Solidad Reyes’ view on Literary History‚ Literary Theory and Literary Criticism In an attempt to solve different problems and issues in Literary Studies such as the effects of major trends to modern Philippine Literature‚ role of the audience and critics in studying text‚ three areas of literary study was explained‚ literary history‚ literary theory and literary criticism and their integration to Philippine Literature. Each area was explained based on their individual roles or impacts in the study
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"Terrorist‚ He’s Watching" by Wislawa Szymborska explores the anticipation of a real life terrorist bombing. The poem is narrated from a third person omnipresent point of view‚ in a very matter-of-fact tone. The scene described shows various customers entering and exiting the bar in the minutes leading up to the bombs detonation. A few of them that are close to death get away‚ and one man even escapes and the re-enters the bar‚ seconds before it turns into a fiery explosion. The author’s purpose
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Introduction to literary theory Theory Kind of speculation‚ it’s analytical Interdisciplinary discourse (debate) with effects outside an original discipline (Culler) Critique of common sense‚ of concept taken as natural What is literature? Elusive term (always changing) Modern sense – 200 yrs old Prior to 1800 literature was „memorized“ not interpreted In fiction the relation of what speaker say to what authors think is always a mater of interpretation Dictionary: imaginative or creative
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Formalist Criticism: All the basics necessary for understanding the work are limited within the work by itself. What is most noticeable of the formalist critic are the basics of form-style‚ structure‚ tone‚ imagery‚ etc.-that are found throughout the text. The key for formalist critics is to determine how such elements work together with the text’s subject to shape its effects upon readers. Biographical Criticism: This is a more practical method by which readers can better understand a text. However
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The New Criticism and Formalist Analysis 09/12/2012 Methodology #1 The New Criticism and Formalist Analysis In the new criticism and formalist analysis the author is portraying a point as to which in todays day and age no matter what we read whether is may be a poem‚ short story‚ novel‚ etc. we as humans are already making valued and momentous distinctions. The author also presents that us as critics today have self-awareness in the use of language and a clear comprehension of the backgrounds
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page intentionally left blank FREUD’S LITERARY CULTURE This original study investigates the role played by literature in Sigmund Freud’s creation and development of psychoanalysis. Graham Frankland analyses the whole range of Freud’s own texts from a literary-critical perspective‚ providing a fresh and comprehensive reappraisal of his life’s work. Freud was steeped in classical European literature but seems initially to have repressed all literary influences on his scientific work. Frankland
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Redaction Criticism and Textual Criticism Introduction Imagine yourself excitedly waiting for a movie‚ about your favorite novel‚ to come out. Finally the day comes when it starts showing in the theatres. You used all your connections to be able to get premiere tickets for the movie. You are about to watch the movie about your favorite novel… Coming out of the theatres‚ you feel cheated. All the excitement‚ all the hype left you disappointed. You say to yourself‚ this isn’t what was in the
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New Criticism vs. Reader-Response A piece of work can be evaluated in plenty of ways. Critique methods such as Reader-Response‚ Deconstructive Criticism‚ New Criticism‚ and many others act as examples of literary evaluations. All of the critique methods share similarities‚ but differ in other ways. Reader-Response and New Criticism‚ for example‚ share characteristics but they are also two very opposing things. Reader-Response focuses on attention towards the text influenced by the reader’s thoughts
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Essay of ‘New Criticism’ Approach and its Application on Jake Allsop’s “Gossip” Aditya Rizky Ramatio Yuni Astuti Edwin Yogi Andrean Laksmi Nuraningsih Literary Criticism Wednesday‚ 13.00 – 14.40 p.m. ‘New Criticism’ Upon close examination of these discussion questions‚ a distinct pattern or methodology quickly becomes evident. This interpretative model begins with a close analysis of the poem’s individual words‚ including both denotative and connotative meanings‚ and then move to a discussion
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understanding‚ applying‚ and using Queer and feminist theory‚ or rather being able to view the world through the Queer and/or Feminist lens. I have worked with some theories before‚ including Formalism‚ Marxist Criticism‚ Feminist Criticism‚ New Historicism‚ and Ecocriticism‚ so the idea of literary theory is not foreign to me. The feelings and thoughts that books create lead to interesting discussions with different people. Each person has had unique experiences‚ and all of a person’s experiences up to
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