with a different vocal artist for each song. The director of the recital was Dr. Timothy Brent who was also the pianist for the evening. On the bass was a man by the name of the Dale Posey. The final member of the group was Rodolfo Zuniga on the drum set. Unfortunately‚ I did not arrive on time to catch the introduction and the first song. So honestly‚ I could not say how everyone was introduced on stage or in what order‚ but never the less I’m glad that the staff member at the front door granted
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for the raw materials‚ the larger company could use its weight to leverage for better prices. Also‚ by making internally the workers would no longer need to carry and rinse the drums. No longer would a contractor need to come in to wash the drums for the company. Rather‚ the company could find other purposes for the drums efficiently. Another reason is the production has time and equipment to make the mustard. All of the items are in place to make the mustard without any further workers or contractors
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Joseph‚ Jay‚ Reese‚ and Stewie‚ I don’t think I would be anywhere near prepared enough to be a drum major. Today‚ however‚ I am ready‚ and now I just have to prove it to you. To explain where my inspiration for being drum major came from‚ I have to tell a story. I told this story in short during my section leader audition‚ but it is an honest reason (amongst multiple) I am so interested in being a drum major today. It goes back to my sixth grade‚ when I met Joshua Parmley. Josh was immediately friendly
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holding down the overall volume of the track 60 Hz and below - sub bass (feel only) 80(-100) Hz - feel AND hear bass 100-120 Hz - the "club sound system punch" resides here 200 Hz and below - bottom 250 Hz - notch filter here can add thump to a kick drum 150-400 Hz - boxiness 200 Hz-1.5 KHz - punch‚ fatness‚ impact 800 Hz-4 KHz - edge‚ clarity‚ harshness‚ defines timbre 4500 Hz - exteremly tiring to the ears‚ add a slight notch here 5-7 KHz - de-essing is done here 4-9 KHz - brightness‚ presence‚ definition
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Tapia 21 July 2013 Kit Carson New Mexico History Down in New Mexico‚ Kit Carson is known for a lot of things. For example‚ he is known for having a very eventful life. His history of his life is just one big adventure‚ even before he became a legend. He’s known for being a trapper and a guide. He is also known for being an Indian Agent and a soldier. As he grew older while on his big adventure‚ he was getting tired and just want to go home to his wife. Kit Carson’s name is actually
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University of York Department of Electronics Third year Beng Preliminary Report 2012/13 The Development of Intelligent Drum Machines using Cartesian Genetic Programming Student ID (Y6385813) Work For: Julian Miller Due Monday 11th February 2013 Abstract Modern day electronic instruments often produce and perform unrealistic music lacking the subtleties introduced by a real life musician. Other than recording a musician or meticulously editing
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Christopher "Kit" Carson was a famous American frontiersmen born in Madison County‚ Kentucky on December 24th‚ 1809‚ who made an important contribution to the expansion of The United States of America. Kit Carson became a legend due to his name associated with several key events in the Westward expansion. Exploration‚ Encounter‚ and Exchange‚ Christopher Carson experienced a lot of this during his life. In 1818 Kit Carson’s father Lindsey Carson died due to an incident while clearing a field. Kit Carson’s
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Central European Film Allegory‚ metaphor and surreal aspects in the film The Tin Drum In almost all of the studies about The Tin Drum‚ the fact that it is a filmical adaptation of Günter Grass novel is very much present to the extent that most of the theorical works aim to establish comparisons between the book and the movie. Developing a paper about The Tin Drum film without having read the book may seem like a big mistake‚ but the huge advantage of this approach is to conceive the movie as
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"Piano and Drums" is a poem that accurately explores the trying conflict of merging a traditional culture with a new‚ modern civilisation. The author Gabriel Okara‚ who also doubles as the narrator in the poem‚ responds to the drums as his tribal heritage and the simplicity of youth‚ while he sees the piano as the foreign customs irrelevant to the black society‚ with the complexity of experience. Throughout "Piano and Drums"‚ Okara’s choice of diction is used to show his response to the two kinds
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I attended The Wind Ensemble on March 9‚ 2016 that took place in San Jose State University Concert Hall. The program was part of San Jose State University School of Music and Dances performances Spring ’16. There were two conductors for this performance‚ Dr. Edward Harris was the director as well as the main conductor of this performance‚ and the graduate conducting associate Paul Herrea. In this ensemble‚ there were two percussion soloists by Professor Galen Lemmon and Anne Hsu‚ an alumni from SJSU
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