When viewers gaze upon Diego Velázquez’s Las Meninas (painted in 1656)‚ they can experience the avant-garde aura of its time as the Baroque painting displays both candidness and movement. In the way that Velázquez painted his work of art‚ Las Meninas can be classified as Baroque Naturalism (Stratton-Pruitt 5)‚ suggesting influence from Caravaggio who painted with realism and strong chiaroscuro (“light-dark” spotlighting tones). The shift from Mannerism to Baroque developed a thematic motto for artists
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cinema art and music. He also includes pictures in posters of famous artists like Picasso and Renoir women. The music in the soundtrack also includes Mozart’s clarinet concerto and French pop radio. The entire story started when the character of Michel Poiccard which Jean Paul Belmondo portrays‚ has stolen a car. While he was driving he passed by two hitch hikers and decides to decline for the thought they were far too ugly for him. Then suddenly‚ he realized that the cops was behind him. He hid
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Critical Theory Cheat Sheet Donald E. Hall. Literary and Cultural Theory: From Basic Principles to Advanced Applications. Houghton Mifflin‚ 2001. Theory Formalism /New Criticism 1920’s forward Reader Response Rhetorical Analysis Marxist/Materialist Analysis Psychoanalytic Analysis Key Ideas -analysis of literary structures (genre; character‚ plot‚ setting‚ etc.) -rejected literature’s historical and biographical contexts -intrinsic meaning of texts; literature expresses
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École de la Communication Introduction to Media Studies ICOE2005 Fall 2012 Mondays 14:45–16:45 Professor: Joseph Bender Course Description What is/are the media? Who produces and influences them and under what circumstances? How do the media represent reality? What effects do they have on the audience? To what extent are the media globalized or different across countries? What is new about the new media? The course considers the nature of mediated communication‚ historical transformations
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Bibliography: 1) Title: Prison‚ inc a convict exposes life inside a private prison / K.C. Carceral ; edited by Thomas J. Bernard. Author:Carceral‚ K. C. Publisher:New York : New York University Press‚ c2006. 2) Title: America ’s prisons : opposing viewpoints / Roman Espejo‚ book editor. Publisher:San Diego‚ Calif. : Greenhaven Press‚ c2002.
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and discipline. Torture was necessary because‚ according to Foucault‚ “partial proofs meant partial guilt”. It was also found extremely helpful in receiving a confession. Breaking a suspect down to the point he or she confesses legitimizes the torture and investigation. Foucault also states that investigations are to be kept secret from the accused. Punishment often involved the convicted felon portraying the crime they committed. Foucault believed showing these actions allowed the public to observe
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2008. Dalrymple‚ William. City of Djinns. New Delhi: Penguin Books‚ 2004. —. The Last Mughal. Breat Britain: Bloomsbury Publishing‚ 2006. Dr. William Koehle‚ Professor Madhu C. Dutta. "The Raj versus the Republic: The Legacy of Lutyens." 2001. Foucault‚ Michel. "Of Other Spaces‚ Heterotopias." 1967. Frykenberg‚ R.E. Delhi Through the Ages. Oxford University Press: USA‚ February 3‚ 1994. Gupta‚ Narayani. Delhi between two empires‚ 1803-1931. Delhi: Oxford University Press ‚ 1981. Krafft‚ E. Ehler and
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References: Foucault‚ M. (1975). Illegalities and Delinquency. In M. Krasny and M.E. Sokolik (Eds.) Sound Ideas (pp. 456-461). New York: McGraw-Hill. Santiago Baca‚ J. (2004). Enemies. In M. Krasny and M.E. Sokolik (Eds.) Sound Ideas (pp. 509-518). New York: McGraw-Hill
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Janvier 1 Ricky ENC 1101 Colegrove Assignment 3 John Berger’s “Ways of Seeing” Through Panopticonism Panopticon is a scheme used greatly by the political hierarchy to manifest social order towards the underclass. It carries the expression of power and it is used as a mean of discipline through the exploitation of surveillance. Panopticonism is a way to control every man in to agreeing with the system that can take many different forms and fashions. John Berger and his views
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‘Self-Help Books and the Pursuit of a Happy Identity’‚ extended version of material from Media‚ Gender and Identity: An Introduction (Routledge)‚ http://www.theoryhead.com. In the previous chapters on social theorists Anthony Giddens and Michel Foucault‚ and the ‘queer theory’ approach to identity pioneered by Judith Butler‚ we saw the emergence of an approach to personal identities which suggests that in modern societies‚ individuals feel relatively unconstrained by traditional views of their
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