MOURNING BECOMES ELECTRA American playwright Eugene O’ Neill’s Mourning Becomes Electra is a continuation of the Greek tradition. Joseph Wood Krutch is of the opinion that “Mourning Becomes Electra has all the virtues… which one expects in the best contemporary writing”. It is rare to find two principal complexes “Electra” and “Oedipus” in one work of art. Here one observes both as parallel themes. However‚ it’s set in a modern twentieth century milieu. The characterization‚ the story line‚ the
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From Aeschylus’ Oresteia to Eugene O’Neill’s Mourning Becomes Electra: Text‚ Adaptation and Performance[1] ©Alison Burke‚ The Open University‚ UK Introduction The Royal National Theatre’s production of Eugene O’Neill’s Mourning Becomes Electra at the Royal National Theatre (London 2003–4) downplayed the relationship between O’Neill’s trilogy and Aeschylus’ Oresteia. Rather than following the stage directions of O’Neill‚ which are evocative of classical staging conventions‚ the RNT production
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Discuss Mourning Becomes Electra as a tragedy in modern sense. (P.U 2007) In Mourning Becomes Electra‚ O’Neill exemplified what Schopenhauer declared to be the “true sense of tragedy”‚ namely “that it is not his own individual sins the hero atones for‚ but original -sin‚ i.e.‚ the crime of existence itself.” So devoted was he to this .conception‚ that he permitted it to inform the entire trilogy. The pessimism of the Greeks may have been equally black‚ their tragedies just as aware of the crime
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Eugene Gladstone O’Neill is one of the greatest American playwrights‚ he is known for plays such as “Long Day’s Journey into Night” ‚”Beyond the Horizon” (1920)‚ “Anna Christie” (1922)‚ “Strange Interlude” (1928)‚ “Mourning Becomes Electra”(1931)and The Iceman Cometh (1946). His plays probe the American Dream‚ race relations‚ class conflicts‚ sexuality‚ human aspirations and psychoanalysis. He often became immersed in the modernist movements of his time as he primarily sought to create “modern
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Major Characters in Mourning Becomes Electra (1) EZRA MANNON A Disillusioned Lover Ezra Mannon enjoyed the spontaneity of love before he married Christine. When he courted her‚ her eyes communicated the feelings of her heart and his heart could talk to her heart. But after a few years of their married life their relations were reduced to mere animality. This disgusted him like anything. He says to his wife “Your body? What are bodies to me? I have seen too many rotting in the sun to make grass
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Serrano‚ Wrenz Carlo I. In Aristotle’s Poetics‚ he described what a tragic hero is with several characteristics‚ and in the Greek Tragedy of Sophocles; Electra‚ the main protagonist really has some of these characteristics. In terms of Aristotle’s definition of a tragic hero‚ Electra is considered as a tragic hero. First‚ she is an individual of noble stature; she is a daughter of Agamemnon‚ King of Mycenae‚ and Clytemnestra‚ which makes her a royalty.
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own versions of the Electra story. The basic plot is as follows: Agamemnon is killed by Clytemnestra and her lover Aegisthus after he returns from the Trojan war to reclaim his sister-in-law Helen from the Trojans. Electra and her brother Orestes plot to kill their mother and her lover to revenge his death. Both authors wrote about the same plot‚ but the built the story very differently. Sophocles focused on Orestes‚ and Euripides focused more on the life of Electra. In Sophocles’s version
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Euripides’ Electra Tragedy‚ as defined by Aristotle‚ has a multi-faceted meaning. The Aristotelian definition of a perfect tragedy‚ artistically states that tragedy must comprise of several elements; the perfect character‚ hamartia‚ a complex plot structure‚ suffering within close relationships‚ and a terrible/pitiful event. Euripides’ Electra generally follows the Aristotelian structure of tragedy‚ but due to the inclusion of two non-heroic characters and other unforeseen elements‚ Electra stands out
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------------------------------------------------- Electra complex From Wikipedia‚ the free encyclopedia Electra complex: Electra at the Tomb of Agamemnon‚ byFrederic Leighton‚ c.1869 In Neo-Freudian psychology‚ the Electra complex‚ as proposed by Carl Gustav Jung‚ is a child’s psychosexual competition with his/her mother for possession of his/her father. In the course of her psychosexual development‚ the complex is the girl’s phallic stage; formation of a discrete sexual identity‚ a boy’s analogous
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Case Study: Electra Products Summary: The Company faces the distrust between the departments‚ the staff enthusiasm reduce the decline in market share‚ the low product innovation‚ reduced efficiency and other issues. Then Martin Griffin proposed a suggestion—the new empowerment campaign. But after Martin proclaimed a new era of trust and cooperation at Elecatra Products‚ Barbara’s friend Harry expressed doubts. He said: Garbage like empowerment isn’t a substitute for hard work and a little faith
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