Within the last two centuries‚ society has made a tremendous push for gender equality. Up until very recently‚ over half of the world’s population had been relegated to a subservient role; the men – strong‚ brave‚ providers – dominated the women – delicate‚ naïve‚ caretakers. Even today in many of the underdeveloped nations of the world‚ women remain submissive. In Saudi Arabia‚ women may face death if they are caught driving‚ while in Afghanistan‚ the average woman has a life expectancy rate of
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The devils advocate -Have to close out someday. Nobody wins them all. -Every dog gets his day. - Revelation 18 New York: “Fallen‚ fallen‚ is Babylon. It has become a dwelling place of demons” “Thou mighty city in one hour thy mighty judgment come. And the light of single lamp shall shine in thee no more.” -Kill with your kindness. -Take a little getting used to. -Love it all you want. -My lips are sealed. -Behold‚ I send you out as sheep amidst the wolves. -Pressure‚ it changes everything
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example of the Revisionist Western‚ given its sympathetic portrayal of American Indians and its sometimes villainous Union soldier characters. The movie won the Best Picture Academy Award against strong competition‚ notably including Martin Scorsese’s Goodfellas and Francis Ford Coppola’s The Godfather Part III. Currently on Rotten Tomatoes the film holds a positive review score of 76%.[7] Because of the film’s popular and lasting impact‚ the Sioux Nation adopted Costner as an honorary member.[8]
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Some scholars criticise Cidade de Deus / City of God (2002) on the grounds that the film represents violence and poverty as a ‘spectacle’ and fails to relate these issues to the wider socio-political context of contemporary Brazil. Is this criticism justified? ‘There are…two kinds of film makers: one invents an imaginary reality; the other confronts an existing reality and attempts to understand it‚ criticise it…and finally‚ translate it into film’ Fernando Biri‚ 1979[1] Fernando Meirelles’s
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ain’t no kid‚ no way. I’m a real man." Such searing dialogue has helped make City of God a global hit. A chronicle of three decades of gang wars‚ it has proved compelling viewing for audiences worldwide. Critics compare it to Martin Scorsese’s Goodfellas. If you believe the cultural pessimists‚ Hollywood pap has driven out films like Cidade de Deus‚ as it is known in its home country. It is a Brazilian film‚ in Portuguese‚ by a little-known director‚ with a cast that includes no professional actors
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1 Oliver Caro ocaro@my.hpu.edu MULT 2060 Dr. Pete Britos 9 December 2014 2 Table of Contents Bio…………………………………………………………………………………………………3 Network Presence…………………………………………………………………………………4 BLOG……………………………………………………………………………………………...5 Comments………………………………………………………………………………………..11 Twitter/Instagram………………………………………………………………………………...13 Group Project…………………………………………………………………………………….29 Magnum PI……………………………………………………………………………………….53 Final Paper……………………………………………………………………………………….55 Final Exam………………………………………………………………………………………
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Monday February 17‚ 2014 Empire of Crime Video Part 1 (A&E) Beginnings o New York Mafia—five families o Bootlegging was initial business o Cohesion‚ discipline‚ organization—Made mafia successful They relied on Money and Muscles o Joe Valachi—first to publicly acknowledge existence of mafia o Vito Genovese Godson interviewed in this film‚ Ralph Caglioti Frank Caglioti—baker‚ trucks used for bootlegging by mob. o Mayor of New York’s dad was threatened o Irish and Jewish gangs made up New York before
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COACH CARTER Production Information Tension mounted as the Richmond High Oilers faced the upcoming basketball championship. The town was wild with excitement over their undefeated team and the bleachers were filled with cheering fans for every game. No one could imagine that on January 4‚ 1999 the community would erupt in dissention and so many lives would change forever when Coach Ken Carter padlocked the gym‚ refusing the players access for failing to keep up their grades. Inspired by a true
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Edward Jay Epstein The Hollywood Economist TEENS AND CAR CRASHES GO TOGETHER After Hollywood lost its audience to television in the 1950s‚ it had to reinvent itself. If it could no longer count on habitual moviegoers to fill theaters routinely‚ it would go into the business of audience-creation. The means studios found to recruit audiences for each and every movie they released was national TV advertising. The tactic that evolved by the 1990s was bombarding a target audience with very expensive
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1. According to all known laws 2. of aviation‚ 3. 4. 5. there is no way a bee 6. should be able to fly. 7. 8. 9. Its wings are too small to get 10. its fat little body off the ground. 11. 12. 13. The bee‚ of course‚ flies anyway 14. 15. 16. because bees don’t care 17. what humans think is impossible. 18. 19. 20. Yellow‚ black. Yellow‚ black. 21. Yellow‚ black. Yellow‚ black. 22. 23. 24. Ooh‚ black and yellow! 25. Let’s shake it up a little. 26. 27. 28. Barry! Breakfast is ready! 29
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