Arthur Miller’s play‚ The Crucible‚ Reverend Hale evolves from a pompous man to a more cynical mad being. He enters Salem with extreme confidence in his belief that witches are present in Salem. As the trials go on‚ Reverend HAle begins to notice just how ridiculous and false the girl’s accusations were. In a short period of time‚ Reverend Hale loses faith in witchcraft and evolves into a more cynical man. In the beginning of the play‚ Reverend Hale is a pompous and knowledgeable man who seeks
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were thought to be present in Salem‚ Massachusetts‚ Reverend John Hale was summoned from a nearby town to determine whether a group of teenage girls were truly conjuring witches or just having fun. As Hale tried to unveil all of the lies and resolve the truth‚ he completely changed as a character.
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Massachusetts‚ in 1692‚ Reverend John Hale evolves from a self-confident witchcraft expert to a broken man who attempts to save lives. When Reverend Hale first arrives in Salem‚ he walks into the Parris’ home with an air of intelligence and great knowledge. As he situates himself in the house‚ he says to Mr. Parris‚ “… they [the books] are weighted with authority”‚ indicating that the books will decide whether a person is a witch or not (1.712-13). In Act I‚ Hale is the main person that begins the
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accuser‚ or the scholar may become the humanitarian. This manner of characterization is best shown in the relationship between Reverend John Hale and Deputy Governor Danforth. Each is objectified to the events in Salem as they come into the situation with no attachments to any of the other characters and are unfamiliar with any of their mannerisms or personalities. Hale is a well-read minister who relies upon his books. Danforth is a reputable judge who relies on consistent input and prodding. Both of
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becomes very ill‚ he calls Rev. Hale to Salem. Hale’s job is to find any form of witchcraft and to get rid of it. Over the course of the play‚ Rev. Hale experiences a transformation in his beliefs from the beginning of the play to the end. Reverend Hale has three different emotions throughout the play. When Hale is introduced in the the beginning of the play‚ he is passionate and very confident about finding witchcraft and getting rid of it. In the middle of the play‚ Hale is frustrated and he does not
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Reverand Hale a changed man “We shall need hard study if it comes to tracking down the Old Boy.” As Reverend Hale spoke these words he became a dynamic character in The Crucible. He was an intellectual‚ confident man‚ who became a desperate minister in the end. The three strongest characteristics of Reverend Hale’s change are his self-confidence‚ his reliance on knowledge‚ and his desire to save people. “I came into this village like a bridegroom to his beloved‚ baring gift of high religion;
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Reverend Hale is talking to John Proctor and Corey Giles about the imprisonment and charges against Rebecca Nurse and Giles’ wife. In the upheaval caused by the accusations Abigail‚ Betty‚ and Mary Warren gave‚ John Proctor’s word that they are lying means nothing. Hale cannot control the town anymore and is left to almost begging for more time to get confessions from those accused and to gain reason from the town. Abigail is trusted and believed because of her family tie to Reverend Parris. Since
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One of these characters was Reverend Hale of Beverly. As Hale came into Salem‚ his goal was to preserve goodness. He knew that his work was admired and respected by the common people and he was proud of this. He was confident that he would do his duty in Salem. Yet the more time Hale spent there‚ the more he changed his opinion on the situation. As the story progressed‚ Hale’s attitude changed from confidence to concern to outrage‚ and finally‚ to guilt. When Hale came to Salem‚ "to ascertain witchcraft
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A specific character‚ Reverend John Hale‚ is an expert in demonic arts and witchcraft. He is also one that provides the acknowledgement to both sides in the play. Reverend Hale is called to Salem to ascertain these reports of witchcraft. As an expert‚ he is looked upon as a savior to the town. Over the course of Miller’s play‚ Reverend Hale’s viewpoints on the accusations within the
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important to note that the premise of Act 4 isn’t to provide “filler”‚ although in tragedies‚ the idea that there need to be events to tie the ‘deaths’ in ACT 3 [Polonius] and the major climatic turners [The Mouse Trap‚ Claudius praying‚ Hamlet’s encounter with Gertrude and the reappearance of the Ghost] provides a means for Act 4 to provide the mechanism of “jointure for dramatically altered events to take shape” (Frye) Additionally‚ the methodology of Act 4 is often rife with awfully “unfortunate
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