuacan Mural Gallery is a dim lit space dim lit space that has large mural fragments along the walls‚ a bench in the center of the room‚ and a display stand featuring small fragment
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Diego Rivera’s artwork is very unique and is still very popular today. Diego Rivera‚ who is arguably one of the most important 20th Century Latin American artists‚ who was only eighteen years old at the time‚ painted “El Albanil” in 1904. This painting is only one of three or four known paintings to exist from that early period of the artist’s career. It shows his talent for a muralist style and like most well known for representing. The oil on canvas painting is signed by the artist and dated 1904
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