instance‚ in Borderlands/La Frontera: The New Mestiza by Gloria Anzaldúa‚ snakes are once more equated with sacredness in defiance of Christian interpretations of snakes as being evil. Anzaldúa‚ a Chicana‚ says in her book that she “know[s] Earth is a coiled serpent. Forty years it’s taken [her] to enter into the Serpent‚ to acknowledge that [she has] a body‚ that [she is] a body and to assimilate the animal body‚ the animal soul” (Anzaldúa 26). Unlike the European thought
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in life‚ there is always a cause to something and with a cause come’s its effects. In the case of Gloria Anzaldua and Eric Liu we see that the cause of them having to assimilate is because they live in a dominant society to which their culture and identity do not meet the standards of the currents society. This causes them to have to assimilate so that they are able to fit in. In the case of Anzaldua we see that she has to change the way that she speaks because she has been brought up to think that
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The Mission of an Autoethnography In Mary Louise Pratt’s essay‚ “Arts of the Contact Zone‚” we are introduced to the idea of contact zones‚ autoethnography‚ and new ways of looking at common ideas. I wanted to see some examples of what she was really talking about. After reading John Edgar Wideman’s “Our Time” we can see that Pratt’s ideas and terms are accurate because they can be applied to this reading as well as others. "Our Time" is an autoethnography because it uses diffeerent points of
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Contact Zones Within Collegiate Sports The definition of sports is physical activity that is governed by a set of rules or customs and often engaged in competitively. However to fully understand sports‚ especially collegiate sports‚ you must acknowledge the existence of contact zones. Contact zone is a term used to "refer to social spaces (teams) where cultures (players and coaches) meet‚ clash‚ and grapple with each other‚ often in the contexts of highly asymmetrical relations of power (coaches
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TAMING A WILD TONGUE Gloria Anzaldua’s title "How to Tame a Wild Tongue"‚ depending on which angle it is looked at‚ could be seen as a rhetoric question in the sense that the "tongue" and or whatever it stands to signify cannot be tamed. In this case it metaphorically represents her native language-Spanish or Chicano Spanish-to be precise. On the other hand‚ the title could be taken as a statement of ridicule to show the futility or near futility of trying to force a change of language or pattern
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the cultures combining and changes? Cultures are the roots that allow a person to remain grounded and stable‚ providing a group identity while allowing them to flower into an individual. Anzaldua calls attention to the effects of language and language assimilation on a person’s identity and sense of self. Anzaldua argues in “How to Tame a Wild Tongue” that assimilation creates prejudice and goes on to suggest that prejudice has an effect on Chicano/a identities. She writes‚ “Chicanos and other people
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ordinary thing. Therefore‚ writing a response to Pratt’s essay in a language that is comprehendible by regular people can be very helpful to those struggling students. In "Arts of the Contact Zone" Pratt discusses the mix of two different cultures in one area. Where one person is born and lives in a "contact zone" he/she is surrounded by two different conflicting cultures‚ and there are two different languages. She also introduces us with a new word "autoethnography"‚ which means the way in which
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When analyzing Gloria Anzaldua’s writing “How to Tame a Wild Tongue‚” it is important to look at her background. She comes from a very diverse background; her parents were immigrants‚ she was born in south Texas‚ and she identifies herself as a Chicana feminist. The different discourse communities seen through her writing is the struggle she has between the different languages she has to adapt to around different people in her life. Writing from the borderlands between American‚ Mexican‚ Spanish
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take? In her book Borderlands/ La Frontera‚ Gloria Anzaldua uses poetic prose to relate her many years of anger from trying to integrate the clashing morals of her Mexican‚ American‚ and Indian cultures. Anzaldua ultimately concludes that for people caught in this clash‚ decolonization from both Mexican and American society‚ in order to create a new “borderland” culture‚ it is a productive and positive step toward psychological health. Before Anzaldua can give her solutions to the problems borderland
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The idea I took from “To live in the Borderlands Means You” Written by Gloria Anzaldua. The author grew up around U.S and Mexico borderlands. The poem explains facts that happen in the borderlands such race‚ politics and culture. The poet talks about the difficult living in the borderlands‚ struggling to fit in. The author uses a different language through her poem to show that It’s okay to speak a different language when moving to a new culture. The author also talks about how it’s okay to mix
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