Cited: [1] Di Scala‚ Spencer M. (third edition). (2005). Italy From Revolution to Republic‚ 1700 to the Present. Colorodo: Westview Press. [2] Marinetti‚ Filippo Tommaso Emilio‚ (1909) Le Figaro. La Fondazione e Manifesto del Futurismo. From‚ http://users.dickinson.edu/~rhyne/232/Eight/Marinetti.html [3] Meyer‚ Esther da Costa (1995). The Work of Antonio Sant’Elia. Yale Universtiy Press/New Haven & London
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It’s rare that a single work of art can change the course of art history in such a concrete and dramatic way. Marcel Duchamp’s painting "Nude Descending a Staircase (No.2)" is one rare piece that has perplexed and awed many critics. It was widely regarded as a Modernist classic and has become one of the most famous of its time. In this essay‚ this piece of work will be analyzed‚ not only for its famous creator‚ but also for its form as well as its foundations of cubism and futuristic aspects. When
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History is often seen as a way of advancing to the next stage and improving the cultural values of the past. However‚ for T.S. Eliot‚ modernity had ruptured its connection to a more vital past and was as a result impoverished. History is instead characterized by regression and ruptures. In his essay‚ “Tradition and the Individual Talent‚” his idea of tradition shows retrogression instead of progression. Eliot argues that “the whole literature of Europe from Homer” (49) is an archive of works affecting
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Movement When Where Artist Key Characteristics Modernist Topic Pictorialism Julia Margaret Cameron Louis Daguerre The use or creation of pictures or visual images a movement or technique in photography emphasizing artificial often romanticized Pictorial qualities Used as representation of people and historical events Machine aesthetic Impressionism 1870 - 1890 France Alfred Sisley A theory or style of painting originating and developed in France during the 1870s‚ Characterized
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Georges Braque Futurism Futurism began in the early 20th century This movement was associated with concepts of the future‚ such as technology‚ cars‚ and even youth. Futurism was most powerful in Italy The main artist of this movement was Filippo Marinetti Modernism Modernism was popular in the late 19 century and early 20th century The movement was a trend that made humans believe they had the power to create or improve the environment. Modernism was popular in France One main artist for
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Most members were veterans of World War I and had grown cynical of humanity after seeing what men were capable of doing to each other on the battlefields of Europe. -most notable exponent‚ Marcel Duchamp Futurism - led by Italian poet‚ Filippo Marinetti * espoused a love of speed‚ technology and violence - painters made the rhythm of their repetitions of lines. - was presented as a modernist movement celebrating the technological‚ future era Surrealism -depiction of the dream and unconscious
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HAIKU Haiku is an unrhymed‚ syllabic form adapted from the Japanese: three lines of 5‚ 7 and 5 syllables. Because it is so brief‚ a haiku is necessarily imagistic‚ concrete and pithy‚ juxtaposing two images in a very few words to create a single crystalline idea. The juxtaposed elements are linked in Japanese by a kireji‚ or “cutting word”—poets writing haiku in English or other Western languages often use a dash or an ellipsis to indicate the break or cut between the linked images. Haiku poems
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Bethan Exelby How did we come to Contemporary Vocal Music as it is today? An exploration of how the 20th Century has changed vocal techniques. Contemporary Music is a time in classical music history in which all previously set boundaries were pushed and broken in order to discover new things‚ new sounds‚ and new ways of doing things. This is all evident when looking at contemporary vocal music. Before the Contemporary era‚ a vocal performer would only sing or speak. Europe was at the
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Marinetti’s Reasons for Scorning Women Marinetti‚ leader of the Futurist movement‚ possesses a love for danger and progress‚ as well as has contempt for the past (libraries) and women. He boldly proclaims‚ “I wish to vanquish the tyranny of love [and the] obsession with having only one woman‚” (Marinetti‚ “Critical Writings‚” p.33) as a dramatic rejection of traditional views about love and romance because he feels as though they hold back the ideals he promotes. This essay will explore
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A Study on the Deconstructionist Representation in Graphic Design Dong-Sik Hong* *Tongmyong University of Information Technology‚ College of Design‚ Dept 535 Yongdang-dong‚ Nam-gu‚ 608-711‚ Busan‚ Korea dshong@ tit.ac.kr Abstract:Visual communication design has been represented in varied images from ancient society up until the present time. Especially graphic design‚ which has experienced artistic upheaval from modernism and postmodernism‚ has been enabled to deliver messages in a more developed
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