Ngũgĩ wa Thiong ’o ’s Visions of Africa Author(s): Christine Loflin Source: Research in African Literatures‚ Vol. 26‚ No. 4 (Winter‚ 1995)‚ pp. 76-93 Published by: Indiana University Press Stable URL: http://www.jstor.org/stable/3820228 Accessed: 22/06/2010 13:31 Your use of the JSTOR archive indicates your acceptance of JSTOR ’s Terms and Conditions of Use‚ available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR ’s Terms and Conditions of Use provides‚ in part‚ that unless you
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Mrs. Anderson IB English A1 11 December 19‚ 2012 Christianity function in Matagari Ngugi wa Thiong’o’s Matagari catalogs the story of Matagari‚ Guthera‚ and Muriuki as they look for truth and justice across their country. During this journey the story highlights many Biblical allusions that play a major role in the story development and how Matagari‚ primarily‚ looks for truth and justice. In order to understand the text‚ the reader must first understand the basics of Christianity and the
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The Return Ngugi Wa Thiong’o The Return is story about Kamau‚ a man returning home after spending many years away in prison. Kamau has both survived the Mau Mau and being put in prison. The Mau Mau had cost many Black Nationalist’s lives‚ and had seen many more put away in jails. The story begins as Kamau is released from jail. Several indicators are given about Kamau’s health‚ which begins with the description of his back as “slightly drooping” in paragraph two. The reader understands that
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‘Weep Not‚ Child’ is a very powerful book by Ngugi Wa Thiong’o. Published in 1964‚ it is Ngugi’s first book and one of his most acclaimed ones. The story is about the rise of the independence movement and the effects of colonialism on individuals and families. He has explored the political division created in the Kenyan nation‚ community and family from the arrival of British colonialist. Ngugi puts forth the idea of education being the foremost requirement for solving Kenya’s problem of colonialism
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In the novel "A Grain of Wheat" by Ngugi Wa Thiong’o‚ the character of Mugo undergoes a number crisis’ throughout the novel. His presentation in these situations is critical to the reader’s interpretation of him and adds to the impression he leaves them with. His situation in the passage is one of remembrance. This theme runs strongly through the novel and contributes to its overall effect upon the reader. The passage begins with the statement‚ "Mugo went out." This statement has a sense of finality
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A review of ‘Goodbye Africa’ by Ngugi‚ The fascination narrator of ‘Goodbye Africa’ is called third person‚ usually referring to by the narrator as ‘he’‚ ‘she’‚ and ‘it’. It is obvious in the short story that the narrator is merely an unspecified entity or uninvolved person that conveys the story‚ and is not a character of any kind within the story being told. ‘Goodbye Africa’ is narrated by She/he perspective‚ also with subjective narration describing characters feelings and thoughts‚ “She felt
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Cross-Cultural Encounter in Ngugi Wa Thiong’o’s The River Between ------------------------------------------------------------------------------------------------- W. Shivnarayan Assistant Professor of English‚ LDM College‚ Parli Vaijnath 431515 India ------------------------------------------------------------------------------------------------ INTRODUCTION In The River Between‚ Ngugi critically examines and evaluates‚ primarily through the aspect of Christianity the cultural clash
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critical presentation of what socialist realism is using Ngugi Wa Thiongo’s I Will Marry When I Want and Festus Iyayi’s Violence as a case study. The texts have their historical and fictional settings in Kenya and Nigeria respectively. The Marxist theory‚ upon which the socialist realist literature set their canon‚ is that which is characterized with class stratification and struggle. Therefore we see two categories of characters; the Ahab Kioi wa Kanoru‚ Jezebel‚ and the Kiguunda‚ Gicaamba‚ Wangeci
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nationhood‚ is one of a range of ideas - others being birth‚ betrayal‚ heroism and forgiveness - in the novel "A Grain of Wheat"‚ by Ngugi wa Thiong’o. It is conveyed through the words and actions of many characters (especially Kihika‚ Mugo and to a lesser extent Gikonyo)‚ rather than through the author telling us‚ since the narration is that of a third person. Ngugi explains that sacrifice is needed for the greater good of the nation‚ and of the people. The author insists that all members of a community
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In “Decolonising the Mind” Ngugi Wa Thiong’o makes the call to African writers to begin writing literature in their own languages‚ and to make sure that literature is connected to their people’s revolutionary struggles for independence from their colonial regimes. He begins with the historical meeting he was invited to with his fellow African writers in Kampala‚ Uganda. In this conference‚ writers who wrote their stories in African languages were automatically neglected. He also continues to point
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