“Betrayal” by Harold Pinter 1975 Scene Three (FULL VERSION). Flat. Winter. JERRY and EMMA. (Silence) JERRY What do you want to do then? (Pause) EMMA I don’t quite know what we’re doing‚ any more‚ that’s all. JERRY Mmnn (Pause) EMMA I mean‚ this flat… JERRY Yes. EMMA Can you actually remember when we were last here? JERRY In the summer‚ wasn’t it? EMMA Well‚ was it? JERRY I know it seems – EMMA It was the beginning of September. JERRY Well‚ that’s summer‚ isn’t it? EMMA It
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a meeting in order to review the latest forecast figures of fiscal year 2002. 1 When he arrived at the plant‚ the meeting was ready to begin. Others in attendance at the meeting were James Fairday‚ plant manager; Joan Peterson‚ controller; and Harold Pinter‚ personnel officer. John started the meeting by reviewing the latest situation: “I’ve just returned from our annual sales meeting and I think we lost more sales last year than we thought‚ due to back-order conditions at the factory. We have also
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reality and social existence make some of the key modernist principles inapplicable` is the conclusion that Christopher Innes draws in his treatise on Modernism in Drama.1 Still‚ Innes attributes a `modernist vision` to both Samuel Beckett and Harold Pinter with regard to their engagement as playwrights.2 Drawing on this emerging discrepancy the following analysis takes a closer look at Waiting for Godot as well as The Caretaker. Accordingly‚ both plays are analysed with regard to their modernist
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The initial review of Harold Pinter’s The Caretaker generally followed a pattern: the brilliance of the actors was celebrated and the questions of influence‚ primarily Beckett’s‚ were linked to discussions of the relationship between the comic and serious elements in the play. Interpretations of the ’meaning’ varied from the literal to the fully allegorical‚ by way of generalized abstract tags. Subsequent academic criticism‚ deriving from textual study rather than stage performance‚ has early always
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disturbing‚ and mysterious. It sabotages the family by recognizing it as the perfect unit for delivery of pain and humiliation‚ the perfect power field on which to destroy or infantilize one’s opponents (who are all the other family members). In early Pinter‚ say up through 1965 when The Homecoming was first performed in London‚ the turf war reigns supreme. Here we have a large home in unfashionable North London‚ inhabited by four men: Max (brilliant played by McShane)‚ the aging aggressive patriarch;
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FIGHT THE POWER Maladjusment‚ n. – a failure to meet the demands of society‚ usually reflected in emotional instability Is it a bad thing in a sociaty like this one‚ in particular? This world order‚ which explicitly treats women as weaker and less valuable than man‚ other races as weaker and less valuable then whites‚ poor as weaker and less valuable than rich‚ ironically calls itself democracy. They might call it democracy. They might call it equality. But we? We want THE TRUTH.
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Harold Hardrada Harold son of King Sigurd and half brother to king Olaf II‚ was severely wounded at Stiklarsladir fighting at the age of 15 against the largest army ever assembled in Norway. Leaving his dead half brother‚ he took refuge in a lonely farmhouse. His health recovered‚ he crossed into Sweden. From there he went to Novgorod‚ where he was well received by Prince Yaroslav and in 1032 assisted him in a Polish campaign. Accompanied by a personal following of 500 warriors‚ Harold followed
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is unevenly balanced Ben appears much more secure‚ while Gus emerges anxious and uncertain in his relations with Ben. From the very beginning of the play it is clear that Ben and Gus’s relationship is unbalanced by an unequal division of power as Pinter creates a scene which is comparable to a master keeping a watchful eye over the activities of his slave. As the play opens Ben sits in silence reading a newspaper while observing the activities of Gus. As Gus “kneels and unities his shoe lace” we
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CHARACTER OF DAVIES IN CARETAKER BY HAROLD PINTER Davies‚ an old tramp‚ is the protagonist in The Caretaker. His portrayal‚ says Ruby Cohen‚ is "a bitter commentary on the human condition". In their attitudes towards the old man‚ the human derelict‚ the two brothers present only surfaces contrasts. Mick begins by knocking him down‚ whereas Aston‚ instead of allowing him to die in despair‚ rescues him‚ shares his room with him and opens up home to him. Bother the brothers name the old man as caretaker
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Ivie Efferson 1st block Composition Two: Career Choice Research Paper My Notes Source one: "Harold Shipman." Wikipedia. Wikimedia Foundation‚ 09 July 2013. Web. 17 Sept. 2013. Notes from source one: Shipman’s trial‚ presided over by Mr Justice Forbes‚ began on 5 October 1999. Shipman was charged with the murders of Marie West‚ Irene Turner‚ Lizzie Adams‚ Jean Lilley‚ Ivy Lomas‚ Muriel Grimshaw‚ Marie Quinn‚ Kathleen Wagstaff‚ Bianka Pomfret‚ Norah Nuttall‚ Pamela Hillier‚ Maureen Ward‚ Winifred
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