Building a Bridge to the Eighteenth Century By: Neil Postman Neil Postman identifies himself as a "neo-Luddite". What bothers Postman most is the fact that the great innovators of this time have no frame of reference other than their own experience‚ and that experience is only that of the 20th century. Advocates of trends such as information superhighways and economic globalization appear to know nothing of history‚ philosophy and culture; they live digitally in the hollow present.
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History 308 Mid-Term Exam October 8‚ 2012 18th century monarchy Royalty and power has always been one of the major underpinnings of Western Civilization. Throughout the course of European history‚ empires have risen and kingdoms have fallen. The eighteenth century marks a time of great change and diversity for European empires and monarchs. It was a time of enlightenment‚ a break from custom and tradition‚ absolutism and constitutional rule. Based on this great rate of change‚ diversity
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Industry: Rags-Riches: The idea that anyone can come to America to follow the American Dream. They can be a person that has nothing at one point in their life to become a person that is super rich. Get money‚ get paid. Example would be Carnegie being inexperienced and then owning Carnegie hall and like everything. Captains of Industry: During the days of the American Industrial evolution‚ names such as Carnegie‚ Morgan and Rockefeller regularly appeared in leading newspapers around the country
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Since the beginning of the 16th century‚ religion played a vital role in terms of individualism and government laws. During this time‚ many migrants left their homeland‚ in search of religious freedom‚ although they discriminated against other religions‚ ironically. In America‚ even though‚ Catholicism and Protestantism were major religions‚ Protestantism created two key branches‚ Anglicanism and Calvinism. In spite of religious differences‚ religious tolerance increased‚ to provide peace and end
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During the 17th century and the 18th century‚ European world states embraced mercantilism‚ or an economic system that “saw the world’s wealth as fixed‚ meaning that anyone country’s came at the expense of other countries.” (Tignor et al‚ 482). According to British commercial expert Malachy Postlewayt‚ the principles of mercantilism were there to ensure that “the lasting prosperity of the landed interest depends upon foreign commerce” (Tignor et al‚ 482). Mercantilism allowed European motherlands
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(Dolan‚ 1995). In addition‚ anyone who dissented from the Puritans‚ such as the Quakers‚ were either killed or exiled from the colony because they “posed a threat to the order and harmony of the Massachusetts colony” (Dolan‚ 1995‚ p. 20). By the 18th century‚ however‚ Puritans began to tolerate the existence of some other religions‚ but church and state were still not separated. The key word there is ‘some’ because the Puritans still discriminated against Roman Catholics and Jews (Dolan‚ 1995). It
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The 18th century theatre » The beginnings of American theatre The strongly Puritan sentiments of settlers in North America prohibited the development of theatre until the early 18th century‚ when a number of English actors arrived in the South and began staging plays in temporary venues. The first theatres were built in Williamsburg‚ Va. (c. 1716)‚ and Charleston‚ S.C. (1730). By the mid-1730s a number of theatres had opened in New York‚ and in 1752 the first visiting company from London performed
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In the early 18th century‚ North America was divided into the English speaking colonies‚ the French-speaking colonies‚ the French colonies which included Acadia and Louisiana; and Spanish territories in the South-West in the USA. There was no clear line of what Canada was and what the USA was. The border areas were dangerous places at that time as the tension between Britain and French was clearly tangible. The territory of Acadia has gone through multiple changes of claims. In 1613 British people
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strophic songs set syllabically to music in four parts. The frottola was secular and the lauda was sacred. A True B False | 2. The most important secular form in France in the 16th century was the___________. Pierre Attaingnant published about 1500 of these pieces. A chanson B madrigal C lute song D frottola | 3. Secular songs in 16th c. France often used sounds that were descriptive of bird calls‚ street cries‚ battle sounds‚ etc. One of the most famous composers of this kind of music was: A Perotin B
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tobacco. But once the servants had served their terms of indenture‚ they became free men and women‚ and were given fifty acres of land. Their indenture was usually seven years. The supply of indentured servants slowed down by the end of the seventeenth century‚ and planters slowly began to shift to slave labor. Virginia planters started to get involuntary slaves. They imported large numbers of African slaves. The majority of blacks that lived in Chesapeake worked on tobacco plantations and large farms.
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