Lucia Chimienti-Castro Mr. Bottos ENG-3UP January 2‚ 2015 Seeing Tragic Heroes Through a Sequence A sequence is a set of related things‚ but obviously some things are more relative than others. Let us say you had two circles and one oval‚ sure an oval could join the sequence since it is spherical with no sharp edges but the other circle is more related
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A Justified Tragedy The Tragedy of Romeo and Juliet written by William Shakespeare is considered part of the tragic genre‚ and justly so. Throughout the play‚ aspects that align with the Greeks definition of tragedy appear frequently. Because of the multiple appearances‚ combined with many other aspects‚ Romeo and Juliet‚ is indeed a tragedy. The characteristics of Romeo and Juliet fit those required of a tragic protagonist. Romeo and Juliet come from “Two households‚ both alike in dignity”
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to identify the tragic hero - noble stature‚ tragic flaw‚ free choice‚ the punishment exceeds the crime‚ increased awareness‚ and produces catharsis. Although Romeo‚ the tragic hero of the novel‚ displays examples of all six elements‚ in the following analysis‚ three elements are discussed - noble stature‚ the punishment exceeds the crime‚ and produces catharsis. First‚ Romeo‚ the son of the powerful Montague‚ holds a high noble stature in Verona. In Act 1‚ Benvolio makes reference to his "noble
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Othello’s character‚ circumstance and the eventual catharsis of fear and pity are the qualities that make Othello a tragedy. Othello’s position of eminence accentuates his eventual downfall‚ and his tragic flaw is essential in both the circumstances created and in the resulting catharsis. Shakespeare creates an accumulation of fear and pity‚ through the harsh deception of Othello‚ and catharsis occurs when Othello is released from this situation through his death. Through Othello’s position of eminence
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PLAOT ON CENSORING ARTISTS – A SUMMARY In The Republic‚ Plato makes a systematic case for censoring all arts. The task of the Platonic philosopher is to take up the “ancient quarrel between philosophy and poetry” [607b] and to assert the State-enforced dominance of philosophy. To that end‚ The Republic as a whole is a powerful integration of philosophy‚ religion‚ education‚ and politics‚ and its argument for the political suppression of most art follows from that integrated system.
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express and unleash these natural impulses in a controlled and safe environment‚ they engage in these types of entertainment‚ which enables them to forestall their needs to act it out in real life. King refers to it as the “safety valve” theory of catharsis‚ implying that there is a process of cleansing‚ which occurs when people allow themselves to utilize this outlet‚ thereby controlling urges that are deemed socially
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tragedy providing an outlet for built up angst that is built up by empathy with the characters‚ comedy serves the same purpose for providing an outlet for built up angst from‚ in this case‚ society; therefore‚ one can presume that comedy does have a catharsis: that of laughing at oneself. Although it is good to laugh at oneself‚ the way women were portrayed in Lysistrata was reminiscent of the 20th century minstrel shows. Their characteristics were blown out of proportion. So Lysistrata did serve another
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Throughout Oedipus Rex‚ Oedipus demonstrates‚ through dramatic irony‚ hamartia‚ and catharsis‚ changes from an ignorant egomaniac to a humble wanderer after everything is taken away. Dramatic irony‚ where the reader knows something the characters don’t‚ is abundant in Sophocles’ Oedipus Rex. For instance‚ when Tiresias‚ the profit‚ and Oedipus are exchanging words in an argument‚ Tiresias says‚ “I say that you are Laius’ murder”‚ is never accepted by most of the characters‚ yet it was made clear
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tragedies‚ in which the audience would experience a form of emotional cleansing called "catharsis". Throughout the play the tragedy would lead the audience to the realisation that other people suffer much more than them‚ and consequently the audience felt "ekstasis" or a state of relief. Through a discussion of human context‚ mood and symbol‚ it will be discussed how the show was constructed to facilitate "catharsis" and "ekstasis" and consequently become an "offering of healing". Human context has
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Plato’s account of imitation would seem to be relatively simple at this stage; mimesis appears to be translatable as “representation”‚ an expression of character whereby the poet (using dialogue) and the actor (in a dramatic presentation) imitate a character. Furthermore‚ where that imitated character has undesirable traits‚ the imitation is to be avoided. And later‚ in Book X‚ Plato claims that most poetry of necessity contains evil men (in order to produce interest and pleasure)‚ and this too forms
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