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    Metaphysical Poetry

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    Study Guide: John Donne’s “A Hymn To God the Father” By Danielle Beer St Norbert College K7 3B Literature Miss South Introduction John Donne was a sixteenth century metaphysical poet. Born in 1572‚ London‚ Donne lived in a world where scientific discoveries began to overtake the theological society. He was very openly religious‚ and this came through many of his works‚ including A Hymn to God the Father. His marriage and relationship with his wife was also very evident in his some of his

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    Holy Sonnet 10 Although Elizabethan times are characterized by romantic and highly ornamented poetry devoted to the exploration of the human feelings‚ there was also a group of bold poets in the 17th Century who took their words to a rather analytical side of the abstracts aspects of life. John Donne‚ one of Metaphysical Poetry’s main figures‚ stands out for his choice of simple words to approach more complex themes of life. In ‘‘Holy Sonnet 10’’‚ Donne brings Death to human level in which he

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    Metaphysical Poets

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    Amanda Taylor English 1101 Dr. Marla J. Fowler 8-5-12 Metaphysical Poets The term metaphysical poets was coined by the poet and critic Samuel Johnson to describe a loose group of British lyric poets of the 17th century‚ whose work was characterized by the inventive use of conceits‚ and by speculation about topics such as love or religion. These poets were not formally affiliated; most of them did not even know or read each other (Wikipedia). Their

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    separation. In fact‚ he discovers ways of suggesting‚ through metaphysical conceit‚ that the two of them either possess a single soul and so can never really be divided‚ or have twin souls permanently connected to each other. A metaphysical conceit is an extended metaphor or simile in which the poet draws an ingenious comparison between two very unlike objects. "A Valediction: Forbidding Mourning" ends with one of Donne’s most famous metaphysical conceits‚ in which he argues for the lovers’ closeness by

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    John Donne as a metaphysical poet John Donne was the most outstanding of the English Metaphysical Poets and a churchman famous for his spellbinding sermons. His poetry is noted for its ingenious fusion of wit and seriousness and represents a shift from classical models toward a more personal style. Donne’s poetry embraces a wide range of secular and religious subjects. He wrote cynical verse about inconstancy (for example‚ Go and catch a falling star and I can love both fair and brown); poems

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    poetry

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    "the untestable‚" which is perhaps understandable for its practicality‚ but deeply flawed as both philosophy and social policy. Flawed as philosophy‚ because testability is not even a metaphysical distinction‚ but an epistemological one‚ and yet in the real world everyone uses the word “supernatural” to make metaphysical distinctions. And flawed as social policy‚ because the more that judges and scientists separate themselves from the people with deviant language‚ the less support they will find from

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    Poetry isn ’t just rhyming couplets. Many styles of writing covering various themes‚ and originating from many historical periods‚ can be classified as poetry. The thematic content and stylistic characteristics of Cavalier poetry and metaphysical poetry often cause comparison between the two styles. However‚ similarities like their thematic concern with love and their prominence during the 17th century are outnumbered by their differences. Other People Are Reading Different Styles of Rhyming PoemsThe

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    THE METAPHYSICAL POETS BELIEVED IN SEIZING THE DAY. DISCUSS WITH REFERENCE TO TWO POEMS In defiance of‚ and in gesture of confrontation to‚ a conservative‚ paternalistic‚ and religious world‚ the metaphysical poets John Donne and Andrew Marvell present a new mode of thinking; one not governed by the hope of heaven‚ but by faith in the flesh. The poetry highlights and reinforces the spontaneity of lust while underscoring the fact of human mortality. Challenge conventions and conservative ideology

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    John Donne’s poetry conveys the message that metaphysical poetry is dependent on unpredicted imagery and symbolism. This is expressed through A Valediction: Forbidding Mourning and The Canonization. The usage of Sexual ecstasy‚ the microcosmic and macrocosmic and odd connotations with love are the main characteristics of John Donne’s metaphysical poetry. Sexual Ecstasy is concealed behind religious enlightenment. This is expressed in The Valediction: Forbidding Mourning. The “profanation of our

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    Donne's Poetry

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    about. It will examine the metaphysical poets‚ and discuss the techniques employed by them to express their views. “The Relic” consists of three 11-line stanzas which incorporate tetrameter (four metrical feet)‚ pentameter (five metrical feet) and two tri-meter (three metrical feet) lines per stanza. It is written mainly in iambic pentameter and has a rhyming pattern of aabbcddceee. This gives the poem a songlike quality which is associated with this type of lyric poetry. Each stanza is made up

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